Abstract Geometric Interior Paintings

"Ka'aba" Ink on Fabric Painting 16" x 10" inch by Mohamed Monaiseer Mohamed Monaiseer (b. Cairo, Egpyt 1989) gives body and form to immaterial phenomena with works of drawing and p...

"Abstract Script" Ink on Fabric Painting 10" x 4" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of ...

"Abstract Script" Ink on Fabric Painting 85" x 12" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

"Abstract Calligraphy" Abstract Oil Painting 31.5" x 39" inch by KAMAL EL SARRAG

"R Flower" Abstract Acrylic Painting 39" x 28" inch by Elena Lyapina

"Abstract Script" Ink on Fabric Painting 55" x 20" inch by Mohamed Monaiseer * Due to the Ministry of Culture policy, handling time (paperwork) may...

Geometric trompe l'oeil, oil on canvas, measurements 100 x 100 x 3 cm. By Danish artist Peter Kramer, who creates an optical illusion on the canvas through his meticulous brush strok...

I collected meaningful symbols of this brutal war in Ukraine for liberty on this canvas: the leopard as a sign of help with armament, metal from Azovstal, images of the mother's womb...

Sophie Dumont's abstract art transcends mere conceptualization; it is an immersive journey into a realm where each canvas is a carefully orchestrated interplay of graphics and color....

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

"Hemispheres" is a 20" x 13.5" oil on paper abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. The painting is sign...

"Abstract Script" Ink on Fabric Painting 20" x 6" inch by Mohamed Monaiseer Mohamed Monaiseer (b. Cairo, Egpyt 1989) gives body and form to immaterial phenomena with works of drawi...

"Abstract Script 9" Ink on Fabric Painting 16" x 4" inch by Mohamed Monaiseer In this work, I am a developing personal philosophy of the trinity—the uniting of three in one. The tr...

In this pictorial workshop, the artist offers a visual symphony where the color palette comes to life with a dominant of green and blue. These shades create a harmonious blend, immer...

'Blue' glows with serene aqua blue. The abstract meditative painting is inspired by Taoist teachings and meditations, with a focus on color, rhythm and flow. Matuszewski creates medi...

Sophie Dumont invites us to peer into the creative cauldron of her artist's studio. Through the language of geometric abstraction, she reveals the vibrant energy and meticulously orc...

Semi-abstract and very colorful artist's studio with a texture always present and colors that vibrate with the succession of layers on the canvas. The canvases are scattered on the f...

Sophie Dumont's artwork offers a mesmerizing glimpse into the ordered chaos of her artist's studio through the lens of geometric abstraction. The canvas, awash with a myriad of color...

"Abstract Script" Ink on Fabric Painting 81" x 20" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

Artist's studio in a dominant blue with a texture very present and colors that vibrate with the succession of layers on the canvas. Cubic shapes, parallel and perpendicular lines, wi...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Abstract painting of a library with colorful books on a linen canvas From the Renaissance to the 20th century, the book invites us to dive into the imag...

"Architectural Fantasies" is a 40" x 30" gouache on paper, abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. Born...

"Abstract Script" Ink on Fabric Painting 10" x 2"4 inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

My dear art lover, My abstract acrylic artwork "Intensity" isn't about geometric forms which you see ( squares and rectangles). This artwork is dedicated to a "heart- mind connecti...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Bauhau...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This abstract expressive artwork with colorful squares ...

Geometric abstraction of an artist's studio where the canvases are placed pell-mell plunging us into the world of Sophie Dumont and the organized disorder of her studio. The use of t...

"Labyrinthine III" Ink on Fabric Painting 89" x 63" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting o...

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This abstract geometric artwork with squares is called "Story 0.2" While working on this artwork, I was inspired by the idea that every person has its own story of the life with its ups and downs, with the moments of joy, happiness, loss and desperation. This painting is particularly rich in red, blue and black colors mixed with golden color. This artwork is done with acrylic paints on canvas on which a coat of High Gloss vanish was applied. It gives a painting a nice beautiful glossiness. It also protects the artwork from fading, dust, humidity. The painting is sold unframed: it's ready to hang. The edges are painted in black. The choice to sell my art...

'With Geraniums At the Window and Doves On the Roof' is 60 x 12 inches. Matuszewski creates meditative and harmonious color field paintings to invoke a sense of peace through a visua...

"Labyrinthine II" Ink on Fabric Painting 89" x 63" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

"Abstract Script" Ink on Fabric Painting 33" x 12" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Painting of a red artist's studio where the ca...

Dear at lover, I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This abstract geometric artwork with squares is called "Story 0.1". While working on this artwork, I was inspired by the idea that every person has its own story of the life with its ups and downs, with the moments of joy, happiness, loss and desperation. This painting is particularly rich in red, blue and black colors mixed with golden color. This artwork is done with acrylic paints on canvas on which a coat of High Gloss vanish was applied. It gives a painting a nice beautiful glossiness. It also protects the artwork from fading, dust, humidity. The painting is sold unframed: it's ready to hang. The edges are painted in black. My kind advice: you can choose another abstract painting from my "heart-mind connection" abstract series to create one singular art piece ( a diptych or a triptych). The choice to sell my art...

'With Each Step' is 60 x 12 inches. Matuszewski creates meditative and harmonious color field paintings to invoke a sense of peace through a visual rhythm. Each painting starts with ...

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This is the one of them called "Balance". While working on this artwork, I was reflecting on finding balance in life and in relationships. To find balance is not having a black-and-white thinking which means we think in extremes without considering the grey or middle ground. Here an intense painting in primarily black, blue, red, green, yellow, orange tones. The wild but structured elaboration has created a highlight here. This painting is a real eye-catcher that brings that certain touch of color to your home. This artwork is done with acrylic paints on canvas on which a coat of High Gloss vanish was applied. It gives a painting a nice beautiful glossiness. It also protects the artwork from fading, dust, humidity. The painting is sold unframed, the sides are painted on black. It's ready to hang. My kind advice: you can choose another abstract painting from my "heart-mind connection" abstract series to create one singular art piece ( a diptych or a triptych). The choice to sell my art...

abstraction of books in a library in red ocher tones the book appears more as the evocation of a culture than as an everyday object. The affinities of literature and the plastic arts...

"Flower Train" Abstract Acrylic Painting 24" x 39" inch by Elena Lyapina

"Abstract Script" Ink on Fabric Painting 79" x 16" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

Tango Passion, is an abstracted art work, multi layered and impasto textured with elements of printmaking. It is oil and acrylic on canvas. Discover beautiful artwork by Maggie LaPor...

Gates to your dreams. 2023., oil on linen, 140x120 cm Modul artworks from 4 pcs. - 70x60 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art sch...

"Symmetry of Flowers on Blue" Acrylic Painting 32" x 39" inch by Elena Lyapina

Red tango. 2018, oil on canvas, 100x120 cm Abstract composition in red colors Igor Leontiev (1957) - one of the leading independent painters in Latvia ...

"Labyrinthine I" Ink on Fabric Painting 89" x 63" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of three in one. The trinity consists of Energy, Nature, and Source. Energy is located in the heart, where faith and belief originate. The Source is anything that creates: God, the mind, the sun. Nature is material, offering us the tools to make and destroy. The three principles connect, communicate and converse with one another to form the ecosystem in which the human being lives, breathes and works, dependent on the interplay between the elements. The trinity is the value of life. Mohamed Monaiseer (b. Cairo, Egpyt 1989) gives body and form to immaterial phenomena with works of drawing and painting. He has exhibited in many galleries and culture spaces throughout Egypt, and was a prizewinner in the 25th Youth Salon at the Cairo Opera House. He has presented solo exhibitions at Gezira Art Center (2013) and Safarkhan Gallery (2014) in Cairo. In 2015, his work was featured in a group exhibition in Stockholm and a travelling exhibition in Europe and the US. Monaiseer earned his degree in Educational Art from Cairo University...

Acrylic on linen

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

"STATIC" Abstract Acrylic Painting 72" x 72" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

"Untitled B_W" Abstract Acrylic Painting 44" x 40" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

"SPRAY_01" Abstract Painting 40" x 65" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

Large abstract expressionist painting. The palette of blue colour tones with a light textured surface and black ink line work. Contemporary art directly from the artist's studio. This painting is stretched, signed on the back of the canvas and unframed. Framing options are available, please get in touch. The artwork is part of the Interior Of The Mind series by Anna Sudbina...