Mitch Epstein

Central Park, New York II 2014

2014

Cloud #18, 2014 from the series Rocks and Clouds 68 x 54 inch gelatin silver print Edition of 6 Also available as: 40 x 30 inch gelatin silver print Edition of 6

68 x 54 inch gelatin silver print Edition of 6 Also available as: 40 x 30 inch gelatin silver print Edition of 6

68 x 54 inch gelatin silver print Edition of 6 Also available as: 40 x 30 inch gelatin silver print Edition of 6

Photogram on Silver Gelatin paper with Polaroid (diptych) Framed Photogram: 24 1/2 x 20 1/2 inches Framed Polaroid: 10 3/4 x 8 3/4 inches

Image Size: 10 1/4 x 10 inches Frame Size: 20 x 24 inches Signed, titled and dated on verso

Photogram on Silver Gelatin paper with Polaroid (diptych) Framed Photogram: 24 1/2 x 20 1/2 inches Framed Polaroid: 10 3/4 x 8 3/4 inches

Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...

The Black Keys, Iowa State Fair, Des Moines IA 2023, signed limited edition prints by The Black Keys official photographer Larry Niehues. The Black K...

Dan Auerbach “Ride”, San Francisco 2022, signed limited edition prints by The Black Keys official photographer Larry Niehues. The Black Keys relationship with Larry Niehues began t...

Black and white fine art long exposure cityscape - landscape photography. Gondola on the Canal Grande at sunrise Venice, Italy. Archival pigment ink print, edition of 7. Signed, titl...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...