Warwick Saint

Neck Tattoo, Black and White Photograph by Warwick Saint

circa 2010

Artist: Robert Silvers, American (1968 - ) Title: One Dollar Bill Year: 2010 Medium: Digital Photomosaic on Fuji Crystal Archive mounted on aluminum Edition: 10 Size: 27 x 63 in. (68...

Photographer Nicholas Taylor had the unique opportunity to meet a young Jean-Michel Basquiat long before his career as an artist took off. Taylor met and photographed Basquiat and hi...

Jean-Michel also cried a lot. His eyes would be dripping constantly as he smiled, gritting his teeth before wiping the tears away. Jean-Michel ran the gamut on emotions. He was alway...

"Repairing the hull of the Graf Zeppelin during the flight over the Atlantic, 1934 by Alfred Eisenstaedt" The Graf Zeppelin Alfred Eisenstaedt, German (1898–1995) Date: 1934 (Printe...

Artist: Norman McGrath Title: Guggenheim Museum Year: 1995 Medium: Photograph, Signed and Dated in l.r. Paper Size: 22 x 17 inches/ 56 x 43 cm Frame Size: 26 x 21 inches/ 66 x 53 cm

Artist: Eadweard Muybridge, British/American (1830 - 1904) Title: Animal Locomotion. plate 402 Year: 1887 Medium: Collotype Image Size: 7.25 x 16 inches Size: 19 in. x 24 in. (48.26 ...

Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...

David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is n...

David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "You don't get a second chance to work withCindy Crawford, so there was obviously a little pressure. I took her to a place I know well -the ghost town of Nevada City,Montana as I hoped familiarity with the light and the angles would help me. I needed as many variables under my control as possible on an ambitious story line. The one thing we could not manage or predict was the weather and last week it was cold.If Cindy was outside her comfort zone with the temperatures so low and a big wolf as a companion, she did not flinch. She is professional, stoic and game and it was an honour to work with a true American idol. She sets a high bar on so many levels.It was a big effort for her to fly from LA to hang out with me and my team whom she had never met before and then work in freezing temperatures with some big wolves. She never complained and took no fee at all. Quite amazing.Proceeds from the sales of this image -Cindy’s Shotgun Wedding...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...

This vintage print of the The Lagisza Power Station is extremely rare as it has been printed on warm tone paper giving a slight sepia effect. It is one of the last remaining vintage prints of this image available and it's a large print (40 x 58 cm) The Lagisza Power Station print is one of those most iconic industrial photographs...