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Stephen WrightBig Foam2021
2021
About the Item
Water does not have a form; it adapts to forms created by energy. There is something kind of futile yet exciting about capturing the effect of water in a painting. There is no start or end point, just a fragment of an experience contained within a square or rectangle. To feel closer to that experience, I use an open-ended painting process, starting at a single point or corner of the canvas and moving across it. My eye is always moving back and forth between light and form, always trying to decide which is more important as I move along. Sometimes these extended moments of decision-making elicit an expansive feeling. Sometimes it feels everything is getting lost in formlessness, and then there's a struggle to bring it back.
Occasionally I will add a pelican, a bit of land or a boat so the painting can be anchored and the viewer has a chance to exit the surf. But usually I want the feeling of the excitement of being swept and thrashed around by something way bigger than us. In this sense, my paintings are less about capturing the traditional beauty of the local beaches, and more about the energy and transformational qualities of the Southern California surf.
- Creator:Stephen Wright (1962, American)
- Creation Year:2021
- Dimensions:Height: 36 in (91.44 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU183210768092
Stephen Wright
Stephen Wright (b. 1962, Los Angeles, CA) graduated from California State University, Long Beach, CA, with a degree in graphic design. He has exhibited in galleries across the United States, England, and Turkey, and his work has been acquired by important private and public collectors, including the New Jersey State Museum in Trenton, NJ. Wright’s portraits enable him to explore the complexity of human nature. For the artist, “my work comes simply out of a passion for drawing and painting the figure. I seek unusual viewpoints and perspectives that excite my eye and try to capture that excitement in my work.” In the manner of the British figurative painters, Wright emphasizes the surface of his canvases, manipulating layers of paint and leaving evidence of his brushwork.
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