Manobla

Streets of Jerusalem

An older man and a young boy standing at the Wailing Wall.

Cover of The Saturday Evening Post Magazine, February 6, 1960 Caption: "The Cover: Artist John Clymer takes you to the summit of Washington state's Snoqualimie Pass, where they seem to have had a few snow flurries lately. Up there the moist westerly winds bump against sky-reaching peaks of the Cascade Range, with the result that the winds spill their contents before whistling dryly on down across the eastern slopes. Thus residents of places like Seattle living in a relatively balmy clime beside the Pacific's mild Japan current, can drive in an hour or two up to where skiing material is sometimes twenty feet thick if it's an inch. Indeed, when seasons overlap, a downlander might conceivably pick a rose and go skiing with it in his buttonhole. All of which, thanks to highway crews who blow off the blizzards, is a very felicitous geographic arrangement." John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Medium: Oil on Canvas Laid on Panel Signature: Signed and Dated Lower Left: Chris. A. MacLellan - 34 Sight Size 30.00" x 24.80", Framed 37.00" x 32.00" The Saturday Evening Post cov...

Medium: Oil on Canvas Dimensions: 54.00" x 38.00" Signature: Signed Lower Right

Medium: Oil on Porcelain Dimensions: 20.00" x 16.00" Signature: Signed Lower Left

Medium: Oil Painting Signature: Signed Lower Left Contact for exact dimensions. Saturday Evening Post Cover, November 22, 1947

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

40 x 40 cm Translated title: " Amulets " Acrylic paint, oil and sand on canvas. The artist sells the handmade, original and one-of-a-kind piece, but he reserves the right to dup...

Victoria Kovalenchikova’s abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of cosmos. Kovalenchikova expresses through...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

Composition XXI - A abstarct square painting in light, grey, peach and red burgundy color. The author used oil on canvas with sawdust mixed with alabaster and sand creating a special...