Stephen Palmer

Church of the Transfiguration, Pyecombe Painting by Stephen Palmer, 2023

2023

Shingle, Oil on Panel Painting by Tom Harford Thompson B. 1964, 2022 Additional information: Medium: Oil on panel Dimensions: 20 x 30 cm 7 7/8 x 11 3/4 in Signed with stamp, dated a...

Yellow Mountain, Oil on Panel Painting by Tom Harford Thompson B. 1964, 2022 Additional information: Medium: Oil on panel Dimensions: 20 x 30 cm 7 7/8 x 11 3/4 in Signed with stamp ...

West Knoyle, Autumn Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on panel Dimensions: 19.5 x 36 cm 7 5/8 x 14 1/8 in Martin Yeoman was born in 1953, and s...

Blue Roofs, Roque-sur-Cèze Painting by Nicholas Turner B. 1972, 2023 Additional information: Medium: Oil on panel Dimensions: 25.4 x 20.3 cm 10 x 8 in Signed, dated and titled on th...

Salisbury Plain, Late Spring, Oil on Panel Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on panel Dimensions: 55.9 x 71.1 cm 22 x 28 in Martin Yeoman was bo...

Weathering, Oil on Panel Painting by Tom Harford Thompson B. 1964, 2022 Additional information: Medium: Oil on panel Dimensions: 20 x 30 cm 7 7/8 x 11 3/4 in Signed with stamp and d...

A small scale, horizontally oriented oil painting on panel by American Impressionist Nelson Holbrook White. Every winter, White travels to The Bahamas to paint the bright warm scener...

"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...

Charming French 1930's Post Impressionist landscape Oil on canvas painting in a Post Impressionist style signed by Gaboriau representing a life scene by the Seine River banks ( wri...

A fine impressionist landscape in Nauson, MA by American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen y...