Robert Zappalorti

Marble on Marble

2007

Oil still-life painting depicting a bag of unopened marbles tacked to an unvarnished wooden cabinet door. Another marble rest precariously on the ...

Still life painting of a box from Harry Bendel's with colored tissue paper

Oil on canvas still-life realist painting of Dumbledore's wand.

Still life of boxes and geometric shapes

Oil on panel painting by Scott Duce of a painting of an onion.

Still life painting of glass bottles

In Tobias Harrison's "Cherries in the Glass," the viewer is transported into a world where simplicity meets sophistication. The focal point of the painting is, of course, the titular...

Dianne L. Massey Dunbar's (US based) "Pepper" is an original, handmade oil painting that depicts a still life composed of many forms of pepper: Dr. Pepper, Pepper seasoning, and hatch green pepper chilies. About the artist: When Dianne Massey...

Dianne L. Massey Dunbar's (US based) "Water Bottle" is an oil painting that depicts a Aquafina Water Bottle with an open lid in an interior setting. A...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studie...

Item is in excellent condition and has only been displayed in a gallery setting. With frame dimensions are approximately 44" x 64" Leon Olmo was born in Moron de la Frontera at the end of the 1940's beginning at a young age to study drawing and wax technique. From heightened stimulation incredible still-lifes are produced from the nearby aromas of lemons, jasmine, pomegranates, and medlars, fruits which often appear throughout his paintings. Olmo is a self-taught painter, reaching the status as one of Seville’s most talented artists through strict perseverance in drawing and painting. Working until complete exhaustion, Olmo attempts to capture all of himself with every image he creates. For Olmo, neatness and cleanliness go hand in hand when creating a work of art. Though he denies traditional academicism, Olmo does utilize a methodical approach in each painting that begins with strict preparation of the fibrapan board upon which he paints. Beginning with a primer composed of calcium sulfate and glue, he sands the board’s surface until smooth. This regimented routine is in accord with Olmo’s insistence of maintaining neatness and cleanliness for he has rejected the use of canvas where any imperfection is not up to standard. He then picks juicy fresh fruits from their trees and retrieves wooden boards from a collection that he has acquired over the years during walks with his father. Arranging the objects for the desired effect, the outcome will be a play of shadows between the background and brilliant center of the composition. With the brush he draws simple motifs and leaves layers of paint until he achieves a magic luminosity, where the observer can actually see through space, a transparent quality distinctly from the hand of Olmo. The recreation of natural elements in his paintings is to remind the observer of humanity’s material nature. The symbolic use of jasmine is special to the artist, in order to represent the grandeur of small things, six petals with an incredible scent which contain within them the magic of the artist and of his Andalusian land. Olmo’s dreamlike masterpieces contain human warmth that has an unsurpassable way of working their way into the hearts and minds of his collectors. Leon Olmo and his son Leon Reina make up a father and son painting...

Rose. 1991, cardboard, oil, 34x24 cm by Uldis Zemzaris (born 1928.24.II) Uldis Zemzaris graduated from J. Rozentāls Riga Art High School (1953) and the Painting Department of the L...