Emily Persson

"Spring Terrace" bright impasto oil painting of New York City apartment terrace

2023

"Artichoke Hold on Me" is a green & purple contemporary impasto oil still life. Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel...

"Spring Terrace" bright yellow impasto oil painting of New York City apartment terrace. Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel...

In the trompe l'oeil panel painting, "Wonder, or the Plane of the Invisible," a comic cut-out of Wonder Woman sits between two spatial planes—the top, very flat plane is cut out in the shape of a plane as a play Wonder Woman's famous "Invisible Plane." The silly way the comic book character would sit in an imaginary seat flying through the air would force the artist to wonder, “how do you represent an invisible plane”. Here, we see a bright blue canvas, sprinkled with glittery paillettes; an outline of an airplane beneath an outline of the word “SKY”, an infantile depiction of the sun made of masking tape, and finally, the hero, Wonder Woman, her comic clipping taped onto the invisible plane. A very believable, naturalist blue sky with puffy white clouds is visible through the letters and the invisible airplane. It feels like we can reach into the invisible plane to find the natural world…yet atop the plane is an old cartoon of the first female superhero. She overlaps the realistic atmosphere, and even casts a shadow onto it. The planet’s orbit is dedicated to the sun, and all living things need the light to survive…yet this most important element is made up of a crude array of tape strips, asymmetrical, and even torn in-half. This sun refers back to Pablo Picasso’s sun...

"Being and Nothingness" is a 2023 trompe l'oeil modernist oil painting. Mastromatteo pays homage to Malevich’s black square, and even positions it at the top left quarter of the canvas. The modernist symbol is austere, and formidable, yet it lays flat on the two-dimensional plane. Outside the square, amidst a wall of white, are little butterflies. Their angled wings...

Continuing his affinity for Malevich’s geometric paragon is Felix Culpa or ‘Must be a Woe,” this time, in red. Three red squares hover above Christ suffering on the cross—one of the most recognizable images in art history—yet here, no wooden cross is in sight. Christ simply floats against a white wall. The three “Red Squares” map the edges of the invisible crucifix, and an old violin...

Framed Dimensions: 16 x 16.75 inches

Cherries & Ink Bottles and Water (John’s Mug) Diptych Overall size cm : H60 x W60 David Thomas. ‘Cherries & Ink Bottles’- oil on board. This work of art is...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Tropical Garden viii by Alanna Eakin [2021] original Oil paint on wood panel Image size: H:25.5 cm x W:25.5 cm Complete Size of Unframed Work: H:0.5 c...

Sharon used a thick application of paint, real-life subject matter, and emphasized geometric forms, distorted for expressive effect, and used an unnatural, arbitrary color. Blue, cr...

oil on wood panel, 12 x 16 inches signed on reverse Sarah Olson explores the beginning of life and the creation of the world through the lens of religion and science. She has exhibi...

'Freeway No. 13 (diptych) ' by artist Ryan Reynolds, who uses bold colors to depict contemporary life in this painting that is from his 'Freeway' series. Fantastic spiraling highway...