Pincas Moreno

Surrealist "Le Parasol" French Riviera Scene, Paddle Boats Oil Painting

MORENO PINCAS Bulgaria, b. 1936 Moreno Pincas emigrated to Israel in 1949. He studied at the Avni Art Institute in Tel Aviv from 1958 to 1960 and in 1960 obtained the First Prize of the Biennial of Young Painters at the Museum of Modern Art in Haifa. Fellow of the America Israel Cultural Foundation, he moved to Paris and formed at the Ecole Nationale Superieure des Beaux-Arts in Paris . Moreno Pincas is a member of the Committee Salon de Mai . Art at the Histadrut Beit HaVa'ad Hapoel, Tel Aviv 1989 Artists: Abramovich, Pinchas Uri, Aviva Eisenscher, Jakob Rita, Alima Aroch, Arie Bogen, Alexander Baser, Robert Bergner, Yosl Gutman, Nachum Gliksberg, Haim Giladi, Aharon Garbuz, Yair Gershuni, Moshe Gat, Eliyahu Halevi, Joseph Sisselman, Mina Janco, Marcel Cohen Gan, Pinchas Litvinovsky, Pinchas Lifshitz, Ephraim Mokady, Moshe Naton, Abraham Stematsky, Avigdor Sima, Miron Simon, Yohanan Ovadyahu, Shmuel Ozeri, Yigal Okashi, Avshalom Paldi, Israel Pincas, Moreno Frenkel, Itzhak Zabar, Simon Kossonogi, Joseph Kupferman, Moshe Krize, Yehiel Rubin, Reuven Reeb, David Reisman...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. She said that her paintings echo the work of John Marin and Milton Avery. Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension." Joellyn Duesberry was born on June 30, 1944 in Richmond, Virginia. Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to recreate the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint." She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe. Soon thereafter she decided that "Women artists existed and she needed to be among them." She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966. In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks." She took her master's degree at New York University Institute of Fine Arts. Despite her degrees, she is considered to be a self-taught artist. Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finished] them in the studio, frequently making monotypes in between." She moved to Denver in 1985, and embraced the Colorado landscape in her art. In that year she received an Individual Painting Grant from the National Endowment for the Arts to work with Richard Diebenkorn. In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design. While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower. She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey, and Gretchen Dow Simpson. Sculpture: Gilbert Franklin...

Framed oil on linen, ''Lower Rhine,'' by Carl Barth (German, 1896-1976), signed ''Barth'' lower left, bears Hearst Art Gallery, Moraga, California label verso, overall: 26''h x 30''w. Provenance: Deaccession of Hearst Art Gallery, St. Mary's College, Moraga, California Carl Barth was a German visual artist who was born in 1896. Carl Barth has had several gallery and museum exhibitions, including at the Galerie Remmert und Barth. Many works by the artist have been sold at auction, including 'Mythos' sold at Ketterer Kunst Munich 'Old Masters & Modern Art/ Marine Art ' in 2003. There have been many articles about Carl Barth, including 'Getty Brings Together Over 40 Drawings Selected Solo Exhibitions 2017 Carl Barth: Works 1920 - 1970, Galerie Remmert und Barth, Germany, Düsseldorf Selected Group Exhibitions 2016 Overview 2016, Galerie Remmert und Barth, Germany, Düsseldorf 2014 Überblick 2014, Galerie Remmert und Barth, Germany, Düsseldorf Watercolors: Emil Nolde to Otto Dix and Beyond, Galerie Remmert und Barth, Germany, Düsseldorf 2011 Spirit of an Age: Drawings from the Germanic World, 1770–1900, J. Paul Getty Museum at the Getty Center, USA, Los Angeles Overview 2011, Galerie Remmert und Barth, Germany, Düsseldorf which included artists August Macke,Carl Barth, Conrad Felixmuller, George Grosz,Hannah Hoch, Oskar kokoschka and others CARL BARTH 1896 to 1976 The Rhine painter CARL BARTH has created a work rich in developmental stages that stretches from the 20s to the 70s of the last century. After late-Expressionist beginnings in the 20s, he created in the early 30s, probably the most-respected part of his work, those strictly built, color-sparing tempera images that are the New Objectivity and the Magic Realism assigned, Barth's paintings of the early 1930s seem to express the loneliness of man in the face of a colder and more threatening social situation. The constructivist rigor of these works is transformed in the American paintings of 1936 into a more painterly style with a richer modeling of the subject matter, without abandoning the theme: the images reflect the loneliness and emptiness of the not only American "way of life" - they became repeatedly compared to works by Edward Hopper. Select Exhibitions: 1925 First exhibition of watercolors and printmaking in Munich. Return to the Rhineland. Initially own studio in his parents' house in Haan. In the fall admission to study at the Kunstakademie Düsseldorf. 1926 Exhibition with the group "The New West". 1927 First study trip to southern France (via Paris and Chartres). Master student with Heinrich Nauen. 1928 First exhibition with the artist group "Das junge Rheinland" 1933 Solo exhibition in the Kunsthalle Düsseldorf. 1936 Travel to the USA at the invitation of his uncle Ferdinand Kortlücke. Origin of the series of "American" images based on motifs in New York and Long Island. 1940 Solo exhibition of the "Roman pictures" at Galerie Alex Vömel in Düsseldorf. 1948 The monograph "The Painter Carl Barth" by Hans Peters appears. Exhibition at the Kölnischer Kunstverein together with Gerhard Marcks and Peter Herkenrath. 1951 Solo exhibitions in Wuppertal, Marl and Duisburg. The Museum Münster shows the exhibition "Carl Barth - Otto Pankok...

Interesting Night Scene, signed and dated verso with various gallery exhibition labels. I have seen other of his works variously titled Gulag and Bastille not sure what the series refers to. John Bowman works in a variety of media including painting, drawing, and sculpture. The Winston Wachter Gallery, in New York City, represents him. Beginning in the 1980’s, he exhibited at various venues in New York City, including the Holly Solomon Gallery, the Lang...

As part of his St. Barth series, Aguzzi delivers another retreat for the spectator. This window into island life seeks to extend the tranquil nature of the ocean to its audience. The artists realistic perspective is demonstrated through the paintings blue palette, smooth sand, and painterly rocks. Aguzzi creates a tropical harmony by combining the Caribbeans earthy elements. FABIO AGUZZI Lombardi, b. 1953 Born in Lombardy in 1953, Fabio Aguzzi is an accomplished painter whose mastery of light is apparent in his distinct still lifes, portraits, and landscapes. Aguzzi took an interest in art at an early age. After sketching an impressive reproduction of Raphael's "The Duke of Montefeltro" in the margins of his schoolwork notebook, his teacher took the drawing to Aguzzi's father, Lino, and insisted the boy pursue artistic studies at Brera. Lino, a hobbyist painter himself, recognized and supported his son's talent. Aguzzi left his home in Vidigulfo to study at Brera School in Milan. From there, he entered the Academy of Fine Arts (where he would later teach). Here, he studied sculpture under the tutelage of Alik Cavaliere and painting with Vincenzo Ferrari. He also worked as an assistant to Annibale Biglione in his studio. In the 1960s, Aguzzi began to teach while becoming a prolific painter. During this time, he opened his first exhibitions displaying...

Genre: Realism Subject: Landscape Medium: Oil Surface: Canvas Country: Italy Dimensions: 31 3/4" x 47 1/4" x 3/4" Dimensions w/Frame: 33" x 48 1/4" As part of his St. Barth series, Aguzzi delivers another retreat for the spectator. This window into island life seeks to extend the tranquil nature of the ocean to its audience. The artists realistic perspective is demonstrated through the paintings blue palette, smooth sand, and painterly rocks. Aguzzi creates a tropical harmony by combining the Caribbeans earthy elements. FABIO AGUZZI Lombardi, b. 1953 Born in Lombardy in 1953, Fabio Aguzzi is an accomplished painter whose mastery of light is apparent in his distinct still lifes, portraits, and landscapes. Aguzzi took an interest in art at an early age. After sketching an impressive reproduction of Raphael's "The Duke of Montefeltro" in the margins of his schoolwork notebook, his teacher took the drawing to Aguzzi's father, Lino, and insisted the boy pursue artistic studies at Brera. Lino, a hobbyist painter himself, recognized and supported his son's talent. Aguzzi left his home in Vidigulfo to study at Brera School in Milan. From there, he entered the Academy of Fine Arts (where he would later teach). Here, he studied sculpture under the tutelage of Alik Cavaliere and painting with Vincenzo Ferrari. He also worked as an assistant to Annibale Biglione in his studio. In the 1960s, Aguzzi began to teach while becoming a prolific painter. During this time, he opened his first exhibitions displaying...

Flip Gaasendam Dutch Cows on the Salt Marsh 75 x 120 cm Oil on Canvas This painting is framed (included in price) 80 x 125 cm This painting is made by Flip ...

"Vast no.9, Restore" by Alyson Kinkade Abstract Landscape Oil on Linen 36x36" image Black Metal cradle styled Frame, 37x37" After a year of storms, light...

Horse Candy no.2 by Alyson Kinkade 24x20" oil on linen Abstraction of the great plains and farms. ABOUT THE ARTIST: "Over the years my focus has transitioned more and more toward ...

Swept Away by Alyson Kinkade Abstract Landscape Beach/Ocean scene Oil on Linen 24x36" image gallery wrapped, painted black sides. ABOUT THE ARTIST: "Over t...

Horse Candy by Alyson Kinkade 50x44" oil on linen, gallery wrapped *due to scale, custom packing and extra lead time is factored into shipping for this item. ABOUT THE ARTIST: "Ove...

Horse Candy no.3 by Alyson Kinkade 30x24" oil on linen (images of frame coming soon) Abstraction of the great plains and farms. ABOUT THE ARTIST: "Over the years my focus has trans...