Spencer Verney

Spring Tributary

NEWGARDEN 24”x36” Oil on board-mounted, oil primed linen Unframed 2021

AUGUST AIR 36”x36” Oil on stretched canvas Framed (white float frame) 2018 *Frame has a small chip in the lower left corner.

Hunt Country By Spencer Verney From the west lawn of the Cheshire fox hunt kennels is a fence line that overlooks much of the hunt country. Thousands of ...

Bridge in The Laurels, by Spencer Verney I painted this small painting on-site as I began to study the red covered bridge in The Laurels Preserve. The historic bridge is still used ...

Fording the Buck Run River by Spencer Verney Painted from a granite outcropping in the Buck Run River, in the shade of the large sycamore trees that line its banks. The slow but powerful river was hone to the first paper and rolling mills...

Hunt Country By Spencer Verney From the west lawn of the Cheshire fox hunt kennels is a fence line that overlooks much of the hunt country. Thousands of acres of farmland have been ...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...