Patrik Grijalvo

Milan_Museo del Novecento_ Italo Rota

2021

To make the work owe only itself to itself is an old ideal of modern art: to cut the ties that bind it to natural reality and let it stand, all contained within its pure limits. To t...

To make the work owe only itself to itself is an old ideal of modern art: to cut the ties that bind it to natural reality and let it stand, all contained within its pure limits. To t...

To make the work owe only itself to itself is an old ideal of modern art: to cut the ties that bind it to natural reality and let it stand, all contained within its pure limits. To t...

To make the work owe only itself to itself is an old ideal of modern art: to cut the ties that bind it to natural reality and let it stand, all contained within its pure limits. To t...

To make the work owe only itself to itself is an old ideal of modern art: to cut the ties that bind it to natural reality and let it stand, all contained within its pure limits. To t...

Patrik Grijalvo (Bilbao, 1984) takes a further step in his process of sculpting photography begun many years ago (2010) with a series under the name "Photography as an object". Whether he wanted to develop at that time an approach to Eduardo Chillida's "Gravitations" or to Jerry McMillan...

THE FLOW OF LIGHT UNDERWATER 2019 Being fascinated with light and water led me to explore how light travels in the sea - often caught on the backs of fish as they dart and swerve int...

Artist Commentary: extension from the un·i·den·ti·fi·a·ble series – process was to go into the file's data and alter the dimensions of the picture, causing it to distort differently ...

Artist Commentary: the inevitable continuation of pain Keywords: landscape, eyes, targets, surreal, surrealism, stare, ocean, clouds Artist Biography: Daniel DeRosato is a freelan...

"Composition with Gold and Blue", photography by the artist Anna Golovanova. Abstract digital compositions. Extravagant play with form and colour. Country of Origin: Russia. Signed...

"Composition with Gold and Brown", photography by the artist Anna Golovanova. Abstract digital compositions. Extravagant play with form and colour. Country of Origin: Russia. Signe...

This is an archival photograph printed with Epson Ultra Chrome Pigmented Ink on Hahnemuhle Fine Art Rag paper with a 2 inch white border. It is part of the "Refracted World" series, and is from an edition of 50 prints. It is signed on the back.. Diane Lachman’s photographic pandemic project began in March 2020, when Covid 19 forced us to shelter at home. After a year of experimentation with the refraction of natural light through prisms, she created complex and vibrant images that reflect our experiences during these tumultuous times. By observing the change of the position and quality of light and shadow each day, she developed a new sense of the passage of time. Her photographs reflect the desolate days of this period as well as the bright days when we experienced hope. The dark, somber colors in "Heartbroken" convey Lachman's reaction to George Floyd’s death and the resulting world wide protests. Lachman’s inventive abstract paintings and photographs emphasize the expressive power of color. Her work has been the subject of twelve solo shows. Most recently, an exhibition of her pandemic photography project: “Refracted World” was shown in July 2021 at Muse Gallery in Philadelphia. She participates in many juried and invitational group shows. Currently, Lachman is the acting director of Muse Gallery in Philadelphia where she has been a member since 2010. Her paintings are represented in numerous private and corporate collections, including Temple University School of Medicine, the Howard Gittis Student Center Art Collection at Temple, the Art Collection at Park Towne Place in Philadelphia, and the Lankenau Medical Center. Lachman studied at Rhode Island School of Design and the Cleveland Institute of Art. She earned her BFA and MFA degrees at the University of Pennsylvania, where she taught drawing and color theory from 1993 to 2013. Her intuitive approach to her work complements her years of teaching Josef Albers’ “Interaction of Color.”