Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Henry Benson
"Brooklyn Bridge, New York City, " Foggy Day with Boats, Cityscape, East River

1971

About the Item

Henry Benson (1930 - 1998) Brooklyn Bridge, East River, 1971 Acrylic on canvas 34 x 28 inches Signed upper left corner: Henry Benson Provenance: Golden Door Gallery, New Hope, Pennsylvania Private Collection, New York (acquired from the above) Henry Benson was born in Brooklyn, New York in 1930 and died in Florida in 1998. He used an innovative technique, which produced work that was impressionistic, with a raised surface that had an almost ‘sandy’ texture. This was his signature style of painting. The technique involved applying a rough textured surface to the canvas before starting his paintings. He then applied brilliant pastel colors to achieve the intended effect in his finished works which added movement and contrast of pointillism. Henry Benson was best known for his beach scenes with children as well as his lifestyle scenes of New York City. Born in Brooklyn NY, he later moved to Wellsboro, PA. Upon finishing high school, he joined the US Marine Corp and fought in the First Marine Division of the Korean War. Henry Benson attended art school in Paris, France and New York City. He worked at the American Journal and the New York Stock Exchange in addition to being an accomplished professional artist. He moved to Boca Raton, Florida in 1975 and worked as an impressionistic painter. Henry loved people and always had a great sense of humor.
More From This SellerView All
  • "Berkshire Hills, Massachusetts, " Paul Greene, Bright Large New England Scene
    Located in New York, NY
    Paul Greene (1925 - 2020) Berkshire Hills Landscape, Massachusetts Oil on canvas 50 x 97 inches Signed lower right Provenance: Private Collection, Great Barrington...
    Category

    Late 20th Century Fauvist Landscape Paintings

    Materials

    Canvas, Oil, Acrylic

  • "Sonoma Mountain, " Fred R. Parker, California Landscape, Olive Tree Farm
    Located in New York, NY
    Fred Parker Sonoma Mountain, 1996 Signed, dated, and titled on the reverse Acrylic, pastel, and pencil on board 21 1/2 x 29 1/2 inches
    Category

    1990s Contemporary Landscape Paintings

    Materials

    Oil Pastel, Acrylic, Board, Pencil

  • "Montmartre Street Scene, Paris, France" Thomas Pradzynski, Architecture
    By Thomas Pradzynski
    Located in New York, NY
    Thomas Pradzynski (1951 - 2007) Montmartre Street Scene, Paris, France Oil on canvas 16 x 32 inches Signed lower right At the age of 26 Thomas Prad...
    Category

    Late 20th Century Contemporary Landscape Paintings

    Materials

    Canvas, Oil

  • "Tuesday - 8 O'clock, " Frank Boros, View of Manhattan Skyline, New York City
    Located in New York, NY
    Frank J. Boros (1943 - 2017) Tuesday - 8 O'clock Oil on canvas 48 x 51 inches Signed lower right Accompanied by original purchase invoice and letter from the artist. Provenance: T...
    Category

    1990s Contemporary Landscape Paintings

    Materials

    Canvas, Oil

  • "Midsummer Night" Gerome Kamrowski, Color Field, Abstract Expressionism
    By Gerome Kamrowski
    Located in New York, NY
    Gerome Kamrowski Midsummer Night, 1973 Signed upper left Acrylic on canvas 16 x 20 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in...
    Category

    1970s Abstract Expressionist Abstract Paintings

    Materials

    Foam, Mixed Media, Acrylic, Board

  • "Canal Pinelli, Venise" Paul Désiré Trouillebert, Venetian Scene in Italy
    By Paul Desire Trouillebert
    Located in New York, NY
    Paul Désiré Trouillebert Canal Pinelli, Venise Signed lower left Oil on canvas 18 3/4 x 12 3/8 inches Provenance: Artist's studio sale, 1887, no. 4 With M. Newmann London Sale, Christie's, London, Save the Children Fund, May 16, 1961 (according to an inscription on the reverse) Private Collection, United Kingdom Literature: Marumo et al, Paul Désiré Trouillebert: Catalogue Raisonné de l'œuvre peint, Stuttgart, 2004, cat. no. 0362 p. 336, illustrated. Paul Désiré Trouillebert was born in Paris in 1829 and died in the city June 28, 1900. He is considered a portrait, genre and landscape painter from the French Barbizon School. He was a student of Ernest Hébert [1817-1908] and Charles-François Jalabert [1819-1901], and made his debut at the Salon of 1865, exhibiting a portrait. At the Paris Salon of 1869, Trouillebert exhibited “Au bois Rossignolet”, which was a lyrical Fontainebleau landscape that received great critical acclaim. Trouillebert concentrated on portraits until about 1881, when he began to focus on atmospheric silvery landscapes steeping in cool damp color. In 1882, he exhibited a large landscape titled “Baignneuses” which was well received and helped him gain a reputation as a landscape painter. Another noted work was commissioned by Edmé Piot, a public works contractor. The painting, “Travaux de relèvement du chemin de fer de ceinture: le pont du Cours de Vincennes” (Cleveland Museum) was of a railway project initiated in 1851, after Napoleon III came to power. The commission included four related views of the Paris railway construction, which was completed in February 1889. After the 1860’s, the misty Barbizon landscapes by Jean-Baptist- Camille Corot’s [1796-1875] had become astonishingly vogue, which brought about a trove of imitators. His followers and students; Henri Joseph Constant Dutilleux [1807-1865], George Devillers, Achille François Oudinot [1820-1901], Edouard Brandon [1831-1887] and Trouillebert were not trying to mislead the public, he was their idol. However, the greatest confusion has always been over works by Corot and Trouillebert because both artists painted river landscapes at dawn or dusk with a very similar approach, palette and style. Like Corot, Trouillebert painted a wide variety of subjects, including genre scenes, portraits and nudes. Trouillebert would receive the most attention as a result of an 1883 court case involving one of his paintings. The painting “La Fontaine des Gabourets” had been sold by one of Paris’ more prominent dealers George Petit to writer Alexandre Dumas fils. Trouillebert’s signature and been removed and resigned Corot. The fake was discovered by Robaut and Bernheim-Jeune and returned to the original seller, Tedesco. Trouillebert, who had nothing to do with the fraud, brought legal action against the guilty parties to regain his reputation and clear his name. The trial made all of the papers and Trouillebert won his case. George Pettit...
    Category

    19th Century Landscape Paintings

    Materials

    Canvas, Oil

You May Also Like

Recently Viewed

View All