Alan Latter

Alan Latter, Fashionable Buttons, Trompe l'ceil still life

2021

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

Alan Latter (born 1961) Varnish bottle Signed and dated 2021 Oil on board 13¾ x 10½ inches 14½ x 11¼ inches including the frame A charming still life capturing the artist's working...

Sandy Murphy (born 1956) A still life of apples Signed Oil on board 13 x 14¼ inches A very striking image with attractive green tones and fabulous paint ...

Alan Latter (born 1961) Fashionable Buttons, a Trompe l'oeil Signed and dated ‘2021’ verso Oil on board 10½ x 7½ inches 11 x 7¾ inches Born in Islington in 1961, Alan Latter's work is influenced by Bloomsbury Group artists Vanessa Bell and Duncan Grant and Fauvists Henri Matisse and Jean Puy...

Frederick Cuming (born 1930) Yellow kettle and fruit, Signed, Oil on board, 15 x 19½ inches ​ Provenance: Private Collection A most appealing still life by one of the United Kingdom's foremost living artists. The wonderful array of colours in the fruit set off by the yellow kettle. Frederick Cuming NEAC, RA, DLitt Hon, RBA trained at Sidcup School of Art and then at the Royal College of Art, before being awarded the Abbey Travel Scholarship to visit Italy. He was elected an Associate Member of the Royal Academy in 1964 and a full member ten years later. Fred has exhibited widely and won many awards. His work features in many public and private collections including Monte Carlo Museum, Royal Academy of Arts, Department of the Environment, Guinness Collection, Lloyds of London...

Adrian Parnell (b.1952) House of flowers Signed with initials, Inscribed with title and date verso Oil on board 20 x 16 inches A delicate and subtly captured study of summer flowers...

Bold and angular composition with cannas by Claire Weist (American, 1930-2014). Bright red flowers jump out from a saturated green background. Large leaves act as a background, covering the majority of the composition, intertwined with other foliage. This piece is executed on top of a previous composition and the artist has left part of it visible around the edges to act as a border. Signed "Weist" in the lower left corner. Title and artist's info on verso. No frame. Board size: 20"H x 16"W Claire Weist (American, 1930-2014) was an artist known primarily for her watercolor compositions. She won several awards throughout her career, including the jury award for graphics from the Illinois Watercolor Society. Weist was originally from the Boston area and studied at the Massachusetts College of Art and then Harvard. After spending time teaching art and as an illustrator, Weist moved to Crete, Illinois and opened her own studio, where she spent the remainder of her professional career. Education: 1949-50 Lomma, Sweden 1951, Massachusetts College of Art, Boston, MA 1953, B.F.A. Degree, Harvard University, Cambridge, MA Work: 1953, Commercial Artist, Vincent Edwards Art Agency, Boston, MA 1954-1957, Art Editor and Illustrator, Baby Post Magazine, New York, NY 1960-1964, Painter and Art Teacher, Lynchburg, VA 1965-1971, Book and Magazine Illustrator, Delafield, WI 1972, Studio, Crete, IL Exhibitions and Memberships: 1971 - Alverno Art Fair, Milwaukee, WI 1971 - Elmwood Plaza Art Fair (Best in Show), Racine WI 1971 - Brookfield Square Winter Art Show (First Place, Watercolors), Waukesha, WI 1973 - Marathon County Historical Museum, Wausau, WI 1982 - Park Forest Art Fair, Park Forest, IL Member, Wisconsin Watercolor Society Member, Kettle Moraine...

Genre: Modern Subject: Kitchen still life with pineapple, sourdough bread and lemons Medium: oil paint, done in a sgraffito, impasto somewhat brutalist technique Surface: board Country: United States Dimensions: 18 X 24 Being sold unframed Enid Munroe re-establishes the aesthetic worth of ordinary manufactured objects within the basic form language of Cubism. In her painting the artist uses trompe-l'oeil to render her composition, involving realistic imagery in order to create the optical illusion that the depicted objects exist in three dimensions. Enid Munroe is an artist and teacher who is well known regionally for her paintings, works on paper and Gold leaf, silver leaf, trompe l’oeil collage and assemblage series. She has been included in numerous invitational and juried exhibitions both nationally and regionally. Her works are in leading public, corporate and private collections including the Brooklyn Museum and the National Museum of American Art. Munroe cites painter Georgia O’Keeffe as one her influences and sources of inspiration. “Georgia O’Keeffe really helped lift the concept of women as artists,” stated Munroe. Munroe lived and worked in Mexico, Japan and Italy before settling in Connecticut. She is the author of An Artist in the Garden: A Guide to Creative and Natural Gardening (Henry Holt & Co, 1994) and has been active in regional art events including the founding of the annual Pequot Library...

Inscribed lower left: For Barbara + Ernie; signed and dated upper right: Kulicke 58

Bustling Street VI and Market Day are an original diptych of paintings by Sean Durkin. The scenes depict the high streets of an industrial town with people going about their usual li...

Regina Mundlak was born in a village near Lomza (NE Poland), into a poor Jewish family. In 1901 she went to Berlin to find work, together with her mother and sister, a highly talented violinist. Her extraordinary talent rapidly brought her to the attention of the Jewish artistic milieu. Her work so impressed Max Liebermann (1847–1935) that he decided to finance her education. However, even with his help, she had difficulty in making a living. Efraim Moses Lilien (1874–1925), who did not conceal his fascination with her talent, tried to help by publishing an open letter in Ost und West in 1902, appealing for support for her, but because of financial problems she finally had to give up her studies and return to her homeland. At the age of fifteen she was already very skilled in drawing. At first she primarily created realistic portrait studies. The works she published in 1902 showed her rare power of observation. Her pen-and-ink drawings were also greatly admired. As her subjects she most often chose characteristic Jewish types from Eastern Europe. She exhibited her works in Warsaw at the (Society for Promotion of Fine Arts) in 1902 and in 1903 and at the Aleksander Krywult Salon in 1903. In 1906, once again in Berlin, she exhibited her works at the Cassirer Salon. A review of this exhibition by Hermann Struck appeared in Ost und West. Like Lilien before him, he too wrote about her “phenomenal talent.” On the occasion of her exhibition, some of her drawings were reproduced in Ost und West. The development of her creative abilities in the years between Lilien’s letter and Struck’s review is noticeable. Drawings published in 1901 were portraits; compared to later works they evidence a skilful but still somewhat uncertain hand. The works created a few years later were characterized by a stronger and surer line. These works are also more developed: while the subject of her works remained the same, she now extended her interest in portraiture to the shape of the entire human body, presenting the figures in more elaborate environments. Looking at the reproductions, one might conclude that she was interested in nothing but Jewish life in the Diaspora. There is a propensity to show the faces of older people...

Still Life is an artwork realized by Valentino Ghiglia in the Mid-20th Century. Oil on Cardboard, cm 46x57. Hand signed on top left. Very good condition.