Rudolf KosowThe brooch (oil painting sleeping beauty surrealism man tennis figurative hair)2019
2019
About the Item
- Creator:Rudolf Kosow (1972, German, Kazakhstani)
- Creation Year:2019
- Dimensions:Height: 51.19 in (130 cm)Width: 59.06 in (150 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU90714669422
Rudolf Kosow
Like images from a dream, Rudolf Kosow’s Surrealist figurative and still-life paintings and drawings conjure into reality otherworldly and absurdist scenes.
Kosow was born in 1972 in Karaganda, Kazakhstan. From 1994 to 2000, he studied painting at the city’s State Academy of Fine Arts.
Now based in Germany, he divides his time between Stuttgart and the town of Laichingen. He creates oil paintings based on three subjects: humans, animals and landscapes. He invites the viewer to interpret each work’s enigmatic message. For instance, in Contact, an astronaut is seemingly unaware of a colossal cat’s peering eye. In Missing Pieces, Kosow depicts a couple considering the whereabouts of slices taken from a giant Black Forest cake.
Kosow also explores the nature of human relationships in his portraits, such as Couple and Discord. Capture features a large-scale image of a sleeping girl juxtaposed with a miniature soldier standing guard.
“I try to paint things as realistically and as close as possible to enhance the real impression,” Kosow says in his artist’s statement. Although the imagery in his paintings and figurative drawings can be strange and somewhat unsettling, Kosow’s unique interplay of light and shadow creates a sense of “calm, harmony and peace.”
Kosow has exhibited across Germany and France. His works are sought by collectors of 21st-century Surrealist art.
On 1stDibs, find a range of Rudolf Kosow’s paintings, drawings and more.
- ShippingRetrieving quote...Ships From: Laichingen, Germany
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Discord (couple oil painting suitcase vintage nostalgia sleeping beauty skin)By Rudolf KosowLocated in Quebec, QuebecIn this painting, the painter tries to portray the young sleeping, lying and oversized figure of a woman as part of the landscape. Who likes to be this person and what is she doing i...Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil
- Couple (oil painting woman portrait man flesh tones sleeping beauty vintage)By Rudolf KosowLocated in Quebec, Quebec"The significant size difference plays with the perception of the viewer, perhaps confused, one asks oneself the question, if what is shown much larger, is also much more important ....Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil
- Capture (girl soldier surrealist oil painting sleeping child portrait figurativeBy Rudolf KosowLocated in Quebec, QuebecTrapped, imprisoned and guarded - are there reasons to do so? Maybe "She" is dangerous, or possibly quite harmless, she is dreaming and serene. keywords; surrealism, portrait, oil p...Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil
- Couple (oil painting surrealist red hair woman man portrait figurative fleshBy Rudolf KosowLocated in Quebec, QuebecThe significant size difference plays with the perception of the viewer, perhaps confused, one asks oneself the question, if what is shown much larger, is also much more important .....Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil
- Repose (sleeping beauty woman hair portrait figurative oil painting flesh tonesBy Rudolf KosowLocated in Quebec, QuebecIn this painting, the painter tries to portray the young sleeping, lying and oversized figure of a woman as part of the landscape. Who likes to be this person and what is she doing i...Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil
- Together (oil painting vintage couple figurative nostalgia sleeping beauty fleshBy Rudolf KosowLocated in Quebec, QuebecMental closeness connects two dissimilar beings, despite great differences. keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary...Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil
- The King's Bride of Double HonorLocated in Ibadan, OyoThis Piece was inspired by the story of the Bride of a King. She was so loved by the King because of her great beauty, but the people of the Land loved her so much, not just for her ...Category
21st Century and Contemporary Surrealist Portrait Paintings
MaterialsOil, Canvas
- Be A ManLocated in Ibadan, OyoBeneath my sturdiness is a puddle surrounded by the moistness of fresh mud- soft and mushy- and it’s how I learned to nurture and love flowers. I’ve been told my best trait has to b...Category
21st Century and Contemporary Surrealist Portrait Paintings
MaterialsCanvas, Oil
- "Mechanical Heart" Contemporary Green and Yellow Surrealist Portrait PaintingBy Henry David PotwinLocated in Houston, TXColorful surrealist painting done by contemporary artist Henry David Potwin. This work shows a man with pastel colored features opening his shirt to reveal his mechanical heart and robot parts set against a vivid, yellow background. Signed at bottom right corner. Titled and dated on reverse. Currently unframed, but options are available. Artist Biography: Born in Dallas, Texas David Potwin is the oldest of three children. He first started to paint at the age of 8 years old. As a young boy, Potwin's family would summer vacation in Taos, New Mexico. During the family vacations in 1965, he met artist Eric...Category
21st Century and Contemporary Surrealist Figurative Paintings
MaterialsCanvas, Oil
- "Go With The Flow" Fantasy and Surreal Oil on Canvas by acclaimed British artistBy George UnderwoodLocated in Southampton, NYIn continuing with representing fine artists that are connected to the music industry we are please to announce that we are the only gallery in the United States representing the wor...Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil
- The Vision - Surreal Black Female PortraitLocated in Miami, FLThis earlier work depicts an unexpected multicolored cone extending from the subject's eye. It represents a field of vision for a young Haitian female who gazes up. It reminds me of something Man Ray or the Dadaists did. Duval-Carrié's work is more than eye-opening. Signed lower right Work is framed - Framed Size - 18 x 22 Edouard Duval...Category
1980s Surrealist Portrait Paintings
MaterialsCanvas, Oil, Acrylic
- "Opulence 12" Mixed Media PaintingBy Aiden KringenLocated in Denver, COAiden Kringen's (US based) "Opulence 12" is an original handmade oil painting that is unframed, but ready to hang. About the Artist: A kaleidoscopic fantasia—crystalline planes floating in space, nestling together like immaculate puzzle pieces—abstract nebulae, human figures and faces enveloped in swirling fields or particles of energy—these number among the images evoked by the hauntingly enigmatic paintings of artist Aiden Kringen. Within this worldview a mysterious network of interlocking planes becomes visible to the beholder: mystical fields of unknown substance revealed as the building blocks of our bodies and semblances, surrounding, cocooning, perhaps even protecting us. It is a vision verging on the mystical, which Kringen portrays through a distinctive style: a fractured, cubistic mode of conscious- ness in which multiple dimensions or perspectives assimilate into an ecstatic whole. The artist deploys this style in opulent and seductive portraits as well as abstract tableaux whose optical signature is magnified by compositional dynamism and deeply layered surfaces. Born in Los Angeles in 1992, Kringen lived variously in the American West and Mexico—Sebastopol, Jalisco, Portland, Flagstaff—before settling in the hill- and vineyard-dotted environs of Sonoma, County, where he is now based. In these very different environments, each of which possesses a uniquely picturesque natural beauty, the artist began from an early age to develop his aesthetic approach. He has always had a keen eye for detail, grounded in a gift for looking closely at the human experience. “I’ve always been interested in observing people,” he recalls, “and in the details of how we interact with one another.” He put this natural ability to task when he began working on illustration and graphic-design projects while in high school. From his mother, an artist and graphic designer, he learned the fundamentals of composition and typography, the nuances of positive and negative space and the relationships between them. Using sheets of Letracet—a system for transfer- ring typeface—proved particularly instrumental in developing a methodology for layering and collage, which continue to inform his works on canvas and paper. He learned old-school tech- niques, hands-on and mechanical, in keeping with a Bauhaus-like appreciation for perfectionism, integrity, and hard work. Kringen began painting at 14. Then as now, drawing was central to his approach. He studied vintage anatomy atlases and drew meticulously in his journals, working through myriad permutations of bones and skin, angle and pose, muscles in motion. Honing his natural talent for figuration through long and exhaustive study, he arrived at an understanding of the figure that is both intuitive and virtuosic. On acrylic and mixed media on canvas, Kringen lays down linework with a Micron pen in ever-more-complex compositions, often with the addition of gloss mediums to bring out the layers’ reflectivity and prismatic character. In some pieces he incorporates gold and silver leaf to heighten drama and luxuriance, recalling the mosaic-like work of Gustav Klimt—who, along with fellow Austri- an Expressionist Egon Schiele, stands among Kringen’s most prominent influences. It was in 2011 that he began painting in the style with which he is now most associated: a technique fusing drawing and painting, line and brushstroke, with fragmented shapes undergirding the imag- ery. Notably, this is not simply a stylistic conceit, but more a way of perceiving reality. “Ever since I was young,” Kringen notes, “I’ve spent most of my time observing people: trying to break people down, in a visual sense, into small categorizations of their features, their mannerisms, the way they twitch their nose...” His hypersensitivity to likeness and gesture is key, for this is what distinguishes his portraits from those by artists who strive to depict idealized beauty as an end in itself. Yes, there is an undeniable beauty to Kringen’s subjects, but it does not follow strictly conventional paradigms. There is an individuality, a capturing of idiosyncracies and eccentricities, of optimism and fatalism, light and dark, in his work. He is not painting archetypes, but rather illuminating the essential charac- ters of real people in a highly refined genre of psychological portraiture. The fragmented linework, the grids of planes he uses as lenses to focus these characteristics, is sui generis but never gimmicky; above all it is a tool for defining and refining the features of the face, adding depth and definition. In his abstract work he uses similar techniques, paring the fabric of perception itself down to bare essentials of form, color, and texture. The abstract pieces are simultaneously elegant and complex, combining the sweeping gesturalism of Abstract Expressionism with the rigorous structure of geomet- ric painting. Across the breadth of his output Kringen balances technical and thematic polarities into bracing integrations of sensuality and grittiness, inviting contemplation into the nature of opticality and the infinite possibilities of the seen and unseen. —Richard Speer is a contributor to ARTnews, Artpulse, Visual Art Source, and Surface Design. His essays and reviews have appeared in The Los Angeles Times, The Chicago Tribune, The New York Post, The Oregonian, Salon, Newsweek, and Opera News. He is the author of “Matt Lamb...Category
2010s Surrealist Portrait Paintings
MaterialsCanvas, Oil, Acrylic