Haywood Magee

Haywood Magee, Louis Armstrong on Stage Limited Edition Photographic Print 20x30

1956

Rock singer and frontman Freddie Mercury (Frederick Bulsara, 1946 - 1991), of the popular British group Queen, has his moustache groomed. (Photo by Steve Wood...

Rock singer and frontman Freddie Mercury (Frederick Bulsara, 1946 - 1991), of the popular British group Queen, has his moustache groomed. (Photo by Steve Wood...

April, 6 1936: A tame swan named Leila is given a lift in the back of a car. (Photo by Fox Photos/Getty Images) As an authorized Getty Images Gallery...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

British dancer Rosemary Andree wearing a sunhat with a clock face design on a summer's day at the Roehampton Pool. (Photo by Gerry Cranham/Getty Images) As an authorized Getty Image...

Seattle Tubing Society, 1953 by Burt Glinn is one of the photographer's iconic 1950s shots - this one of people relaxing in inner tubes on a pond. The zeitgeist of madcap and fun, th...

Terry O'Neill (1938-2019) David Bowie, Diamond Dogs (v2) 1974 lifetime edition silver gelatin fine art archival print 24 x 20 in. (paper size) edition of 50 signed and numbered printed later Price: £9,360 GBP (inc. 20% UK VAT) Notes: David Bowie poses with a large barking dog for the artwork of his 1974 album Diamond Dogs in London. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

Friends, 1989 by Roberta Fineberg is a black-and-white photograph of friends in a Parisian bar in the Marais. The silhouetted figure is contrasted against the contours pf a female fa...

A black-and-white photograph (analog) of a magazine/newspaper shopkeeper who exhibits a unique brand of French quirkiness and expressiveness in Paris of the 1980s. Shot on film, Shop...

A black-and-white image of a French woman a Parisian captured on film by Roberta Fineberg. The subject of the photograph is lost in thought en route on a bus winding through the maze...

In the Country, 1988 is by Roberta Fineberg. A black-and-white documentary-style portrait of a French woman in the countryside - from northeast France, the Haute-Marne, the subject is photographed against a backdrop of fresh-cut hay. Far from Paris the French maintain deep connections with the land - owning often an ancestral house in the countryside, often rustic, a nation equally rooted in the agrarian. An 11" x 14" gelatin silver print (analog/film) in an edition of 5, the photograph is signed and editioned on recto (in margin) by the artist. Provenance: RF Archive *** Artist's Bio: As a photographer and visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and subjects such as the ephemeral (butterfly series), stolen moments (documentary work), play, timelessness, the enduring, and significance of matter. In July 2022, Roberta Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include: Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art fair (2020), Gallery122 New York pop-up group...