Wes Hempel

Calling (study), not framed

2018

Millennials were raised to strive for the best possible life, because that is what had been given to them — access to opportunity, and the emotional support they’d need to achieve it. Hovering family and friends laud their successes, listen to their complaints, and clear the paths of the obstacles and challenges that made their own experiences so trying. And yet, despite this foolproof, cushy narrative that was created for them, millennials struggle, leaving the generation that raised them wondering — what happened? With the unrelenting exposure to news, social media, and the increasing societal pressures to “achieve” what their parents did amidst a completely different economy and culture, paralyzing anxiety and fear of the unknown future have taken root in their young minds. At the same time, they acknowledge and celebrate the diversity of their experiences, of race, sexual identity...

Millennials were raised to strive for the best possible life, because that is what had been given to them — access to opportunity, and the emotional support they’d need to achieve it. Hovering family and friends laud their successes, listen to their complaints, and clear the paths of the obstacles and challenges that made their own experiences so trying. And yet, despite this foolproof, cushy narrative that was created for them, millennials struggle, leaving the generation that raised them wondering — what happened? With the unrelenting exposure to news, social media, and the increasing societal pressures to “achieve” what their parents did amidst a completely different economy and culture, paralyzing anxiety and fear of the unknown future have taken root in their young minds. At the same time, they acknowledge and celebrate the diversity of their experiences, of race, sexual identity...

Millennials were raised to strive for the best possible life, because that is what had been given to them — access to opportunity, and the emotional support they’d need to achieve it. Hovering family and friends laud their successes, listen to their complaints, and clear the paths of the obstacles and challenges that made their own experiences so trying. And yet, despite this foolproof, cushy narrative that was created for them, millennials struggle, leaving the generation that raised them wondering — what happened? With the unrelenting exposure to news, social media, and the increasing societal pressures to “achieve” what their parents did amidst a completely different economy and culture, paralyzing anxiety and fear of the unknown future have taken root in their young minds. At the same time, they acknowledge and celebrate the diversity of their experiences, of race, sexual identity...

Millennials were raised to strive for the best possible life, because that is what had been given to them — access to opportunity, and the emotional support they’d need to achieve it. Hovering family and friends laud their successes, listen to their complaints, and clear the paths of the obstacles and challenges that made their own experiences so trying. And yet, despite this foolproof, cushy narrative that was created for them, millennials struggle, leaving the generation that raised them wondering — what happened? With the unrelenting exposure to news, social media, and the increasing societal pressures to “achieve” what their parents did amidst a completely different economy and culture, paralyzing anxiety and fear of the unknown future have taken root in their young minds. At the same time, they acknowledge and celebrate the diversity of their experiences, of race, sexual identity...

Millennials were raised to strive for the best possible life, because that is what had been given to them — access to opportunity, and the emotional support they’d need to achieve it. Hovering family and friends laud their successes, listen to their complaints, and clear the paths of the obstacles and challenges that made their own experiences so trying. And yet, despite this foolproof, cushy narrative that was created for them, millennials struggle, leaving the generation that raised them wondering — what happened? With the unrelenting exposure to news, social media, and the increasing societal pressures to “achieve” what their parents did amidst a completely different economy and culture, paralyzing anxiety and fear of the unknown future have taken root in their young minds. At the same time, they acknowledge and celebrate the diversity of their experiences, of race, sexual identity...

Two paintings by Wes Hempel, Calling, 44x32" and Unexpected Blessing II, 48x32"

American realist painter Carl Bretzke is particularly adept at nocturne scenes which ooze in darkness, reminiscent of Edward Hopper. Bretzke remarks: “What most people don’t notice i...

An oil painting of daffodils in a silver vessell. Situated upon a table, before a window. Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also rec...

This piece, "Fishing on Round Lake", is an 11x14 landscape oil painting on canvas by artist James Jahrsdoerfer. Featured is an afternoon view onto a...

Signed (lower right): Quincy

Title: Home Run Genre: Realism, sports, baseball Subject: People Medium: Oil (this might be acrylic, it feels like oil) on canvas Country: United States Dimensions: framed 23 X 25 sight 17.5 X 19.5 Provenance: Sande Webster Gallery in Philadelphia (bears label verso) Faintly signed lower right (see photos) Andrew Turner was born in 1944 in Chester, Pennsylvania. He was a graduate of Temple University Tyler School of Art. Andrew’s work has been widely acclaimed, with many solo exhibitions and participation in group exhibitions. He has taught art in grades K-12 in the Chester, Pennsylvania Public Schools and in correctional centers. His appointments include Artist-in-Residence and Curator, Deshong Museum, Chester, PA; Lecturer, Widener University; Lecturer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; and, he toured and lectured in The People’s Republic of China. Andrew’s paintings are included in the collections of Woody Allen, Dr. Maya Angelou, ARCO Chemical Company, Bell Telephone Company, Dr. Constance Clayton, Mr. and Mrs. Bill Cosby, Edie Huggins, the artist previously known as Prince, Maya Angelou, Eric Lindros, Mr. and Mrs Louis Madonni, Moses Malone, Penn State University, Prince, Mr. and Mrs. Harold Sorgenti, Swarthmore College, Mrs. Marilyn Wheaton, and Widener University Deshong Museum, just to name a few. He has been featured in numerous solo exhibitions and group exhibitions in the United States and abroad. In an interview prior to his death in 2001, Turner noted, "My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, I look to the jazz idiom more so than to other contemporary visual artists for guidance and inspiration. I tend to measure the success of my pieces by how they stand up technically, emotionally and innovatively to a John Coltrane solo or whether I've captured the spirit of the occasion, a la Duke Ellington. The subject matter, sometimes nostalgic recollections of my days as a young tough, covers a myriad of common folk activities. This one is reminiscent of Purvis Young. "The setting, usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts." Folk Artist, Outsider artist, Folk Art. His work is from the true original street artist such as Purvis Young and the early Brooklyn street art Jean Michel Basquiat. “My paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the Impressionists. However, The setting usually my native Chester, is a beehive of creative stimulation or a deteriorating ghetto depending on my state of mind. At the very least, hopefully, these vignettes of experience will help to provide insight into some African American lifestyles and serve as an inspiration to my students and others to continue the legacy of African American participation in the arts.” He was included in the seminal show PHILADELPHIA (PA). Woodmere Art Museum. In Search of Missing Masters: The Lewis Tanner Moore Collection of African American Art. September 28, 2008-February 22, 2009. Artists: Henry Ossawa Tanner, Romare Bearden, Elizabeth Catlett, Barbara Chase-Riboud, Joseph Delaney, Sam Gilliam, Leroy Johnson, Lois Mailou Jones...

A painting by father and son N.C. Wyeth and Andrew Wyeth. "Puritan Cod Fishers" is a 20th century painting from N.C. Wyeth's commission of murals for the Metropolitan Life Insurance...