Robert Kenneth White

Untitled [Riverscape] Original Oil Painting by Robert White, Frameless Display

2007

Untitled Landscape, an original oil on canvas by Gary Kremen, is a piece for the true collector. Kremen's fine attention to detail is evident here, depicting a desert landscape set beneath vast mountains, complete with cactus and wildlife in the middle ground. The sky with its range of light to deep blues fills the top of the painting. This example showcases Kremen's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with the frameless style of hanging. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, desert scenery, realism, and nature. Artist: GARY KREMEN (1949-2001) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1995 Country of Creation: UNITED STATES Image Area Dimensions: 36 x 60 INCHES Canvas Frameless Dimensions:* 42 x 66 x 2.25 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY GARY KREMEN IN GREAT CONDITION. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Gary Kremen, an American painter, became nationally renowned for his massive landscapes...

"Shadowed Canal," an original oil on canvas by Andrew Jones, is a piece for the true collector. Jones is known for his landscape and cityscape paintings, ...

“The Crossing” aka "Cross Roads," an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of whites and greens project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for animal scenes, horses, landscapes, railroads, and nature. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

“Otter Cove,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of blues, whites, browns, and greens project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion, nature, and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful and playful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for seascapes, waves, animal scenes, otters, and nature. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Untitled Landscape is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the water-filled sky and saturated ground in full view. Here, Perkinson chose to depict the beauty and calm of the rain, with an expansive view of a lush landscape. Women are holding umbrellas in the middle ground with their young children enjoying the feeling of rain drops. A pond just creeps into view from the right and the edge of town can be seen in the distance, just over the trees. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its carved, custom, antique-finish, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, plein-air painting, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT Year Created: 1983 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 40 INCHES Frame Dimensions:* 28.5 x 44.75 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN A CARVED CUSTOM ANTIQUE-FINISH GILT FRAME. FRAME IS IN GREAT CONDITION CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...

Still life. 1964. Oil on cardboard, 61x78 cm

Bridge in autumn. 1964. Oil on cardboard, 61x78 cm

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

Provenance Acquired by the gallery directly from the artist Description “Running Waters” is a plein air painting done in Taos, New Mexico. Solliday depicts the Rio Peublo de Taos, a tributary of the Rio Grande, as flowing abundantly after the winter thaw...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

This original landscape of a classic northeast autumn captures the still feeling and quiet peace of the season. New York artist Barry DeBaun has used cl...