Jo Cain

Lower Manhattan American Modernism NYC Cityscape Social Realism WPA 20th Century

c. 1930s

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...

"Bearsville NY" Landscape Social Realism Mid 20th Century Modern American Scene Georgina Klitgaard (1893 - 1976) Bearsville NY 26 1/4 x 36 inches Oil on canvas Singed lower right, t...

1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair Harry Lane (1891-1973) "1939 World’s Fair Construction," 30 x 40 inches, Oil on canvas, signed lower...

FLIGHT American Futurism Modernism Scene WPA Mid-Century Oil Painting Realism Daniel Celentano (1902-1980) "Flight," 26 x 26 inches. Oil on canvas, c. 1940s. Signed lower right. Ori...

"History of US Postal Service" American Scene Social Realism WPA Modern Chicago Harold Haydon "History of the U.S. Postal Service" 21 x 25 1/2 inches O...

Waterfall Bearsville NY Landscape Social Realism Mid 20th Century Modern Cubism Georgina Klitgaard (1893 - 1976) Waterfall, Bearsville NY 40 1/2 30 inches Oil on canvas Signed lower...

Large format oil painting on canvas of City Park in Denver, Colorado by 20th century Denver modernist, Edward Marecak. Semi-abstract park scene with various types of trees, figures, ...

Joseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...

SALE ONE WEEK ONLY “Study of Mt. Vesuvius" is a small intimate painting of an active volcano that has at times wrecked great destruction. As seen from a distance, it is a calm blue ...

Vivid, modernist Mt. Hamilton landscape attributed to Luke Stamos (American, 20th century). Oil on canvas. Unsigned. Unframed. Image size: 18"H x 24"W. This art work is in the distinctive realistic style of Luke Stamos. We certify that the work is by the hand of Luke Stamos. Artists statement: "I was born in Chicago, and began studying art at the Chicago Art Institute at age 5. When my family moved to San Francisco in 1944, I became aware of California’s splendid outdoor life, and began to pursue a life-long hobby of hunting and fishing. While attending high school in Daly City...

Oil on canvas painting by the Russian/American artist, Nicolai Cikovsky. Signed lower left. In good unrestored condition. Housed in custom made wood and lemon gold gilt frame. Overal...

Oil on artist board original painting by the well known American artist, Nicolai Cikovsky. Thick vibrant colors with a vase of flowers, a banjo and a notebook with photographs with a rough sea as the background. Circa 1940. Condition is very good. Overall framed in a circa 1960 frame, 23 by 27.25 inches. Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...