Leni Sinclair

Mick Jagger photograph Detroit, 1972 (photographer Leni Sinclair)

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Jimi Hendrix, Detroit, 1968, photographed by legendary music photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist. Hand signed, titled & dated in ink within the low...

'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print on 310gsm fiber based paper. 11 x 14 inches (including borders). Hand signed & numbered from an edition of 50. Provenance: Obtained directly from artist. Shipped flat using protective materials. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Exhibits: Basquiat: Boom For Real, The Barbican, London, 2017/2018. More on Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...

A striking photo of Wayne Karmer of MC5, this candid portrait was shot by none other than legendary Detroit photographer Leni Sinclair; 2016's Kresge Foundation's Eminent Artist of 2...

Jean-Michel Basquiat Photograph by Nick Taylor of Gray: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. "Basquiat knew funk, jazz and what was up. How many people were equally versed in Miles Davis and Funkadelic, Charlie Parker and Bootsy Collins, Thelonious Monk and the JBs?" (Glenn O'Brien, 'Gray Matters,' GQ, 2011) Archival Inkjet Print. 11 x 14 inches (including borders). Edition of 50. Arrives signed, titled and numbered by Taylor on the reverse. Excellent overall condition. Provided directly by artist. Lot 180 Gallery NY is an authorized dealer rep of Nick Taylor. Related exhibitions featuring this work: Basquiat: Boom for Real; Barbican London; September 2017-January 2018. Museum of the City of New York (NY, New Music: 1980-1986): 2021. Montreal Museum of Fine Arts (Seeing Loud: Basquiat and Music): 2022. Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping (named "DJ High Priest" by Basquiat). His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Exhibitions: Basquiat: Boom For Real at the Barbican Centre, London (9/21/17- Present) Literature/Catalog Raisonne: Basquiat: Boom For Real (Eleanor Nairne/Dieter Buchart) Jean-Michel Basquiat: King For A Decade (Taka Kawachi) Jean-Michel Basquiat: 1981, Studio of The Street (Diego Cortez) For further history on Basquiat & his group Gray, please see: "Gray Matters," by Glenn O'Brien (GQ magazine, 4/21/11) "We formed a band: Jean-Michel Basquiat and the New York noise underground," The New Statesman, 9/29/17 "Bowie, Bach and Bebop: How Music Powered Basquiat" (New York Times 9/22/17) Glenn O'Brien, "Gray Matters," GQ Magazine April, 2011: "Gray’s approach to music was having heard music, to approach instruments and sound systems the way one would pick up a strange machine and try to intuit its operation and function. Since Basquiat didn’t know guitar technique, it seemed like a good idea to play one with a steel file. Michael Holman discovered that you could achieve a very nice effect by pulling masking tape off the skin of a snare drum... And then there was the clarinet that Basquiat liked to walk around with, that was as much a scepter and wand as wind instrument. This utterly charming 27-track album is chock full of the road not taken, which sounds so right just now. It is refreshingly stripped of flagrant virtuosity but it is conceived brilliantly, played perfectly, and arranged impeccably... If a wine can have notes of chocolate, leather, licorice, and tobacco, then this record can have notes of William DeVaughn, Willie Hutch, Marcel Duchamp, Larry Coryell, the Modernaires, Sergio Mendez...

Keith Haring Subway Drawings Photograph: This photograph captures Keith Haring's epic conquest, producing public art across the New York City subw...

Iggy Pop by Leni Sinclair One of the most iconic images ever taken of Iggy Pop, this truly one of a kind photograph was shot by legendary Detroit photographer Leni Sinclair - 2016's Kresge Foundation's Eminent Artist of 2016 (See The Guardian UK Photo Section, Jan. 28, 2016). This photo is featured in the publication 'Rock in Fashion by John Varvatos' as well as two acclaimed rock documentary's: Gimme Danger and 'Danny Says. Medium: Archival Inkjet Print Dimensions: 11 x 14 inches Hand signed, titled & dated in ink on the lower margins by Sinclair Very good overall condition Obtained directly from artist. Seller is an authorized dealer rep of Sinclair. About Leni Sinclair A recognized leader of the 1960s-70s counter cultural movement in Detroit and a trusted documenter of the rock n’ roll scene of that same era, Leni Sinclair is known for her vivid photographs which captured faithfully the raw drama that unfolded before her lens. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends as Jimi Hendrix and Janis Joplin, and jazz icons such as Miles Davis and Sun Ra. Focusing her lens on musicians and fellow activists from nightclubs to festivals to street demonstrations, Sinclair captured a pivotal era in American history when art and politics intertwined. Some of her photos – including shots of jazz saxophonist John Coltrane and of Nigeria’s rebel music star Fela Kuti – are among the most widely known of their subjects. What seems, at first glance, to be candid scenes featuring musicians, activists, party goers and demonstrators, read together as a more powerful story: that of an American society where art and politics were inextricably intertwined. Of recent notoriety Sinclair was exhibited at Detroit’s MOCAD (Museum of Contemporary Art Detroit) as part of her first major U.S. solo museum exhibition, “Moto City Underground”. The 80-year-old artist, author and social justice organizer still lives in Detroit, where she married politically active poet and jazz critic John Sinclair in 1965 at a Cass Avenue church. Three years later they and a friend started the White Panther Party. __ Iggy Pop, the designated "Godfather of Punk", is an American singer, songwriter, musician, producer and actor. He was the vocalist of influential proto-punk band the Stooges, who reunited in 2003, and is well known for his outrageous and unpredictable stage antics. Iggy Pop's music has encompassed a number of styles over the course of his career, including garage rock, punk rock, hard rock, art rock, new wave, jazz, blues, and electronic. Iggy Pop's hits include, "Search and Destroy" and "I Wanna Be Your Dog" by the Stooges, and his solo hits "Lust for Life", "The Passenger", and "Real Wild Child." Related Categories The Ramones. Blondie. The Clash. CBGB. Music photography. Punk photos.

Archival inkjet print Signed and dated in pencil, verso Also inscribed in pencil, verso 4.875 x 4.875 inches, sheet 4.375 x 4.375 inches, image This artwork is offered by ClampArt,...

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January 19, 1973 - Contemporary Black and White Photography Print 30" x 24" (HxW) Inkjet print on Epson lustre paper 1" white margins on top and bottom; 1/2" white margins on either ...

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