Stubbs Ralph Reuben

The North East Coast of England, Ralph Stubbs, Bridlington 1826 – 1879 Levisham

1826 – 1879

Kunze Alfred Chemnitz 1866 – 1943 German Painter View of Funchal – Madeira, Portugal Signature: Signed bottom right and dated 31 Medium: Oil on canvas Dimensions: Image size 47 x 57...

This work is offered in ready to hang gallery condition, having been professionally revised.

Kunz Meyer-Waldeck Mitau 1859 – 1953 Neuburg, German Painter Ready for Departure Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image ...

Landscape in the Ardennes Asselbergs Alphonse Brussels 1839 – 1916 Belgian Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 60,50 x 100 cm, frame size 73,50 x 113 cm The place this painting depicts is a small village Achouffe in the municipality of Houffalize, in Wallonia, Belgium. It is located in the forested Ardennes region. Situated within the Bastogne district Luxembourg province. Biography: Asselbergs Alphonse was born on June 19, 1839 in Brussels, Belgium. He was a painter of landscapes and forests. He studied with the master teacher and artist Edouard Huberti from 1863. After having led a world traveled life as a trader, he returned to the countryside of Belgium in 1867 and stayed in the Tervuren region and spent his time painting landscapes with great artists such as H. Boulenger, E. Huberti, J. Coosemans and Th. Baron. In 1868, he co-founded the “Societé Libre des Beaux-Arts”. From 1873 to 1874, he traveled and painted in North Africa with the watercolourist, Arthur Bouvier. It resulted in a number of canvases in the oriental style, but unfortunately without any commercial success. Despite having been shown at numerous exhibitions, they were all still in his studio at the time of his death. After returning from his travels, he lived near the artists’ colony in Genk and made occasional excursions to the forests of Fontainebleu in France. From 1875 to 1877 he worked in the Barbizon region with students of Rousseau. In 1877, Asselbergs moved to Brussels. He painted quite actively in the Brussels countryside, in the Ardennes and Campine regions. He had a studio with a round tower, on a street that is now named after him. He also made short trips abroad to France and Italy. During the 1880’s, he held exhibitions at the Salon de Paris. In 1881, receiving a second commission in 1896, he was named Officer in the Order of Leopold: it is the oldest and highest Order of Belgium and is named in honor of its founder the King Leopold...

Water Lilies Van Reken Cornelis 1879 – 1959 Dutch Painter Harlem School Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 60 x 80 cm Biography: Van Reken Cornelis was born in 1879. He was a Dutch landscape painter...

Hendrik Barend Koekkoek Amsterdam 1849 – 1909 London Dutch Painter "Figures Strolling through a Forest in Winter" Signature: signed lower right, c. 1882-1900 Medium: Oil on canvas Dimensions: Image size 76,5 x 64 cm, frame size 103 x 89,50 cm Biography: Koekkoek Hendrik Barend, often signing as Hendrik Barend (H.B.) Koekkoek, in the realm of 19th-century art, emerges as a captivating painter born in Amsterdam on November 23, 1849. A scion of the esteemed Koekkoek family, he gained renown for his landscapes and woodland scenes, following in the artistic footsteps of his father, marine painter Hermanus Koekkoek. Barend Hendrik Koekkoek’s life unfolds with a certain mystery, his artistic journey shaped by training from his father and, likely, his uncle Marinus Adrianus. In 1878, he tied the knot with Carolina Allardina Cornelia Pierson and ventured into the artistic scenes of Hilversum and Brussels, simultaneously opening an art dealership in Amsterdam. Around 1882, the call of London beckoned, echoing the path paved by his brother Hermanus Koekkoek the Younger. In England, he painted landscapes near Guildford, akin to his cousin Pieter Hendrik Koekkoek. The latter part of his life remains shrouded in obscurity. Barend Hendrik Koekkoek’s artistic style, steeped in the romantic tradition of the Koekkoek family, adorned canvases with landscapes, woodlands, and marine scenes. His London sojourn witnessed the creation of winter landscapes with towering trees, showcased in exhibitions across Dutch cities. He breathed his last in London before 1909. His artistic legacy lives on in institutions like the Paul Tétar van...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

Attributed Charles François Grenier de Lacroix or Charles - François Lacroix de Marseille (1700 - 1782) as signed lower left on the stone “Lacroix”. The scene of the departure of nobles on a ship, somewhere among the Mediterranean landscapes at sunrise. Lacroix's sense of color and attention to detail are particularly impressive: the sea is calm, the sun is rising and as a soft pink hue begins to emerge in the clouds, the morning haze has not yet cleared and the air is clear and clean, large ship...

In a small town. 2011, oil on canvas, 65x81 cm Juris Germanis (1941) The artist has always had a tendency to catch the most significant features when working in landscape genre, usi...

Embankment. 2017, oil on canvas, 65x81 cm Juris Germanis (1941) The artist has always had a tendency to catch the most significant features when working in landscape genre, using oi...

This piece, "N.Y. Cabbies", is a 14x20 landscape oil painting on canvas by artist Alexei Butirskiy featuring a view down a busy street in Manhattan, New York City on a rainy day. Ped...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...