Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 18

17th c. Flemish, Still life with birds and raisins, workshop of Frans Snyders

About the Item

STILL LIFE WITH BIRDS AND RAISINS, WORKSHOP OF FRANS SNYDERS (1579-1657) An exquisite and attractive work, our painting with its rich and harmonious composition is one of the remarkable examples of the passion of art lovers of the 17th century for still lifes, the genre in full ferment in Antwerp in early 17th century, long before its arrival to Paris in the 1630s & 40s. Our painting presents on an entablature covered with wine-colored velvet cloth, various objects in an artistic arrangement which is intended to be spontaneous. The tight framing, like an extract and the piled up objects suggest a plenitude and an infinite richness of what nature can offer and reinforce the feeling of prosperity. The wicker basket overflowing with translucent bunches of grapes in green and purplish hues with icy reflections dominates the right side of the painting. In the center is the game birds, partridge, snipe, sparrow, pincon and others, each bird with a fine and precise design, transparent plumage, the meticulous rendering of the different beak or leg parts, zebrures and streaks of the down. On the left, two stacked white and blue Chinese porcelain Wan-li bowls with shiny and shiny red langoustines. The bowl tilted to the left and the basket tilted to the right bring a kind of symmetry to the composition and lock it in forcing the viewer to contemplate the painting. The gaze never ceases to fall on bunches of grapes, whose irresistibly velvety fruits with a translucent finish bring incredible vitality to the composition. The surprising lightness of the brushstrokes to illustrate the transparency of two barely visible wine glasses, the shape of which is outlined against a black background in the background. The sandstone pitcher with warm ocher and the vermeil salt shaker fill the bottom of the left side of the painting. Intense light focused on objects standing out against a darkened background creates contrast enhanced by porcelain white, feathers and grape skin. With remarkable finesse, the artist strives to paint birds' feathers and down to achieve a very realistic effect. These many small lines are made using brushes with a single bristle. This incredible thoroughness allows us to appreciate all the talent and patience shown by the painter. The way in which surfaces and materials are treated evokes a great mastery of the brush. 17th century Flemish school Workshop of Frans Snyders Oil on oak panel. Dimensions: h. 21.65 in, w. 31.5 in Baroque style giltwood frame, framed dimensions: h. 28.74 in, w. 38.58 in Our painting is a workshop version with identical dimensions of the painting by Frans Snyders in a private collection, Christie's New York sale, 4/6/2014 (realized price $ 461,000). A variant of this composition with the basket of identical grapes and game by Frans Snyders was sold at Lempertz, Cologne, Germany, 11/14/2020 (realized price € 143,750) Frans Snyders (Antwerp, 1579-1657) Frans Snyders entered the studio of Peter Brueghel II in 1593, at the age of 14. Master in 1602, he went to Italy, to Rome and then to Milan. Back in Antwerp, he specialized in still lifes and his reputation quickly spread, to the point that Rubens called on him between 1611 and 1616 to collaborate on some of his works. Having married Marguerite de Vos, sister of Cornelis and Paul de Vos in 1611, he greatly influenced the latter. Member of the Society of Romanists in Antwerp in 1619, he became its dean in 1628. He established himself as one of the most important and recognized painters of his time, receiving many prestigious commissions. The body of his paintings being quite large, he works with many collaborators in his studio, and his best known students are Paul de Vos, Nicasius Bernaerts and Jan Fyt.
  • Attributed to:
    Frans Snyders (1579 - 1657)
  • Dimensions:
    Height: 28.74 in (73 cm)Width: 38.58 in (98 cm)
  • Medium:
  • Movement & Style:
  • Period:
    Mid-17th Century
  • Condition:
    Professionnally cleaned, new varnish applied, ready to be hung and appreciated.
  • Gallery Location:
    PARIS, FR
  • Reference Number:
    1stDibs: LU2433212041142
More From This SellerView All
  • Adam and Eve in paradise, studio of Jan Brueghel the Younger, 17th century
    Located in PARIS, FR
    Studio of Jan Brueghel the Younger 17th century Antwerp school Oil on oak panel, h. 37 cm, w. 49 cm Tortoiseshell veneered baroque style frame...
    Category

    Mid-17th Century Old Masters Figurative Paintings

    Materials

    Oil, Wood Panel

  • Saint Jerome, Antwerp, 16th century, circa 1550, cercle of Lambert Van Noort
    Located in PARIS, FR
    Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...
    Category

    16th Century Old Masters Figurative Paintings

    Materials

    Wood Panel, Oil

  • 17th c. Flemish school - Allegory of the five senses - attributed to P. Lisaert
    By Pieter Lisaert IV
    Located in PARIS, FR
    17th c. Flemish school - Allegory of the five senses - attributed to Pieter Lisaert (Antwerp, 1595-1629) Our attractive painting on wood immediately catches the eye with its bright a...
    Category

    Early 17th Century Old Masters Interior Paintings

    Materials

    Oil, Wood Panel

  • Cercle of Ambrosius Francken, Adoration of the shepherds, 17th century Antwerp
    Located in PARIS, FR
    Adoration of the shepherds, Cercle of Ambrosius Francken, Early 17th century Antwerp school Oil on oak panel: h. 55 cm, w. 43 cm (21.65 in x 16.93 in) 17th c. ebonized and moulded f...
    Category

    Early 17th Century Old Masters Figurative Paintings

    Materials

    Oil, Wood Panel

  • Feast in the Garden of Love, 17th century Antwerp, Louis de Caullery
    Located in PARIS, FR
    Louis de Caullery (1582-1621) Antwerp School early 17th century Oil on oak panel Dimensions: h. 51 cm (20.08 in), w. 43 cm (16.93 in) Ebonized wooden frame Framed: h. 67 cm (26.38 in...
    Category

    Early 17th Century Old Masters Figurative Paintings

    Materials

    Wood Panel, Oil

  • Ascension Day in Venice, Louis de Caullery (1582-1621), Flemish 17th century
    Located in PARIS, FR
    Ascension Day in Venice 17th century Antwerp School Attributed to Louis de Caullery (1582-1621) Oil on oak panel Dimensions: h. 19.68 in, w. 34.25 in Flemish style frame in ebonized ...
    Category

    Early 17th Century Old Masters Landscape Paintings

    Materials

    Oil, Wood Panel

You May Also Like
  • 17th Century Flower Still Life, by a Follower of Daniel Seghers
    Located in Stockholm, SE
    This exquisite floral still life, likely created in the late 17th century, is attributed to a follower of Daniel Seghers. The painting showcases a vivid arrangement of various flower...
    Category

    Late 17th Century Old Masters Still-life Paintings

    Materials

    Oak, Oil, Wood Panel

  • Still Life with Flowers in a Vase
    Located in Atlanta, GA
    Painted in the style of the 17th century Dutch painter Alexander Andrienssen, this painting is of a glass vase on a wood surface filled with flowers. The artist's careful attention ...
    Category

    18th Century and Earlier Old Masters Still-life Paintings

    Materials

    Wood Panel, Oil

  • Figurative Painting. Still-life with a profile portrait, and old instrument
    By Goyo Dominguez
    Located in Segovia, ES
    Still-life with a profile portrait was painted by Spanish artist Goyo Domínguez in 1994. Acrylics in a 65 cm by 54 cm wooden panel. Using a classical style with renaissance reminisc...
    Category

    1990s Old Masters Still-life Paintings

    Materials

    Acrylic, Wood Panel

  • A still life with a meat pie - Dutch school, 17th century
    Located in Gent, BE
    Oil on panel In the refined strokes of a 17th-century Dutch artist, a captivating still life unfolds, showcasing a meticulous arrangement of culinary delights that transcend the mun...
    Category

    17th Century Old Masters Still-life Paintings

    Materials

    Oil, Panel

  • The Misunderstanding - Still Life with Honey Bee on Edge of Crystal Decanter
    By Matthew Cook
    Located in Chicago, IL
    While still life painting can be dated back to the Ancient Egyptians, this still life takes on a modern theme. A crystal decanter and whiskey glass are set upon a piece of fraying tapestry. The curiosity comes when the viewer takes a closer look to discover a bee has flown in and is perched precariously on the neck of the decanter. This piece is framed in a heavy wooden frame with a gold insert. The framed dimensions are H 14.5 x W 16.5 inches. Matthew Cook...
    Category

    2010s Old Masters Still-life Paintings

    Materials

    Panel, Oil

  • 18th Century by Francesco Lavagna Pair of Flower Vases Oil on Canvas
    Located in Milano, Lombardia
    98 x 36 cm each without frame - 112 x 50 cm with frame Antique gilded and shaped wooden box frames Expertise by Prof. Giancarlo Sestieri This marvellous pair of flower vases has b...
    Category

    Early 18th Century Old Masters Figurative Paintings

    Materials

    Canvas, Oil

Recently Viewed

View All