Peter Gergely

Murenz, Piedmonte, snow covered mountains subtle colors

2017

Oil, acrylic, gesso on panel. One of a series. The UFO image has a compelling way of summing up or reflecting these norm-breaking times. These are also about composition, color, and ...

Oil on canvas, natural phenomenon, people watching erupting volcano

Artist, illustrator, and pediatrician Peter Gergely creates love letter to the contemporary Italian landscape

This is an experimental work by the artist combining two different city landscapes. It was created after the artist's return to New York after visiting Mexico

Oil on canvas ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Oil, acrylic, gesso on wood panel. 2022. First of a series of UFOs

JUDITH SHAHN Paris river scene with bridge. Hand signed. Dimensions: Image Size: H: 27 inches: a: 41.5 inches. The artist takes a naive approach to depicting the subject by simplify...

Out of many come one. A huge back mountain is formed out of scores of gas spewing smokestacks. The foreboding back mass fills most of the pictorial area. As one gets closer to the canvas, the complexity of the mass if revealed in low on contrast as we see the diverse variety of the stacks with accompanying petrochemical architecture. Above the stacks, plums of air pollutants like sulfur dioxide and nitrogen oxides rise gracefully into the atmosphere. The artist focuses less on the by-product of the stacks and more on his giant pollution machine that he has so astutely rendered. The work is mostly monochromatic but the artist has indicted a red tonality of a sunset/sunrise that offsets the charcoal blacks and grays. ______________________________________________ Submitted by Tamarind Institute Ian Davis...

Jack Hooper "Trees and Bulls" - Mexico 1-12-1993 Acrylic and conte crayon on rag paper 30.75"x21.25" unframed Signed and dated in pencil lower right *Custo...

'Bendix Diner' in New Jersey is an American Diner Painting by Leading British Urban Landscape Artist Angela Wakefield, forming part of her Americana Ser...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...