Steve Sangapore

"Discovery", contemporary, realist, geometric, portrait, ink, oil painting

2019

Steve Sangapore’s “Collapse: Of the Self #2” is a 14 x 11 oil and ink painting female portrait on a wood panel from his Superposition series. The conte...

Steve Sangapore’s “War in Heaven” is a 48 x 36 oil and ink painting self portrait on a wood panel from his Superposition series. The contemporary realist portrait...

Steve Sangapore’s “Collapse: Of the Self” is a 14 x 11 oil and ink painting self portrait on a wood panel from his Superposition series. The contemporary realist portrait...

John Baker’s “The Two Dummies” is an acrylic painting on canvas with collage 32 x 24 x 1.5 inches wide in browns, tans and greys with red and yellow accents. The wooden neck lever of the ventriloquist suggests that he is in reality the dummy of the young boy; and yet, impossibly, both seem to be the dummies of one another! Regardless, the brightness of the props on the prop table...

John Baker’s “Man Adjusting his Tie” is an acrylic painting on canvas 24 x 18 inches in greens and reds with blue and yellow color accents. The disheveled appearance of the man impli...

John Baker’s “Eating and Drinking II” is an acrylic painting on canvas with collage 24 x 30 inches in yellows, reds and greens on a neutral background. In one sense an illustration o...

Oil, mirror and 24k gold leaf on canvas

Oil, mirror and 24k gold leaf on canvas.

LOOK FOR FREE SHIPPING AT CHECKOUT OR GALLERY RATE A Boy and His Dog shows the hyperrealism of modern Cuban art that is now available to the world...

This is my adaptation of Gustav Klimt’s "Judith and the Head of Holofernes.” Klimt’s painting depicts the biblical character of Judit...

Rhonda Libbey's "The Unicorn's Garden" is an original, handmade oil painting that depicts a grey unicorn in a lush garden of cat faced flowers and rollin...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Regina (the Queen) Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...