Drew DoggettBestseller, Aerial, Hawaii, Surfer Approaching the Ocean2019
2019
About the Item
- Creator:
- Creation Year:2019
- Dimensions:Height: 48 in (121.92 cm)Width: 32 in (81.28 cm)
- More Editions & Sizes:24 x 36 inchesPrice: $2,35038 x 57 inchesPrice: $4,950
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:SC
- Reference Number:
Drew Doggett
Known for a style that's best described as breathtaking, American photographer Drew Doggett captures the actions of horses, wild animals and far-flung peoples in a way that makes the images feel larger than their border can contain. Each shot is so energized with life that the stillness of the photo feels only temporary.
Born in Maryland in 1984, Doggett discovered a passion for photography in high school. He also developed a zeal for travel, accompanying his father — who was an architect —- on many trips all over the world. After receiving a bachelor’s degree from Vanderbilt University, Doggett's desire to turn his artistic interest into a career brought him to New York City, where he worked as a fashion photography assistant to some of the most notable names in the field, including Annie Leibovitz, Mark Seliger and Steven Klein. These apprentice years brought him face to face with many people of great importance, such as American pop star Madonna, South African Bishop Desmond Tutu and former U.S. President Barack Obama.
Doggett’s life and career took a dramatic turn in 2009, on a photographic expedition to Nepal. He had found the world of fashion photography unfulfilling and decided he needed to pursue other avenues for practicing his art. On one outing during this trip, Doggett and his party found themselves caught in a terrifying snowstorm. The accompanying sherpas kept the group safe and guided them back to safety.
Doggett became inspired to visually tell the stories of Nepalese sherpas and the Humla people of the region. Doggett has since produced volumes of photographic tales depicting the character and beauty of cultures around the world — especially underrepresented peoples of Africa and Asia — as well as countless equestrian, wildlife and landscape images.
Doggett currently lives and works in Charleston, South Carolina, where he continues to plan photographic excursions and pursue visual stories the world over for his camera to tell.
Find original Drew Doggett portrait photography, landscape photography and abstract photography on 1stDibs.
- ShippingRetrieving quote...Ships From: SC
- Return PolicyThis item cannot be returned.
- Surfer Paddling to a Wave on the Calm Sea near Oahu, Black and White, FashionBy Drew DoggettLocated in US"Fade to Black" A lone surfer paddles out to sea in search of the perfect wave. The print series Swell: Endless Blue takes you on a sweeping yet intimate aerial journey above some...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Bestseller, Aerial, Hawaii, Surfer Approaching the OceanBy Drew DoggettLocated in US"Into the Blue" A surfer excitedly runs into the whitewater lapping the shores on Oahu in search of the perfect wave. The print series Swell: Endless Blue takes you on a sweeping y...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Ethereal View of the Pacific Coast, Color Photography, Otherworldly, MeditativeBy Drew DoggettLocated in US"Ashore" Ancient spruce trees revealed by a storm dot this remote stretch of the Pacific Coast. Inspired by this once-in-a-lifetime sunrise, the print series Ephemeral Shores is D...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Calming, Meditative Seascape in Oregon, Horizontal, Color PhotographyBy Drew DoggettLocated in US"Surge" In this award-winning, best-selling image, the ethereal light colors of the Pacific Northwest create an extravagant seascape. Inspired by this once-in-a-lifetime sunrise, t...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Sunset Beach on Oahu, Color Photography, HorizontalBy Drew DoggettLocated in US"Sunset Beach" Palms provide an impressive, timeless silhouette on the shores of Sunset Beach while the incredibly hued sea helps create this minimal, aerial composition. The prin...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Calming, Meditative Seascape in Oregon, Horizontal, Color PhotographyBy Drew DoggettLocated in US"Surge" In this award-winning, best-selling image, the ethereal light colors of the Pacific Northwest create an extravagant seascape. Inspired by this once-in-a-lifetime sunrise, t...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- "Yellow-throated Vireo" - original bird photography by Matt TillettBy Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Pigment, Archival Ink
- "Clark's Nutcracker"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- Two "Bohemian Waxwings"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- "Common Redpoll"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- "Pine Siskin"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- "Sandhill Crane"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Pigment, Archival Ink