Alberoi Bazile

Alberoi Bazile "Fruit" Still Life Painting in Hand Carved Frame C.1970

Circa 1970

Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios Signed Van Gaard Classic 1950s to 1960s acrylic painting of a guitar against a colorful ab...

Herbert Parrish "Roses & Mirror" Floral Still Life. Oil on Masonite. 18 x 24 unframed, 26.5 x 32.5 framed.

Vintage Still Life Painting with Fruit and Porcelain Cup c.1970 Original oil on masonite under glass Masonite dimensions 7" wide x 5" hi...

This painting came out of a Miami house and is very much in the style of Romero Britto. Nevertheless, it is unsigned so I can only possibly attribute it and is therefore priced accor...

Clarence Keiser Hinkle: 1880-1960. Well listed California artist with Auction records up to $76,000 but sells for much more in galleries. This fabulous fresh to the market oil on mas...

Early 20th Century Still Life Oil Painting Beautiful still life painting by Irish artist Cecilia G. Loane Original oil on board Dimensions 24" wide x 20.5" high The frame measure...

This piece titled "Delight or Disgust" is an original artwork by Angela Rio and is made of acrylic on masonite, framed in artist-made oak wood. This piece measures 18”h x 24”w framed...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that captures the great lighting and shadows of ...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Modern Abstract Blue Rose, Vintage Abstracted Minimalist Floral by Eleanor Perry Modernist blue and white rose abstract by San Francisco, California artist Eleanor Louise Perry (Ame...

Mid century gardener's still life of watering can and terracotta pot by San Francisco, California artist Eleanor Perry (American, 20th Century...

Vibrant mid-century modern still life with abstracted synthetic cubist elements in warm colors, highlighted by texture in white by E. A Blake (American, 20th century). Signed "E.A. B...