Items Similar to Saint Jerome Angels 17th Century Venetian School Paint Oil on canvas Old master
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Saint Jerome Angels 17th Century Venetian School Paint Oil on canvas Old master1600-1650
1600-1650
About the Item
Saint Jerome supported by two angels
Early 17th century Venetian painter
Oil on canvas
86 x 67 cm. - In frame 103 x 84 cm.
The proposed painting offers us an intense portrayal of Saint Jerome, Doctor of the Church who lived between the 4th and 5th centuries, according to the typical iconography that sees him immortalised in the desert, and in accordance with the literary tradition that illustrates his period of solitude spent in the desert.
Stripped of his traditional cardinal's attributes, Jerome is depicted in the guise of a hermit saint, his livid flesh marked by old age and the bitterness of fasting. Exhausted by the fatigues of study, he collapses next to the sacred texts that lie scattered on the ground, miraculously supported by the pitiful gesture of two florid angels.
Before him lie the skull, a symbol of the vanity of earthly life, and the books, a sign of those studies that gave rise to the drafting of the ‘Vulgate’, the translation of the Bible into Latin. The lion at his feet recalls episodes handed down by the sources, including the Legenda Aurea by Jacopo da Varazze (late 13th century), according to which the beast, wounded by a thorn stuck in its paw, was healed by the saint, and therefore remained faithful to him, accompanying him throughout his retreat.
Completing the iconography are the other attributes that distinguish him: the stone with which he struck his chest as a sign of penitence, the cardinal's hat that identifies him as the pope's secretary, and above him the angels blowing the trumpets of judgement.
A stream of light mercilessly reveals the folds and wrinkles of his flesh, from which the intense red of the ample drapery surrounding the hermit saint's body stands out.
An analysis of the painting allows us to place its execution in the northern Italian school, executed by a Venetian artist in the early 17th century, although the style is still anchored in the Renaissance dictates of the previous century.
Both the pictorial manner and the colouring in which the bright red of the drapery that envelops the Saint's body, an allusion to the dignity of cardinals, dominate, are reminiscent of Titian.
Examining its stylistic characteristics, we find great consonances with the achievements of the workshop of the Venetian Jacopo Negretti, known as Palma il Giovane. His painting, and the fascination derived from it, is the result of a mixture of different influences: that of the Venetian school, of Titian and Tintoretto, and that of the Florentine-Roman school of Raphael and Michelangelo, which he learned during his four-year stay in Rome.
ADDITIONAL INFORMATION:
The painting is sold complete with a beautiful antique gilded wooden frame and is accompanied by a certificate of authenticity and descriptive iconographic card.
We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.
Should you have the desire to see this or other works in person, we will be happy to welcome you to our new gallery in Riva del Garda, Viale Giuseppe Canella 18. We are waiting for you!
Contact us for any information or to arrange a visit, we will be happy to answer you.
- Attributed to:Venetian Painter
- Creation Year:1600-1650
- Dimensions:Height: 40.56 in (103 cm)Width: 33.08 in (84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Riva del Garda, IT
- Reference Number:1stDibs: LU988114452342
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2017
1stDibs seller since 2018
206 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Riva del Garda, Italy
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Terwesten Woman Allegory Art Paint Oil on canvas 17/18th Century Old masterLocated in Riva del Garda, ITMattheus Terwesten (The Hague, 1670 - 1757) Portrait of a young woman with palette and brushes, as Allegory of the art of Painting Oil on canvas 160 x 91 cm. - In frame 178 x 107 cm...Category
17th Century Old Masters Paintings
MaterialsOil
- Perroneau Portrait Lady Woman Paint Oil on canvas 18th Century Old master FrenchLocated in Riva del Garda, ITJean-Baptiste Perroneau (Paris, 1715 – Amsterdam, 1783) Portrait of a lady Oil on oval canvas 60 x 50 cm. - In frame 77 x 66 cm. Work accompanied by expertise: Raffaelle Colace (Cremona), Ferdinando Arisi Reference bibliography: d’Arnoult, Dominique (2014) Jean-Baptiste Perronneau, c 1715-1783, un portraitiste dans l’Europe des Lumières Excerpt from the expertise of Dr. Colace: This refined portrait of a lady is a perfect example of the style of Jean-Baptiste Perroneau, a very talented French painter, whose most beautiful works are located, just like this one, between the fifth and sixth decades of the eighteenth century. "Perroneaeu is more naturally colored than La Tour, the est, in the peinture de poussière colorée, tout plein de tons clairs, frais, presque humides": this is how his brothers wrote about him in La Maison d...Category
18th Century Old Masters Paintings
MaterialsOil
- Portrait Knight Paint Oil on canvas 17th Century Lombard school Old master ItalyLocated in Riva del Garda, ITLombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...Category
17th Century Old Masters Paintings
MaterialsOil
- Ecce Homo Coxie Paint 16/17th Century Paint Oil on table Old master Flemish ArtLocated in Riva del Garda, ITCircle of Michael Coxie (Malines, 1499 - Malines, 1592) Ecce Homo with Pontius Pilate Oil on panel Flemish school 16th-17th century 112 x 81 cm - framed 121 x 90 cm. The proposed p...Category
16th Century Old Masters Paintings
MaterialsOil
- Portrait Woman Princess Diziani Paint 18th Century Oil on canvas Old master ArtLocated in Riva del Garda, ITGaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...Category
18th Century Old Masters Paintings
MaterialsOil
- Cupid Portrait Parmigianino Paint 17/18th Century Oil on canvas Old master ItalyLocated in Riva del Garda, ITFollower of FRANCESCO MAZZOLA, known as IL PARMIGIANINO (Parma, 1503 - Casalmaggiore, 1540) Cupid Carving His Bow (as the triumph of love and desire over reason and knowledge) Oil o...Category
18th Century Old Masters Paintings
MaterialsOil
You May Also Like
- Portrait Of Thomas Smythe (1514-1577) School of Hans HOLBEIN (1497-1543)By Hans HolbeinLocated in Blackwater, GBPortrait Of Thomas Smythe (1514-1577), 16th Century School of Hans HOLBEIN (1497-1543) Fine huge 16th Century English Old Master portrait of Sir Thomas...Category
16th Century Old Masters Portrait Paintings
MaterialsOil
- William Wissing (follower) 19th Century Portrait Queen Mary IILocated in York, GBA 19th century oil on canvas, portrait of a young woman.This portrait is believed to be of Queen Mary II taken from an engraving of the painting, Halswell Park Sale, 1948, lot no.1323, Housed in a decorative gilt frame.Size overall being 70 x 86 cm high (27.5 x 33¾ inches approx) size of painting 54 x 68 cm (21 x 26 inches approx) To the rear of the portrait is a newspaper cutting of the engraving ,also a typed note regarding the provenance of the painting (see photo) Condition overall is very good, the Canvas has been relined, under UV there are areas of overpaint to bosom.Frame overall very good some minor self coloured losses Mary II (30 April 1662 – 28 December 1694) Mary, born at St James's Palace in London on 30 April 1662,eldest daughter of James, Duke of York (the future James II & VII) , and his first wife, Anne Hyde. Mary's uncle was King Charles II, her maternal grandfather, Edward Hyde, 1st Earl of Clarendon, served for a lengthy period as Charles's chief adviser. Mary married William of Orange. Willem Wissing, known in England as William Wissing...Category
19th Century Old Masters Portrait Paintings
MaterialsOil
- Nathaniel Hone, portrait of "flora" roman goddess, 18th centuryBy Nathaniel Hone the ElderLocated in York, GBI have great pleasure in offering for sale this beautiful portrait, by Nathaniel Hone, the elder. 18th century. The painting is of Ann Anderson, wife...Category
18th Century Old Masters Portrait Paintings
MaterialsOil
- 19th Century Portrait, Child At Play , Attributed To Henry Tanworth WellsLocated in York, GB19th century portrait, child at play ,Attributed to Henry Tanworth Wells A beautiful oval portrait of a young child at play, attributed to the portrait painter Henry Tanworth Wells. finely executed, this oil on canvas is in excellent condition. Housed in a period frame. The size overall is 79 cm x 62 cm whilst the painting is 56 cm x 46 cm Henry Tanworth Wells [1828-1903] Henry Tanworth Wells RA was an English miniature and portrait painter. He was a member of the Pre-Raphaelite circle though he painted in the academic style. His most popular painting...Category
19th Century Old Masters Portrait Paintings
MaterialsOil
- Henry Raeburn, (circle) 19th Century portrait of Sir Charles Forbes EdinglassieBy Henry Raeburn (circle)Located in York, GBPortrait of Sir Charles Forbes of Edinglassie, Oil on canvas. The size of the portrait is 75 cm x 59.5 cm whilst overall the size is 106 cm x 91 cm In very good condition.There has been some restoration/overpainting etc.There is some minor craquelure. Housed in a period gilt frame decorated with acorns and leaves Overall a good portrait, circle of a fine scottish artist , with an interesting sitter, his details below. sir Charles Forbes of Edinglassie Sir Charles Forbes, 1st Baronet (1774–1849) was a Scottish politician, of Newe and Edinglassie, Aberdeenshire. Forbes was the son of the Rev. George Forbes of Lochell. He was a descendant of Alexander Forbes of Kinaldie and Pitsligo, and was in 1833 served heir male in general to Alexander Forbes, 3rd lord Forbes of Pitsligo, father of Alexander Forbes, 4th Lord Forbes of Pitsligo, attainted in 1745. Forbes was of a bluff but kindly nature, diffident as to his own merits, of a straightforward and manly character. On the death of his uncle in 1821 Forbes succeeded to the entailed estates of the Forbeses of Newe, and was created a baronet by patent in 1823.[1] He married in 1811. His daughter, Elizabeth, married General, Lord James Hay, second son of the seventh Marquess of Tweeddale. Sir Henry Raeburn FRSE, RA, RSA (1756-1823) Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting...Category
19th Century Old Masters Portrait Paintings
MaterialsOil
- Portrait of a Lady in an Elaborate Stone Cartouche, Oil on canvas PaintingBy Mary BealeLocated in London, GBPortrait of a Lady in an Elaborate Stone Cartouche c.1675-80 Mary Beale (1632-1699) Titan Fine Art present this superb portrait where the sitter has been portrayed wearing a low-cut white chemise under a gold silk robe with a draped light...Category
17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Great Masters Art
Great Masters Painting
Old Style Paintings
Italian Oil Painters
Old Italian Sign
Oil Painting By Italian Painters
Venetian Art
Old Masters Painters
Painted Angels
Saint Oil
Saint Oil Painting
Antique Old Painting
Oil On Canvas Old Masters
Antique Venetian
Venetian Artist
Venetian Frames
Saint Oil Canvas
Northern School