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Jean-Baptiste-Camille CorotCoubron
About the Item
JEAN-BAPTISTE CAMILLE COROT
(PARIS, 1796 – PARIS, 1875)
Coubron
Vers 1870-1873
Huile sur toile
55 x 40 cm.
Signée en bas à droite
Certificat Lebeau et Dieterle
Publication
Œuvre reproduite dans le catalogue raisonné et illustré d’Alfred Robaut et dans le deuxième supplément à « L’œuvre de Corot », publié par André Schoeller et Jean Dieterle.
Les personnages qui évoluent sur ce chemin boisé sous les frondaisons d’un boccage, semblent déambuler dans une architecture tant le paysage est ici construit. Le choix d’un format vertical accentue encore cet effet d’enfermement. Les arbres, régulièrement disposés en bordure du chemin, forment une structure ; leurs troncs, tantôt verticaux tantôt inclinés, constituent les colonnes et la voûte d’une cathédrale végétale dont les croisées d’ogives en seraient des branchages. L’arbre unique de gauche parait être le pilier sur lequel repose toute la construction. Décentré vers la gauche, le chemin dispute à la rangée d’arbres de droite la primeur du sujet. Les personnages, anecdotiques, sont là pour donner l’échelle. Reste le ciel qu’on aperçoit çà et là au travers des feuillages et qui perce au bout du « tunnel », point minuscule et pourtant déterminant qui permet à notre œil de s’échapper à l’extrémité du chemin.
- Creator:Jean-Baptiste-Camille Corot (1796-1875, French)
- Dimensions:Height: 21.66 in (55 cm)Width: 15.75 in (40 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Basel, CH
- Reference Number:1stDibs: LU2371211761312
Jean-Baptiste-Camille Corot
Corot was a French landscape and portrait painter as well as a printmaker who is considered a great master of landscape painting in the 19th century. A pivotal figure in landscape painting, his vast output (over 3,000 paintings) simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. In the spring of 1829, Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830. The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870.
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