Still Life Of Flowers & Fruit In A Glass Vase Upon A Stone Mantle, 17th Century

Study of apples, pears, caterpillar, butterflies and mice, dated 1635 Johannes BOUMAN (1601-1658) 17th century Dutch master study of pear...

Still Life Of A Book Featuring A "Monastic Ode", 18th Century English School - Unique Still Life - Signed W. J. Fine large 18th Century English still life study of an opened book l...

Portrait Of A Nude Male Holding A Crucifix, 19th Century attributed to William Etty (1787-1849) Large 19th century classical portrait of a nude male holding a crucifix, oil on pa...

Still Life Of Pink & White Roses, 19th Century by Louise Ellen Perman (1854-1921) Fine large 19th Century Impressionist still life...

Still Life "Poulet & Pomegranate" 20th Century by MARCEL DYF (1899-1985) similar to $37,000 Fine large 20th century still life "Poulet & Pomegranate" oil on canvas by Marcel Dyf. E...

Still Life Of Fish, dates 1931 by Jacques Rothenbach Large 1931 French School still life of fish in a kitchen, oil on canvas by Jacques Rothenbach. Excellent quality and condition ...

Still Life is a superb original oil painting on panel, realized by the Italian artist Vincenzino Volò, best-known as Vincenzino dei Fiori (Rémondans, 1620-Milan, 1671) around 1640-1660. Original Title: Natura morta di fiori entro vasi biansati (Still life of Bouquet in two-handled vases). On the back of the panel, two labels are glued "da Milano", "A Piacenza", ("from Milan" "to Piacenza"). The labels indicate a transfer of the artwork, perhaps in the first half of the twentieth century, from Piacenza to Milan. While instead the style and technique make us understand the artwork was commissioned or created in the Milan of Federico Borromeo, archbishop of Milan from1595 to 1630. The author of the painting can be identified in the person of Vincenzo Volò, a talented artist who fell into oblivion, recently rediscovered and appreciated. Founder of the Vincenzini family, he was born in Franche-Comté in 1620 (in the past its birth was erroneously fixed to 1606). In the mid-forties of the seventeenth century he arrived to Milan, and held a leading artistic role: he was the founder of a family workshop that imposed his style and strongly influenced Milanese collecting with his still lifes and influenced generations and generations of painters. Vincenzino also was the first painter of still life to work on the Bella Island for Vitaliano VI Borromeo and collaborated with well-known figure painters such as Francesco Cairo, Scaramuccia, Nuvolone and Fumagalli. As regards the style, the archaic tendency of Lombard painting of still life from the early decades of the seventeenth century is clearly evident, looking at primitivism and the happy schematization of the composition of the artwork. The dating of this artwork could be fixed around the first half of the seventeenth century because it is confirmed by the type of support, a wooden panel, always used by Vincenzino. As for the subject, Volò generally painted bouquets of flowers in two-handled vases placed on transversal planes seen from the front. It is possible to compare this work with other Dei Fiori's artworks: the pair of Flower Vases...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

A painting by Hans Hofmann. "Yellow Vase" is still-life abstract painting, oil on panel executed in the primary colors by Post-War Abstract Expressionist H...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

Hungary, 1936 – 2015 Gyula Bubarnik was born in 1936 in a village near Budapest where he spent his childhood in the countryside. Surrounded by pure nat...

Belgium, 1866-1942 Herman Richir initially studied at the Art Academy of Sint-Joost-ten-Noode in Brussels, where he studied with Gustave Biot and Charles Hermans. He then went on to...