Want more images or videos?
Request additional images or videos from the seller
1 of 5
Beth MoonBellatrix
About the Item
As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is rising. True wildness manifests itself in the form of curling black branches in November, silhouetted against an indigo sky.
Time exposures blend the boundaries between the visible and the invisible. There is a middle zone where splendor comes into being, where two different realities mingle and blur. If magic exists anywhere, it is here.
Our relationship to the wild has always played an important role in my work. This series was inspired by two fascinating, scientific studies that connect tree growth with celestial movement and astral cycles.
– Beth Moon
- Creator:Beth Moon (1955, American)
- Dimensions:Height: 20 in (50.8 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13422768063
Beth Moon
Time, memory and nature are the central motifs that underlie the photographic imagery of Beth Moon. Whether she is recording the majestic, sentinel-like trees for the Portraits of Time series; capturing the lives of ravens at the seaside for the Odin’s Cove series; or rendering menacing carnivorous plants in the Savage Garden portfolio, Moon reveals a magical and intuitive appreciation for the earth, while defining our understanding of man's place in the universe. Moon has gained international recognition for her large-scale, richly-toned platinum prints. Since 1999, her work has appeared in more than eighty solo and group exhibitions worldwide, receiving critical acclaim in major fine art publications internationally. Her prints are held in numerous public and private collections, including the Cleveland Museum of Art, the Museum of Fine Arts, Houston, the Museum of Photographic Arts in San Diego, the Louisiana Art & Science Museum, The Citadelle Art Museum, and the Museum of Modern and Contemporary Art, Bolzano, Italy.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1993
1stDibs seller since 2015
213 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: Sante Fe, NM
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Atomic Overlook: 16, 2012By Clay LipskyLocated in Sante Fe, NMClay Lipsky's Atomic Overlook re-contextualizes a legacy of atomic bomb tests. In an attempt to keep a nuclear threat feeling contemporary and omnipresent, Lipsky introduces archival...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Atomic Overlook: 01, 2012By Clay LipskyLocated in Sante Fe, NMClay Lipsky's Atomic Overlook re-contextualizes a legacy of atomic bomb tests. In an attempt to keep a nuclear threat feeling contemporary and omnipresent, Lipsky introduces archival images of atomic explosions among casual scenes of vacationers. The surreal images speak to a voyeuristic culture where catastrophe is viewed as entertainment by increasingly desensitized masses. The iconic mushroom cloud in each image serves as metaphor for larger societal issues such as: global warming, nuclear power...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Cloud No. 4604By Laurie TümerLocated in Sante Fe, NMI'D RATHER LOOK AT CLOUDS "…Here we go alone and like it better so...Now lying recumbent…this incessant making up of shapes and casting them down…this incessant ringing up and down of curtains of light and shade, this interminable experiment with gold shafts and blue shadows, with viewing the sun and unveiling it, with making rock ramparts and wafting them away – this endless activity…One should not let this gigantic cinema [of clouds] play perpetually to an empty house…" Virginia Woolf On Being Ill This series began from my bed photographing clouds tripping along the horizon of the Jemez Mountains of New Mexico, home to Los Alamos National Laboratory. I had just moved to my small studio perched high that I’d cobbled together over several years. My casual cloud gazing immediately became part of a pain-lessening arsenal - and how lucky for me living in an amphitheatre with an unexpected generous subject – a nearly 24-hour a day theater. The title of this series comes from an exchange with a friend about war...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
- Aerial View, June 30, 2009By Jamey StillingsLocated in Sante Fe, NMThe Bridge at Hoover Dam series looks at the evolution of the Colorado River Bridge, in the context of the Black Canyon and Hoover Dam, as its construction continues through the end ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
- Arrow Motel, Highway 85, Espanola, New Mexico, March 23By Steve FitchLocated in Sante Fe, NMAfter graduating from the University of California at Berkeley in 1971 with a bachelors degree in anthropology, and while teaching photography at the ASUC Studio on the Berkeley camp...Category
20th Century Contemporary Color Photography
MaterialsArchival Pigment
- Arizona Arch Segment, April 28, 2009By Jamey StillingsLocated in Sante Fe, NMThe Bridge at Hoover Dam series looks at the evolution of the Colorado River Bridge, in the context of the Black Canyon and Hoover Dam, as its construction continues through the end ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
You May Also Like
- Gulls Over Cromer PierLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsGiclée, Archival Pigment
- Where World CollideLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsGiclée, Archival Pigment
- MundesleyLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsOrganic Material, Archival Pigment
- Towards The LightLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsGiclée, Archival Pigment
- Knowledge, Atacama Desert Chile, Landscape, PhotographyBy Tom JacobiLocated in Munich, DEEdition of 10 Series "The Light within" Also available in 164 x 123 cm (64,5’’ x 48,4’’) Edition of 7. A naked man stands on a rock in the Atacama desert in Chile and is doing Yoga...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- D Weissenhorn 01By Mat HennekLocated in Munich, DE"WOODLANDS" by Mat Hennek The photos from the Woodlands cycle are the outcome of numerous excursions through all sorts of bosk - wood impressions with bewitching atmospheres. Carefu...Category
Early 2000s Contemporary Landscape Photography
MaterialsArchival Pigment
