Jules Pages

Old Mission & Cypress Trees

Signed lower left and dated 1921. About the artist: From an affluent and artistic family, Reynolds Beal and his younger brother Gifford both made careers in art. Beal was born in ...

Signed lower left. A blond woman clad in a red blouse and skirt sits atop a blue blanket at the top of a set of stairs leading to a garden at the edge of a large body of water, with wooded hills in the distant background. Her back is turned from the viewer, her left hand and arm supporting her from behind as she gazes out beyond, her face hidden and sheltered from the sun by a straw hat. Arne Kavli...

Signed lower left. Born in Albany, New York, Charles Eaton became a Tonalist landscape painter much influenced by George Inness. His intimate, moody landscapes were known for subdued golden-brown hues and muted tonal harmonies, and the subject was often the landscape in late autumn, evening time, or winter. These paintings were groundbreaking because they were relatively small in scale and intimate countryside views, which was a departure from the generally popular panoramic, romanticized views of Hudson River School painters. In 1879, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League with J. Carroll Beckwith. He became a close associate with Leonard Ochtman and Ben Foster...

Signed lower left Arne Kavli was born 27 May, 1878 in Bergen, and received his first restricted initiation into the world of artistic expression at the Tec...

Signed lower right. A prominent landscape and marine painter, Jules Eugène Pages spent most of his career in France where he was a well-known Impressionist painter, but he mainta...

Signed lower right Bio: Born in Rockport, Massachusetts, Stevens received his initial art training from Parker Perkins, a local marine painter who charged him fifty cents an hour. He later spent four years at Boston's Museum of Fine Arts School, where he studied under Edmund Tarbell, among others. Although influenced by Tarbell, Stevens' wide range of brushstrokes and impressionist style prevented him from being classified as a "Tarbellist," as many of Tarbell's followers were labeled. Stevens joined the Army in 1917 and was sent to Europe where he continued to paint and sketch. Upon his return to the United States, he was pleased to discover that Rockport had become a popular haven for artists. Though he was the only native son among them, such well-known painters as Frank Duveneck, Childe Hassam, Leon Kroll and Jonas Lie also recorded the scenery of Rockport, Cape Ann and Gloucester. In 1921, together with fifty other artists, Stevens founded the Rockport Art Association, primarily to plan exhibitions of the work of outstanding area artists. Throughout the course of his long career, Stevens taught, first in Rockport, then at Boston University (1925-1926) and Princeton (1927-1929). He later gave lessons and held one-man shows in Charlotte and Asheville, North Carolina, where his work was well-received. Southerners particularly enjoyed his views of famous Southern gardens and cities. Though the Depression years were difficult for both the artist and his family, the 1930s did bring Stevens some measure of commercial and personal success. He did a number of covers for "The American Legion Magazine" and won prizes in New Haven, Springfield and Rockport. In 1934, he abandoned Rockport to the growing tourist population and moved to Springfield, and then to Conway, Massachusetts, where he remodeled an old farmhouse and constructed a studio which looked north towards Mount Monadnock...

Signed lower right: Irving R. Wiles

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...