Francisco Ramos

Cubist Landscape - Mid 20th Century Spanish Sunset Oil on Board Spain Painting

1966

A beautiful 1950's cubist oil on board depicting houses with a fishermen's chapel by Jack Metson. Excellent quality and a leading example of the artists work. Signed lower left and i...

A beautiful large mid 20th century cubist oil on canvas by Belgian artist Jacqueline Lardinois depicting the warm landscape of Provence in the Sout...

A beautiful large c.1960 French oil on paper laid on board cubist influenced landscape by Oleg Zinger. The work depicts a summer landscape with white build...

A beautiful signed and dated 1963 French cubist oil on canvas depicting Paris rooftops. Signature in bottom right corner is indistinct. A lovely painting in excellent condition. Art...

A wonderful 20th century French oil on board landscape with palm trees, probably on the Côte d'Azur, by Georges Pacouil. Signed lower left and presented in a gilt frame. Artist: Geo...

This charming oil on board by Lord Paul Ayshford Methuen RA depicts the Hotel d'Aligre at 30 Rue Damiette, Rouen in Normandy, France. The building, which is a 16th century mansion in the centre of the city, still exists today. The painting shows the back wing of the building with the access porch to the main courtyard. Please see final image for a present day view with the addition of windows in the roof. The work was most likely painted during or just after WW2, when Methuen was serving as a captain in the British Army. He wrote a book ''Normandy Diary'' recounting his experiences with the Procurement and Fine Art branch, which was set up to protect works of art during the invasion of the continent. A finely painted and atmospheric work which clearly shows the influence of Methuen's one time teacher Walter Sickert. Signed on the reverse and presented in a beautiful gilt frame. Artist: Lord Paul Ayshford Methuen RA (English, 1886-1974) Title: Hotel d'Aligre, Rouen Medium: Oil on board Size: 22 x 16.5 inches (56 x 42 cm) including the frame Lord Methuen (Paul Ayshford Methuen, 4th Baron), RA, RWS, PRWA (1886-1974) was a well known painter in oil, watercolour and pastel of landscapes, town scenes and figures subjects. Born at Corsham in Wiltshire he studied art under Sir Charles Holmes and later under Walter Sickert. He had his first one man show at the Warren Gallery in 1928 and later had several shows with The Leicester Galleries and Colnaghi's. He exhibited extensively at the major galleries, and was elected an Associate of the Royal Academy 1951, full RA 1959, member of the Royal Watercolour Society 1952, Royal Society of British Artists 1939, New English Art Club 1943, and President of the Royal West of England Academy. His work is represented in a number of major collections, including the Tate Gallery (five examples), the Victoria & Albert Museum, and several collections in the provinces. He lived in London and at the family home at Corsham Court in Wiltshire, where he established an influential art school in 1946. Further information The Hôtel d'Aligre is a private mansion located in Rouen , France. The first body of building on this location was called the Hôtel des Presses or Hôtel des Étuves , owned by the wealthy Dufour manufacturing family. Mentioned for the first time in 1446, it was rebuilt in the second half of the 16th century by Guillaume de Fieu. Guillaume Le Fieu (November 9, 1584) was treasurer-secretary to Catherine de Medici then receiver general of the Generality of Rouen and finally ordinary master of the Chamber of Accounts of Normandy. His daughter Marie married Pierre de Couldray, sieur de Féville, king's secretary. It was in this hotel that resided at the end of the 16th century Lord Clarendon, minister in exile of the King of England. The property then became the possession of the Dambrays, Sieurs de Montigny, then in 1729 to the Godefroy de Senneville...

Gustavo Úbeda (1930-1994) - Rio - Oil panel Oil measurements 55x40 cm. Frame measurements 63x548cm. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes fro...

Charles Green Shaw Tabac, circa 1935 Signed on the reverse Oil on canvasboard 5 3/4 x 8 3/4 inches Provenance: Washburn Gallery, New York, 1982 Private Collection (acquired from the above) Christie's, The Collector, October 20, 2021, Lot 307 Private Collection, Scarsdale, New York (acquired directly from the above) Literature: Hilton Kramer, "Charles Shaw: In the Minimal Tradition," New York Times, February 21, 1982, Section 2, p. 25. Charles Green Shaw was born in 1892 to a wealthy New York family. He lost both his parents at a very young age; his mother died when he was just three years old. Despite the early loss of his parents, Shaw lived the whimsical life of a New York socialite. As a beneficiary to an inheritance based in part upon the Woolworth fortune, he was brought up surrounded by the well-bred, well-groomed and well-moneyed citizens of New York’s elite social class. His social status as an adolescent was cultivated while spending summers in Newport and attending Christmas balls at Mrs. W.K. Vanderbilt’s. At age six, Shaw began to take an interest in drawing, and by nine, he was known to have a fondness for sketching historical costumes. After graduating from Yale University in 1914, Shaw spent a year studying at Columbia University’s School of Architecture. Subsequently he served for eighteen months as a Lieutenant in World War I. After his service, Shaw returned to New York and tried his hand as a businessman selling real estate, but his attempt was short lived. In the early 1920s, Shaw began his career as a journalist and novelist. He achieved professional success, writing consistently for magazines such as The New Yorker, Vanity Fair and The Smart Set. Shaw’s writing was a record of his approvals and disapprovals of the social crowd to which he belonged. His profession along with his social pedigree, brought him in contact with a number of the most significant figures of the 1920s such as, F. Scott Fitzgerald, Sinclair Lewis, George Gershwin, George Jean Nathan and the American artist George Luks. Some of his profiles included celebrity caricatures used as illustrations, these were the publics’ first look at Shaw’s artistic ability. In 1928, a collection of Shaw’s articles and interviews were published in one volume titled, The Low Down. Just previous to the stock market crash and the end of the Jazz Age, Shaw left New York and traveled to Paris and London. He arrived in Paris in 1929. In an autobiographical note Shaw suggests it was on this trip when he first began to paint seriously. London also acted as a great source of motivation for the budding artist. He began to sketch everyday in St. James’s Park, making large pastels of its vistas in the style of Cezanne. When he returned to New York in 1932, Shaw considered himself a painter. Success for Shaw came quickly with his first solo exhibition mounted at the Valentine Gallery in 1934. The following year Albert Eugene Gallatin included works by the artist in an unprecedented solo exhibition at his Gallery of Living Art at New York University. Shaw further cemented his reputation as an artist through his association and friendship with fellow abstract artists Morris and Gallatin. The trio soon was regarded as ‘the Park Avenue Cubists’. As a founding member of the American Abstract Artists, Shaw became an impassioned defender of the style. His 1938 essay in the American Abstract Artists yearbook, “A Word to the Objector”, acted as a defense against those who failed to see the illustrative quality of abstract art and scolded those who disregarded American artists as serious Abstractionists. He was also an influential force at the Museum of Modern Art, where he sat on the Advisory Board from 1936 to 1941. In the later years of Shaw’s life he continued to produce abstract paintings, yet in a more private manner. He was known to be a reserved man— a ‘gentleman’; not much is known about his personal life in these later years. During this time he maintained his career as a writer, publishing the well-known children’s book, It Looked Like Spilt Milk in 1940 and two books of poems in 1959 and 1962. In 1974, Shaw died...

Gustavo Úbeda (1930-1994) - Rio - Oil panel Oil measurements 42x60 cm. Frame measurements 51x569cm. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes fro...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE La Seine et la Tour Eiffel, vue d'un balcon by Louis Marcoussis (1878-1883) Oil on canvas 33 x 66 cm (13 x 26 inches) Signed lower left, Marcoussis Executed in 1925 Provenance Alice Halicka (the artist's wife), Paris Blanche Fabry Tézé, New York Stern Pissarro Gallery...

ANDRE LHOTE 1885-1962 Bordeaux 1885 - Paris 1962 (French) Title: Miramande Sous La Neige/ Miramande under Snow, ca. 1933 Technique: Original Signed Oil Painting on canvas ...

beautiful painting by the french painter Malaussena representing a landscape in autumn. Signed and dated 1951. Exposed in Italy according to a label on the back. It comes framed.