Jacques Zuckerstreet scenery
About the Item
- Creator:Jacques Zucker (1900 - 1981, American)
- Dimensions:Height: 13.9 in (35.31 cm)Width: 11.5 in (29.21 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:upper right corner chipped and other corners a drop worn. Please see photos.
- Gallery Location:Surfside, FL
- Reference Number:
Jacques Zucker
Jacques Zucker was a prolific artist whose works are exhibited in museums and galleries around the world. Being heavily influenced by artists such as Chaim Soutine, Marc Chagall and Pierre-Auguste Renoir, we can see hints of their styles suggested in many of his works. Although he was very fond of these artists, Zucker's works are mainly impacted by his travels to Paris, America and France. Many of his works depict city street scenes, the seashore, flower still life and portraits of friends and relatives. He has developed a style completely apart from his influences, creating works that are rich in texture, color and emotion.
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Modernist Oil Painting Moody Fauvist Abstract Nude Figure Ralph Della VolpeLocated in Surfside, FLRALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Oil on canvas Hand signed lower right Artist Signed, Abstract Oil on Canvas. Figure in the distance. Approx: 30" x 27 1/2" framed, 26 1/2" x 23 1/2" canvas. TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. He was included in the show Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Gray, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby...Category
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