Bert Hardy

Cafe Culture by Bert Hardy Limited Edition Giant Oversize Silver Gelatin Print

1951 (printed later)

' Carry On Tea Break ' 1971 b y Larry Ellis Giant Oversize Limited Edition Silver Gelatin Print British actors Sid James and Kenneth Williams eating jellied eels from paper cups...

"Skating Waiter" by Horace Abrahams 8th January 1938: A waiter skates across the ice at St. Moritz carrying a tray of drinks for his customers. Unframed Paper Size: 60" x 40'' (in...

'James Dean, Elizabeth Taylor & Rock Hudson' From left -James Dean, Elizabeth Taylor and Rock Hudson, on the set of 'Giant,' 1956. (Photo: The Everett Co...

'Marlon Brando & Vivien Leigh Smoking On-Set' Marlon Brando and Vivien Leigh smoking cigarettes on the set of 'A Streetcar Named Desire,' 1951....

"Italian Hats" by Hulton Archive Models wearing a collection of Italian designed hats for winter 1956/7 and spring 1957, at the fifth Men's Fashion Festival, San Remo, Italy. Unfra...

Gorbals Boys (1948) - Silver Gelatin Fibre Print (Photo by Bert Hardy/Getty Images Archive London) Possibly Bert Hardy's most famous image. Two boys in the Gorbals area of Glasgow. The Gorbals tenements were built quickly and cheaply in the 1840s, providing housing for Glasgow's burgeoning population of industrial workers. Conditions were appalling; overcrowding was standard and sewage and water facilities inadequate. The tenements housed about 40,000 people with up to eight family members sharing a single room, 30 residents sharing a toilet and 40 sharing a tap. By the time this photograph was taken 850 tenements had been demolished since 1920. Redevelopment of the area began in the late 1950s and the tenements were replaced with a modern tower block complex in the sixties. Original Publication: Picture Post - 4499 - The Forgotten Gorbals - pub. 1948 Additional Information: Unframed Paper Size: 20 x 16'' inches / 51 x 41 cm Printed 2024 Silver Gelatin Fibre Print Limited edition issued and stamped on front by the Getty Archive London Edition size 300 only NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 8'' 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' FRAMING AVAILABLE ON REQUEST Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...

Caddy Tailfin Archival pigment print on canvas 60 x 96 inches Edition of 10 AMERICANA "From rural Montana to the Manhattan skyline at dawn, from a New Mexico cowboy...

Chuck Howard was a favorite model of artists Paul Cadmus and Jared French and muse to Lynes, who captured both the erotic and everyday moments in their re...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...