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Circa 1715. Large English School Portrait of Lady with Oranges.

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  • Portrait of Young English aristocrat with Straw Hat. English School circa 1720
    Located in Firenze, IT
    Portrait of a young aristocratic girl - 18th century English style Oil on canvas. Silvered wood frame. Size with frame cm 85 x 72.5 Size without frame cm 74.5 x 62.5 At the hear...
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    1720s English School Portrait Paintings

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    Oil, Canvas, Wood

  • Lady, 1830 Era, Portrait With Micromosaic Bracelet.
    Located in Firenze, IT
    Lady, 1830 era, portrait with micromosaic jewelry. A richly detailed portrayal of 1830s fashion, this rare testament to jewelry history vividly ca...
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    1830s Romantic Portrait Paintings

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    Lady, 1830 Era, Portrait With Micromosaic Bracelet.
    $1,058 Sale Price
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  • Girl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (1902 - 1987)
    Located in Firenze, IT
    Girl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (Carmignano, 1902 - Florence, 1987). The very colorful and expressive painting is created...
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    1950s Post-Impressionist Portrait Paintings

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  • John Hervey Portrait on occasion of receiving the Title 1st Earl of Bristol
    By (Circle of) Godfrey Kneller
    Located in Firenze, IT
    Portrait of John Hervey, 1st Earl of Bristol (1665-1751). Early 18th-century near-life-size portrait of a noble man richly dressed in a long wig. Circle of the German-British cour...
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  • Art Deco ca. 1920. Portrait Of Lady With Bob Cut, Purple Dress And Fur Collar
    Located in Firenze, IT
    Portrait Of A Young Lady From The 1920s With Bob Cut And Fur Collar Oil on canvas. Early 20th frame in wood. This portrait reveals very stylish image of a young woman from the 1920s...
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  • Adriana Pincherle (1905- 1996). A lady with a turban and green shadows.
    By Adriana Pincherle
    Located in Firenze, IT
    Adriana Pincherle, (1905, Rome - 1996, Florence). A lady with a turban and green shadows in a landscape. Italian female painter, active in Rome and from 1943 in Florence. Painting signed and dated lower right: Adriana Pincherle. 1973. Oil painting on canvas. The simple composition, which represents a woman from behind, bears the influence of Matisse's avant-garde style, with bold and refined color combinations. The shape is created with color, creating an almost surreal and highly expressive effect. The painter once said: "My painting has always been figurative, not realistic. In this sense I felt very similar to the Informal movement, which, fundamentally, pushed my passion for color to the extreme." FREE SHIPPING in Italy and Europe Artist Biography: Pincherle Adriana Rome 25 December 1905 - Florence 8 January 1996 Adriana was born in Rome on 25 December 1905, into a family in which two cultures were intertwined: the Jewish one of her father, the engineer Carlo Pincherle, of Venetian origins and in love with painting, and the Catholic one of her mother, Isa di she. De Marsanich, a noble but decayed Hungarian. Adriana is the eldest child and two years older than her brother Alberto, known to the literary world under the pseudonym Alberto Moravia As Pincherle herself says about her, as a child she spent hours admiring her father who painted watercolours, and it was perhaps then that her interest in drawing and above all her particular sensitivity towards color was born. Thus, having completed her classical studies, she began to attend the "ladies" atelier of the engraver Alfredo Petrucci and the free nude courses at the Academy, where she met Mimmo Spadini and Scipione, and came into contact with Roman art. In 1931 she made her debut at the collective "First Roman exhibition of female art" at the "Galleria di Roma", while the following year, at the same gallery, she exhibited a solo show together with Corrado Cagli, already attracting the attention of critics, famous comment by Longhi, cited several times by Pincherle herself, who prefers the "sissy" between the two artists. As evidence of the results achieved by Adriana since her first works, we remember that among her works presented in 1932 there was also the famous "Standing Self-Portrait", now in the Uffizi Pincherle's growth passes through places and periods common to both the Roman School and the school of painters of the via Cavour group (Mafai, Raphaël, Scipione), with tangents and deviations, but his pictorial research arrives at original solutions independent of any label . Fundamental to the maturation of her art was her stay in Paris in 1933, in which Pincherle admired and studied closely the Fauves, Renoir and in particular Matisse. In the same year she exhibited for the first time in Florence at the Sala d'arte delle Nazioni with Milena Barilli...
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    1970s Fauvist Figurative Paintings

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    Canvas, Oil

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