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Cindy Shaoul"First Meal in Paris" Parisian Impressionistic Oil Painting of Wine and Cheese 2015
2015
About the Item
An interior scene depicting a bottle of wine and cheese plate atop a long dining room table in Paris. The breeze is being felt through the window, as the curtains sway. There are black and white contrasts with beautiful brushwork and whimsical details. This piece captures the essence of Paris and a nostalgia for the times. A romantic yet mysterious scene which evokes an emotion. This painting is signed by the artist lower left and it comes comes housed in a simple black frame and ready to be displayed with hanging wire on verso.
Art measures 30 x 24 inches
Framed measures 31.25 x 25.25 inches
Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide.
Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich.
Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art studio and has been painting ever since. Shaoul later traveled to Israel and Hungary, and studied abroad for 2 years at the Budai Art Institute, which created lifelong experiences that still influence her art today.
Upon her return to New York City, she continued her artistic education at the Art Students League, working under the tutelage of Joseph Peller, Gregg Kreutz, and Tom Torak, where she learned techniques from the great masters of impressionism. But it wasn’t until she met renowned street artist LA II (Angel Oritz) - who previously worked with Keith Haring - that her work would become strongly influenced by street art and graffiti, propelling her reputation and pushing her into the city’s explosive urban art scene. Shaoul and LA II worked on a collection that was an homage to New York’s streets, where Ortiz and Haring began collaborating when they first met. This style of creation heavily impacted Shaoul’s technique, expanding her voice of discovery and moving her hand, not only from impressionism, but to boundary-free expressions in the abstract world.
While Shaoul honed her skills at the Art Students League, in her studio ‘Dripping Dots’ began a whole new aesthetic. This abstract style started as she would clean her brushes and leftover paint from her pallet onto a new canvas, not to waste the leftover oils, and soon, the motion of cleaning turned into dots on the canvas. She began connecting the dots with linseed oil and this is how the motif of ‘dripping’ was imprinted. For her, it would become a freeing moment while painting abstractly after going to school and learning the
impressionist technique. The experience of discovery with color and emotion in the brushwork became very cathartic, and felt familiar from the times she would collaborate with LA II.
Shaoul would continue to explore new themes in her work. In 2018 she began the ‘Brides’ series which balances her love for impressionism with an abstract hand. While exploring the purity of the feminine form and the drama of French haute couture, she would create a dialogue between the figurative and the abstract. ‘Brides’ would give a new meaning of expression to her practice, and allowed nuances to emerge, demonstrating a whimsical expression of femininity and formality adding a stunning display of awe-inspiring grandeur to her work.
Later, in 2019 she began ‘Hearts’, an extension of her love for abstraction. In this collection, she would fuse a symbol into the abstract. First, she uses a pallet knife to slather thick and rich impasto oil paint directly onto the canvas. Creating worlds of color and rich textures, an exciting new technique that she would become fixated on, allowing the flow of oils to speak for themselves while loading up the pallet knife with several different colors at once. Uncovering how the different colors would interact with one another is what motivates Shaoul in this series. The wild and exotic forms of paint would then propel her to find the colors for the heart that layer on top with a thick brush over the mesmerizing colors. The hearts are then titled after fun themes like ‘candy’, ‘ice cream’, or more spiritual statements like ‘follow your heart’, and ‘free your heart’. The hearts would become a tribute to feelings of independence, childhood memories, and moments of love that inspire and excite.
Publications like Vanity Fair, LUXE, Authority, Aspire Design & Home, among others, have showcased and written about her work. Her works also have been part of charitable auctions like Special Citizens in Bronx NY, Habilitat in Hawaii, American Heart Association in Atlanta and The Art Therapy Project in NYC. Shaoul’s studio is a vibrant and exciting place that is ever-changing with art pieces, tables lined with oil paint tubes, backgrounds for hearts, and new and worked-on canvases that line the walls. She is also a singer and song writer nurturing her passion for music alongside painting. Shaoul lives and works in New York.
PROVENANCE: Lilac Gallery Collection. Consigned by the gallery directly from Cindy Shaoul Studio. The artwork is accompanied by a Certificate of Authenticity issued by the artist. The piece will be stamped from Lilac Gallery on its verso.
- Creator:Cindy Shaoul (1987, American)
- Creation Year:2015
- Dimensions:Height: 31.25 in (79.38 cm)Width: 25.25 in (64.14 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:
Cindy Shaoul
Cindy Shaoul was born in 1987 in New York. She is a visual listed American artist and formally trained. Shaoul has developed a passion for Impressionist street scenes and portraits. With a Hungarian-Persian background that comes from a lineage of artists, Shaoul has matured unique expressions with her voice and story to tell. After completing her professional education at the Emerson College in Boston, she later moved to Israel and Hungary to study culture and science while absorbing the energy of these new cities. In Budapest, she attended the Budai Art Institute from 2007–09, later returning to New York City to continue her artistic education at the Art Students League, where she worked under the tutelage of Joseph Peller, Gregg Kreutz and Thomas Torak. In 2010, she met renowned street artist LA II (Angel Ortiz), who previously worked with Keith Allen Haring in the late 1980s. LA II strongly influenced her style with the powerful impact of 1980s hip-hop and graffiti. They began collaborating on a collection of exciting street art which was later exhibited in Europe. Having built a diverse body of work since her early career ranging from portraits to colorful abstract paintings, Shaoul is constantly reinventing her style working on a range of collections from Pop Culture to City Street Scenes. Shaoul is active in New York and abroad, working diligently on expanding her technique and adding new and exciting elements to her work.
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