Items Similar to Tina Modotti Photograph of a Painting by Manuel Rodriguez Lozano
Want more images or videos?
Request additional images or videos from the seller
Tina ModottiTina Modotti Photograph of a Painting by Manuel Rodriguez Lozanoca. 1920a
ca. 1920a
About the Item
A 1920s Tina Modotti photograph of a painting by Manuel Rodriguez Lozano. Archivally matted to 16" x 20".
Tina Modotti was born in Udine, Italy in 1896 and by the age of 14 she was supporting her entire family by working in a local silk factory. Modotti’s father emigrated to San Francisco, sending for his family in 1913. Modotti was hired in the sewing room at the I. Magnin department store, but her great beauty attracted the attention of her superiors who then employed her to model the store’s fashions.
In 1915, Modotti attended San Francisco’s Pan-Pacific Exposition, where she got her first look at Modern art and photography. She also met her first husband at the Exposition, painter and poet Roubaix de l’Abrie Richey. At this time Modotti began acting in local Italian theatre and was discovered by a talent scout for the new silent film industry in Hollywood. She arrived in Los Angeles in 1918 and was cast in “The Tiger’s Coat” and “I Can Explain”. Through her Hollywood connections, Modotti met the married photographer Edward Weston, with whom she began an affair. Modotti was a favorite subject of Weston’s photographs, but moreover he taught her the art of photography. She actually ran Weston’s studio in exchange for photography lessons.
Due to the on-going affair between Modotti and Weston, Modotti’s husband moved to Mexico where he died of smallpox. This tragedy and the death of her father made Modotti dissatisfied with Hollywood. Modotti and Weston arrived in Mexico in 1923 at a time when the country was in the midst of a social, political and cultural revolution. She photographed the Mexican revolutionary culture and these are among her best known works. Modotti became friends with Diego Rivera and other artists, writers and radicals within his circle and was greatly influenced by their Communist ideologies. Rivera, Clemente Orozco and other muralists asked her to photograph their works. The photographs in this collection are from these series. Modotti’s fascination with Communism drove she and Weston apart and they separated in 1926.
In 1928 Modotti began living with a Cuban revolutionary in-exile, Julio Antonio Mella. Just a few months into their relationship, Modotti was at Mella’s side when he was gunned-down on a Mexico City street by his political opponents. The Mexican government tried to implicate Modotti in Mella’s death and although she was acquitted, her reputation was ruined. Mella’s death and the subsequent trial pushed Modotti further into a revolutionary Communist zeal. Modotti became preoccupied with producing revolutionary art and in 1929 opened her first solo show called the “First Revolutionary Photography Exhibit”. The secret police kept watch over her house and in 1930 she was arrested an deported to Europe. On the boat to Europe she became re-acquainted with a Soviet agent, Vittorio Vidali who wanted her to accompany him to Moscow. She instead decided to go to Berlin, but her six months in Berlin proved unhappy and she eventually joined Vidali in Moscow. Once in Moscow, she realized that her photography did not comply with Stalin’s concept of “revolutionary” art, so she gave up photography completely and devoted herself to combating fascism by working for International Red Aid. Modotti basically became a spy and entered fascist controlled countries undercover to assist families of political prisoners.
In 1940, she quietly retuned to Mexico and was living under the name Dr. Carmen Sanchez. By 1941, she began to contact some old friends such as Clemente Orozco and was attempting to purchase a camera to once again begin her photography. Unfortunately, her life ended as dramatically as it began On the way home from a dinner party on the night of January 6, 1942, 46 year old Modotti died of a heart attack in the back seat of a Mexico City taxicab. Though it has never been proven, it is said that due to her covert activities, she was poisoned by the Russians.
- Creator:Tina Modotti (1896-1942, Italian)
- Creation Year:ca. 1920a
- Dimensions:Height: 6.75 in (17.15 cm)Width: 9.38 in (23.83 cm)
- More Editions & Sizes:Archivally matted to 16" x 20"Price: $2,500
- Medium:
- Period:
- Condition:See Photos.
- Gallery Location:Chicago, IL
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2023
11 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Chicago, IL
- Return PolicyThis item cannot be returned.
More From This SellerView All
- 1920s Silver Gelatin Print by Tina Modotti of Diego Rivera FrescoBy Tina ModottiLocated in Chicago, ILAn original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco in the Secretariat of Education in Mexico City by artist Diego Rivera. Photo is stamped “Photog...Category
1920s Realist Black and White Photography
MaterialsSilver Gelatin
- 1920s Silver Gelatin Print by Tina Modotti of Diego Rivera MuralBy Tina ModottiLocated in Chicago, ILAn original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Photo is stamped “Photographs-Tina Modotti Mexico, D.F.” on reverse. Archivally matted to 16” x 20” Tina Modotti was born in Udine, Italy in 1896 and by the age of 14 she was supporting her entire family by working in a local silk factory. Modotti’s father emigrated to San Francisco, sending for his family in 1913. Modotti was hired in the sewing room at the I. Magnin department store, but her great beauty attracted the attention of her superiors who then employed her to model the store’s fashions. In 1915, Modotti attended San Francisco’s Pan-Pacific Exposition, where she got her first look at Modern art and photography. She also met her first husband at the Exposition, painter and poet Roubaix de l’Abrie Richey. At this time Modotti began acting in local Italian theatre and was discovered by a talent scout for the new silent film industry in Hollywood. She arrived in Los Angeles in 1918 and was cast in “The Tiger’s Coat” and “I Can Explain”. Through her Hollywood connections, Modotti met the married photographer Edward Weston, with whom she began an affair. Modotti was a favorite subject of Weston’s photographs, but moreover he taught her the art of photography. She actually ran Weston’s studio in exchange for photography lessons. Due to the on-going affair between Modotti and Weston, Modotti’s husband moved to Mexico where he died of smallpox. This tragedy and the death of her father made Modotti dissatisfied with Hollywood. Modotti and Weston arrived in Mexico in 1923 at a time when the country was in the midst of a social, political and cultural revolution. She photographed the Mexican...Category
1920s Realist Black and White Photography
MaterialsSilver Gelatin
- 1920s Silver Gelatin Print by Tina Modotti of Clemente Orozco FrescoBy Tina ModottiLocated in Chicago, ILAn original 1920s silver gelatin print by photographer Tina Modotti, showing a detail of an image of St. Francis in a fresco in a prep school in Mexico City by Clemente Orozco. Ar...Category
1920s Realist Black and White Photography
MaterialsSilver Gelatin
- 1920s Silver Gelatin Print by Tina Modotti, of Diego Rivera MuralBy Tina ModottiLocated in Chicago, ILAn original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco, "The Spirit of Fire", in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Phot...Category
1920s Black and White Photography
MaterialsSilver Gelatin
- 1920s Silver Gelatin Print by Tina Modotti of a Diego Rivera FrescoBy Tina ModottiLocated in Chicago, ILAn original 1920s silver gelatin print by photographer Tina Modotti, showing a Diego Rivera fresco in the Secretariat of Education in Mexico City, Mexico. Photo is stamped “Photogra...Category
1920s Realist Black and White Photography
MaterialsSilver Gelatin
- 1920's Silver Gelatin Print by Tina Modotti of a Diego Rivera FrescoBy Tina ModottiLocated in Chicago, ILOriginal gelatin silver print by Photographer Tina Modotti. Stamped “Photographs-Tina Modotti Mexico, D.F.” on reverse. Archivally matted to 16” x 20”. The Patio in the Public Edu...Category
1920s Realist Black and White Photography
MaterialsSilver Gelatin
You May Also Like
- Nip UpBy Fernand FonssagrivesLocated in New York, NYGelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.Category
1930s Other Art Style Black and White Photography
MaterialsSilver Gelatin
- Vintage Silver Gelatin Photograph Jacques Lipchitz Bronze Sculpture Photo SignedBy Adolph StudlyLocated in Surfside, FLAdolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photographs of works by artists represented primarily by the Buchholz gallery, Curt Valentin, and Stephen Radich Galleries. Artists whose work he shot include Max Beckmann, Francis Bacon, Chaim Soutine, Allan Kaprow, Clyfford Still, Georges Braque, Paul Klee, Henri Matisse, Picasso, Auguste Rodin, Georges Rouault. He worked with Louis H. Dreyer, the pre-eminent architecture photographer in New York City. Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amedeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnason, who ranked Lipchitz with Picasso and Marc Chagall, wrote, "Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century." The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center. He participated in the Flight portfolio...Category
1940s Modern Abstract Photography
MaterialsPhotographic Paper, Silver Gelatin
- David Bowie by Terry O'Neill framed, signed silver gelatin printBy Terry O'NeillLocated in Austin, USReady to ship immediately. Free domestic US shipping. Framed 16x20" signed lifetime edition print by Terry O'Neill of David Bowie taken in Los Angeles in 1974, with Bowie wearing th...Category
Late 20th Century Photorealist Portrait Photography
MaterialsSilver Gelatin
- Golden Gate Bridge - Bricks And Steel, Photograph, Silver Hal/GelatinBy Richard ScudderLocated in Yardley, PAOffered Is A Beautiful Richard Scudder Original In Black And White “Golden Gate - Bricks And Steel†Hand Printed In The Darkroom From A Large Format Film Negative Onto The Highes...Category
21st Century and Contemporary Other Art Style Black and White Photography
MaterialsSilver Gelatin
- Rainforest Mushroom, Photograph, Silver Hal/GelatinBy Richard ScudderLocated in Yardley, PAOffered Is A Beautiful Richard Scudder Original In Black And White “Rainforest Mushroom†This Macro Photograph Was Created Deep In The Olympic National Forest By Richard At A Ext...Category
21st Century and Contemporary Other Art Style Black and White Photography
MaterialsSilver Gelatin
- “Birds†Aka (Miami Beach Birds), Photograph, Silver Hal/GelatinBy Richard ScudderLocated in Yardley, PAOffered Is A Thought Provoking Retro Styled Circuit 1960’s Miami Beach Modern Day Black And White Richard Scudder Original. “Birds†Is Artistically Textured Grainy Large Forma...Category
21st Century and Contemporary Other Art Style Black and White Photography
MaterialsSilver Gelatin