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George LuksIndustrial Landscape1930's
1930's
About the Item
Quick and confident brush strokes describe the gritty forms of perhaps steam engines or railroad yards. Luks bravura style of putting paint to canvas anticipates action painting of the Abstract Expressionists who would follow Luks generations later. Sotheby's, New York, March 2005 Cigna Museum and Art Collection Exhibitions: Beyond the Liberty Bell, Philadelphia Art from the Cigna Museum,White Planes, New York, 10/30/1995 - 1/31/1996 Housed in a quality reproduction frame signed lower left
- Creator:George Luks (1867 - 1933, American)
- Creation Year:1930's
- Dimensions:Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38533676202
George Luks
George Luks was an American realist painter and comic illustrator, best known for his images of New York City and its inhabitants. Born in Williamsport, Pennsylvania, Luks worked as a vaudeville performer before moving to Philadelphia to study art at the Pennsylvania Academy of the Fine Arts. He traveled through Europe, where he attended several art schools and developed a particular admiration for Diego Velázquez, Frans Hals, and Édouard Manet. Even before leaving for Europe, Luks was publishing comic illustrations in Puck and Truth, and upon his return in 1893 he accepted a job as a newspaper illustrator at the Philadelphia Press. In 1896, the Press sent him to Cuba as a special correspondent to cover the mounting tensions there. Working at the Press, Luks befriended Everett Shinn, William Glackens, John Sloan, and Robert Henri. In 1896 Luks moved to New York City and began to work as an illustrator for Joseph Pulitzer's New York World. He drew the comic strip Hogan's Alley after the strip’s originator Frederick Opper was lured away to William Randolph Hearst’s New York Journal. Though capable of picturesque urban scenes (like those that his friends Shinn and Glackens specialized in), Luks excelled as a broad comic artist, drawing single and multi-panel cartoons for newspapers and magazines, and working as a political cartoonist for the magazine Verdict. In the 1920s, Luks drew comic sketches for Vanity Fair and The New Yorker. As a painter, Luks found inspiration in New York City, often depicting the streets and denizens of the Lower East Side, subjects which gained him little favor with art critics and jurors steeped in the genteel tradition. He painted thickly, often laying his paint on the canvas with a palette knife. In 1907, the rejection of one of his canvasses from a juried exhibition at the National Academy of Design spurred the organization of a protest exhibition the following year at Macbeth Gallery. This watershed exhibition would become known as the exhibition of "The Eight" for the eight painters who collaborated to put it together. Known for his big personality and love of liquor, Luks was a vocal proponent of American painting in the early 20th century.
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Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. 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Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. 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