Gustaaf De Smet

Geese going into the Leie - Gustaaf De Smet (Gent 1877 -1943)

Oil on canvas Signed lower right: "M. Huys" A dedication on the backside: "To my friend Georges, with friendship. Zonne-Huys-Zulte, 5 June 1927." Modest Huys was a Flemish impressi...

Oil on canvas Signed and dated lower left: " Hip Le Roy, Blankenberghe, 1873," This painting captures the serene vista of Blankenberghe, inviting viewers into the essence of coasta...

Oil on canvas Signed lower right: “Johannes van Sturckenburgh,” Johannes Sturckenburgh’s “View of an Animated Italiante harbour,” is a piece that transports viewers to a picturesqu...

Oil on canvas Dimensions: 38 x 67 cm Schoevaerdt's specialty was combination landscapes, in which airy landscapes are often combined with a body of water and imaginative capricci...

Oil on canvas Signed and dated lower right: "J. Carabin, 1886" Also with a label on the back. In Jacques Carabain's painting, the Concattedrale di San Siro emerges as a timeless beacon amidst the historic tapestry of San Remo's Via Palma van La Pigna. The canvas unveils a captivating vista, capturing the architectural grandeur of the cathedral framed...

Oil on canvas Signed lower left: “Louis Verboeckhoven” Dimensions: 53 x 70 cm, 79 x 97 cm (framed) “Ships in open water,” is an artwork by Charles-Louis Verboeckhoven presenting ...

Signed lower right: Irving R. Wiles

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...