E. Melinda Morrison

Young Dreams, Egg Tempera 18 x18, Portrait, Roya, Zimbabwe, Finalist PSA

2020

"The Champ" is an egg tempera painting of Teofimo Lopez who is also known as The Takeover after winning four belts in his last fight. He is ranked # 1 in his weight class. The painting by E. Melinda Morrison...

While walking in Jackson Square in New Orleans, you can't help but hear the trumpets and trombones of the Jackson Street band that spends their time entertaining the tourists and locals alike. Setting up on the square to paint, Melinda captured the sounds and sights of New Orleans. She depicted the talented Jackson Street NOLA musicians as they walked through the street. This painting is dedicated to all the working artists making their way through life doing what they love and are called to do. NEW ORLEANS SOUNDS by E. Melinda Morrison...

My Name is a 6 x 8" oil painting by Cuban-American artist Reynier Llanes who lives in Miami. It is framed and It is oil painted on a wood panel . My Name floats in the frame. His b...

You Should Have seen the Other Gal By Jeanie Tomanek is an 8" x 8" oil painting on panel. It has on a custom frame. You Should Have seen the Other Gal was part of a boxing exhibiti...

Edgar's Cattle is an 7 x 10 " painting by Cuban-American artist Reynier Llanes who lives in Miami. it is framed and with the frame it is 11 x 14 x 2. It is oil painted on a wood p...

Holy Week in Antigua, Guatemala by Stacy Kamin was painted as a commission for the gallery. It is 16 x 15 unframed and 20 x 21 framed. It is a handmade w...

'Robe 2' 2005, Acrylic and Egg Tempura on Canvas and Cotton Canvas, 210 x 160 cm The leading theme of the artist’s interventions is the staging of temporality, transience, and chang...

Portrait of a young woman in a white blouse in the style of William Merritt Chase. ( American Impressionism). This work was most likely painted from life and is wonderfully painted a...

Carl Nordell (1885 - 1957) The Pensive Beauty Oil on canvas 40 x 32 inches Signed lower left Nordell was born in Copenhagen on 23 September 1885. In 1892 the Nordell family settled in Westerly, New Jersey, where Carl Johan, one of several children, received his education. Reportedly, a local gambler and art collector, Richard Canfield was so impressed with young Nordell's talent that he assisted him to gain admittance to the Rhode Island School of Design. Carl was a tireless student and serious in his studies of art, literature, and philosophy. Friends nicknamed him "The American Frans Hals," as a result of his study of that Dutch master. After graduating from the school in 1905, Nordell continued his training at the Art Students League in New York City for the following two years. There he received criticism and instruction from George Bridgman (1864-1943), a noted teacher of anatomy, and Frank Vincent DuMond (1865-1951), a landscapist associated with Old Lyme. The popularity of Impressionism in America at this time had reached its peak, and the style was of paramount influence in Nordell's advanced studies. Around 1906, Nordell visited an exhibition of paintings by the Ten, most of whom were American Impressionists. Moved by the work of Tarbell and Joseph R. De Camp, he sought instruction from them at the School of the Museum of Fine Arts, Boston. Nordell worked diligently under Tarbell and experimented with the genre of women in interiors, or Intimism. In 1909, Nordell received the Paige Traveling Scholarship, which provided for two years of continued study in Europe. He became one of the hundreds of Americans to receive criticism from Jean-Paul Laurens at the Académie Julian in Paris. From this base, he made study trips to visit major museums and galleries in Italy, Holland, Spain and Germany and during this period Nordell's style reached a level of uniqueness, though he definitely remained under the general influence of French Impressionism. By the time of his return to Boston in 1911, Nordell had successfully incorporated the use of broken color, a high-keyed palette, and the practice of working en plein air to achieve an accurate representation of light and atmosphere. In October of that year, the Boston Art Club presented eighty-seven of Nordell's watercolors and oils to the viewing public. Some of the watercolors seem revolutionary in their spontaneity. Nordell continued his career in Boston at Fenway Studios and exhibited in national competitions, including the annuals of the National Academy of Design, the Art Institute of Chicago; at the 1912 biennial of the Corcoran Gallery he won the fourth Clarke Prize. Nordell's finances were augmented by portrait commissions of some of Boston's affluent citizens. The artist was so intent on recording the sitter's likeness that in this genre, he deviated from his usual impressionist technique. In the women-in-interior genre, he frequently depicted a fully draped woman seated in profile or at an oblique angle to the picture plane. These pensive and attractive young ladies usually gaze into space and become an integral part of the pleasant ambiance of the scene. In this way, Nordell remained within the Genteel Tradition as it was manifest in Boston. The artist exhibited several such works in the Panama-Pacific International Exposition in San Francisco in 1915, and won a silver medal for his efforts. In 1918, a one-man exhibition of fifty works was presented at the Boston Art Club. Nordell remained active in the Boston area art clubs and societies through the early 1920s. In the winter of 1921 Babcock Art Galleries presented him with yet another one-man show. During this period, Nordell increased the production of prints and won the Salmagundi Club's Shaw Prize for etching in 1923. Sometime after 1927 he began taking summer sketching trips to Chautauqua Lake...

A wonderful large self portrait of the artist with a Russian model by American artist Pauline Lennards Palmer (1867-1938). Born in McHenry, Illinois, Palmer studied at the Art Institute of Chicago between 1893 and 1898, including a one-month session with William Merritt Chase in 1897, and further temporary instruction with Frank Duveneck. She became one of Chicago's early twentieth-century portrait and landscape painters and one of the Midwest's most active and energetic exponents of impressionism. After her career was well established, she moved to Provincetown and studied with Charles Hawthorne...

This painting called " Love life" makes part of my series dedicated to women. In all my creations where I paint a woman, I want to show her like a strong person who loves life. My ...

First Catch of the Day - Young Fisherman at Sea Figurative oil painting of a young boy out at sea holding a fish on his lap by Bay Area artist Betty (American, 20th C). The boy is h...