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Blanche Hoschedé-Monet
Le Pont Japonais a Giverny by Blanche Hoschede-Monet

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  • The Garden Near Cailhau By Achille Laugé
    By Achille Laugé
    Located in New Orleans, LA
    Achille Laugé 1861-1944 French The Garden Near Cailhau Signed "A. Laugé 96" (lower left) Oil on canvas “Laugé’s art is one of great sensitivity and controlled reason; he is a mas...
    Category

    19th Century Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Soleil Levant, Vallée De La Dordogne By William Didier-Pouget
    By William Didier-Pouget
    Located in New Orleans, LA
    William Didier-Pouget 1864-1959 French Soleil levant, vallée de la Dordogne (Sunrise, Dordogne Valley) Signed "Didier-Pouget" (lower right) Oil on canvas The majesty of the Frenc...
    Category

    20th Century Realist Landscape Paintings

    Materials

    Canvas, Oil

  • Almond Trees in Spring
    By Achille Laugé
    Located in New Orleans, LA
    This Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in Almond Trees...
    Category

    20th Century Post-Impressionist Landscape Paintings

    Materials

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  • The Bather by Childe Hassam
    By Childe Hassam
    Located in New Orleans, LA
    Childe Hassam 1859-1935 American The Bather Signed and dated “Childe Hassam” (lower right) Oil on canvas Considered by many to be America’s foremost Impressionist painter, Childe Hassam composed his tranquil and intimate oil on canvas The Bather in the early years of the 20th century. The creation of the artwork aligns with a period of Hassam’s career where the artist’s palette was transforming, matching ever closer with the pale and pastel hues of French Impressionists like Claude Monet. Even the subject — a nude woman — represents a greater alignment with the Impressionist project, as artists of the movement and their non-mythological and non-biblical nudes still generated cries of indecency. With Hassam’s signature brushwork and attention to color, The Bather serves as a dream-like vision, serene and sensuous, of a young woman bathing in a lush forest. While the artist's skill for landscape painting is on display, it is Hassam's command of form, light and color that brings this canvas to life. He creates a captivating composition, placing the nude subject in the bottom left of the canvas. The soft, undulating curves of the woman's body in contrapposto and the glow of her fair skin are balanced by the strong verticals and deep earth tones of the tall trees to her right. Hassam delicately frames the nude in the vivid blues of the distant water, building luminous color that further draws the viewer’s eye and results in a somewhat voyeuristic appeal — endowing his nude with both a natural innocence and an intentional sensuality. Born in Dorchester, Massachusetts, Childe Hassam began his artistic career as a freelance illustrator, working for national publications such as Harper’s Weekly, Scribner’s Monthly, and The Century. His first solo exhibition of watercolors took place in Boston in 1883, and he quickly catapulted onto the international scene, winning a bronze medal at the Exposition Universelle in Paris in 1889. The year before the present work was created, he received the Webb Prize from the Society of American Artists for another landscape painted at Gloucester. Hassam would receive numerous other awards throughout his career, most notably the Gold Medal for Distinguished Services to Fine Art from the American Dealers Association. A true master, Hassam depicted a way of life characteristic of both American and French society, and his work elucidates a critical chapter in American art history. Today, his work resides in the Oval Office of the White House and in numerous important museums, including the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC and the Museum of Fine Arts in Boston, among others. This painting will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work. Circa 1905 Canvas: 24 1/2“ high x 20 18” wide Frame: 35 7/8“ high x 31 1/4” wide x 3 1/4“ deep Provenance: Private Collection of William Young...
    Category

    20th Century Impressionist Nude Paintings

    Materials

    Oil, Canvas

  • Paysage Montagneux By Paul Gauguin
    By Paul Gauguin
    Located in New Orleans, LA
    Paul Gauguin 1848-1903 French Paysage montagneux Signed “P. Gauguin 1882” (lower right) Oil on canvas Paul Gauguin revolutionized the art world by transcending the naturalism t...
    Category

    19th Century Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Coast Scene Near Lympne By Sir Winston Churchill
    By Winston Churchill
    Located in New Orleans, LA
    Sir Winston Churchill 1874-1965 | British Coast Scene near Lympne Oil on canvas Immediately recognizable as one of the most important statesmen in world history, Sir Winston Churchill also pursued the art of painting for more than 40 years. A particularly fine piece from the statesman’s oeuvre, this masterpiece entitled Coast Scene near Lympne is rendered in fluid brushstrokes and a vivid array of hues. Churchill often leveraged his elite connections to navigate the complex political landscape of the 1920s and 1930s. Many of these invaluable social interactions occurred at the setting of this magnificent landscape painting: the distinguished Port Lympne estate. Owned by Sir Philip Sassoon...
    Category

    20th Century Post-Impressionist Landscape Paintings

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    Oil, Canvas

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    By Karen Marston
    Located in New York, NY
    60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...
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    2010s Contemporary Landscape Paintings

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  • Russian Drone Painting No. 3 (Damascus, 2015)
    By Lawrence Gipe
    Located in Santa Monica, CA
    William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...
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    2010s Contemporary Landscape Paintings

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  • Russian Drone Painting No. 1 (Mir Diamond Mine, Siberia)
    By Lawrence Gipe
    Located in Santa Monica, CA
    William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...
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    2010s Contemporary Landscape Paintings

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  • Russian Drone Painting No. 4 (Abandoned Hospital, Moscow)
    By Lawrence Gipe
    Located in Santa Monica, CA
    William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...
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  • Russian Drone Painting No. 6 (Ferris Wheel at Pripyat, 2016)
    By Lawrence Gipe
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    William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...
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  • Russian Drone Painting No. 5 (Hong Kong, 2019 Pro-Democracy Protestors)
    By Lawrence Gipe
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    William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...
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