Items Similar to Transparent City #12 – Michael Wolf, Chicago, USA, City, Facade, Skyscraper, Art
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Michael WolfTransparent City #12 – Michael Wolf, Chicago, USA, City, Facade, Skyscraper, Art2007
2007
About the Item
Michael WOLF (1954 – 2019, Germany)
Transparent City #12, 2007
C–print
Sheet 121.4 x 162 cm (47 3/4 x 63 3/4 in.)
Frame 127 x 158 cm (50 x 62 1/4 in.)
Edition of 9, plus 2 AP; Ed. no. 5/9
Print only
– Michael Wolf
Michael Wolf was born in 1954 in Munich, Germany. He worked and lived in Paris and Hong Kong where he died in April 2019. The focus of Michael Wolf’s work is life in mega-cities. His projects document both the architecture and the vernacular culture of metropolises. Born in Munich, Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994, where he worked for eight years as a contract photographer for Stern magazine. Since 2003, Wolf has been focusing on his own projects, publishing over thirty books of his work.
His work is held in many permanent collections including the Metropolitan Museum of Art in New York, the Brooklyn Museum, the San Jose Museum of Art in California, the Museum of Contemporary Photography in Chicago, the Museum Folkwang in Essen, the Hong Kong Heritage Museum, and M+ in Hong Kong.
– Transparent City
Chicago, like many urban centers throughout the world, has recently undergone a surge in new construction, grafting a new layer of architectural experimentation onto those of past eras. In early 2007, the Museum of Contemporary Photography, with the support of U.S. Equities Realty, invited Michael Wolf as an artist-in-residence to document this phenomenon. Bringing his unique perspective on changing urban environments to a city renowned for its architectural legacy, Wolf chose to photograph the central downtown area, focusing specifically on issues of voyeurism and the contemporary urban landscape in flux. This was Wolf's first body of work to address an American city. Whereas prior series have juxtaposed humanizing details within the surrounding geometry of the urban landscape, in The Transparent City, his details are fragments of life–digitally distorted and hyper-enlarged–snatched surreptitiously via telephoto lenses. ‘The ground is nowhere in sight in Wolf’s dramatically geometric, nearly abstract photographs of Chicago’s Loop towers. Shot from strategically selected rooftops and perfectly printed in an aptly large, vertical book, Wolf’s subtly modulated color photographs are monumental studies in grays, whites, blacks, golds, and occasional splashes of green and blue. Given their elegant grids, nuanced variations, and stillness, these images echo the minimalist paintings of Agnes Martin, yet this is the real world, and real people inhabit these immense cellular buildings, these boxy hives, these human filing cabinets, and Wolf’s stealthy, intrusive lens finds them, most often alone contemplating a television or computer. The lighting is exquisitely moody, each lit interior is a screen or stage, each human figure as poignant as those in the paintings of Edward Hopper, an artist Wolf, acclaimed for his earlier books on China, cites as an influence. With intimations of surveillance and vulnerability, these intensely beautiful cityscapes seem austere and inhuman until one lands on a magnified picture of a man giving the distant photographer the finger.’ – Donna Seaman
– Michael Wolf, Art, City, Street Photography, Colour Photography, Cityscape, Skyscraper, Building, Chicago, USA, Architecture, Geometry, Structure, Abstract, Rooftops
- Creator:Michael Wolf (1954)
- Creation Year:2007
- Dimensions:Height: 47.8 in (121.4 cm)Width: 63.78 in (162 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Zurich, CH
- Reference Number:1stDibs: LU128017054992
Michael Wolf
Michael Wolf was born in 1954 in Munich, Germany. He worked and lived in Paris and Hong Kong. The focus of Michael Wolf’s work is life in mega-cities. His projects document both the architecture and the vernacular culture of metropolises. Born in Munich, Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994, where he worked for eight years as a contract photographer for Stern magazine. Since 2003, Wolf had been focusing on his projects, publishing over thirty books of his work. His work is held in many permanent collections, including the Metropolitan Museum of Art in New York, the Brooklyn Museum, the San José Museum of Art in California, etc. He died in Hong Kong in 2019.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2006
1stDibs seller since 2019
25 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Zurich, Switzerland
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- I Love You With All My Heart #2 – Jung Lee, Neon, Text, Installation, SymbolBy Jung LeeLocated in Zurich, CHJung LEE (*1972, South Korea) I Love You With All My Heart #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in...Category
2010s Contemporary Color Photography
MaterialsC Print
- Usine Toyota n°9 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, ArtBy Stéphane CouturierLocated in Zurich, CHStéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 182 x 241 cm (71 5/8 x 94 7/8 in.) Frame 189 x 241 cm (74 3/8 x 97 5/8 in.) Edition of 5; Ed. no. 3/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...Category
Early 2000s Contemporary Color Photography
MaterialsC Print
- You #2 – Jung Lee, Neon, Text, Installation, Symbole, NatureBy Jung LeeLocated in Zurich, CHJung LEE (*1972, South Korea) You #2, 2019 C-Type Print, Diasec Sheet 185 x 148 cm (72 7/8 x 58 1/4 in.) Frame 188,5 x 151,5 x 3,7 cm (74 1/4 x 59 5/8 x 1 1/2 in.) Edition of 5, plus...Category
2010s Contemporary Color Photography
MaterialsC Print
- Promise Me – Jung Lee, Neon, Text, Installation, Symbole, Nature, LandscapeBy Jung LeeLocated in Zurich, CHJung LEE (*1972, South Korea) Promise me, 2018 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,9 x 207 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...Category
2010s Contemporary Color Photography
MaterialsC Print
- Double Exposure through Windshield – Albert Watson, Green, Landscape, NatureBy Albert WatsonLocated in Zurich, CHALBERT WATSON (*1942, Scotland) Double Exposure through Windshield 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Framed A student of the fam...Category
2010s Contemporary Landscape Photography
MaterialsC Print
- Usine Toyota n°1 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, ArtBy Stéphane CouturierLocated in Zurich, CHSStéphane COUTURIER (*1957, France) Usine Toyota n°1 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 240.5 cm (71 5/8 x 94 5/8 in.) Frame 189 x 247.5 cm (74 3/8 x 97 1/2 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...Category
Early 2000s Contemporary Color Photography
MaterialsC Print
You May Also Like
- Venaria Reale II - Torino (from Perspectives series)By Massimo ListriLocated in New York, NY"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- Lila and Sam from the movie Stay with Ewan McGregor, Naomi WattsBy Stefanie SchneiderLocated in Morongo Valley, CAA piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...Category
Early 2000s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Highline At DuskBy Maria PassarottiLocated in New York, NYDigital chromogenic print from negativeCategory
21st Century and Contemporary Contemporary Color Photography
MaterialsColor, Photographic Paper, C Print
- Palazzo del Quirinale Salone dei CorazzieriBy Massimo ListriLocated in New York, NYPalazzo del Quirinale Salone dei Corazzieri 2015 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- Biblioteca di Mafra I PortogalloBy Massimo ListriLocated in New York, NYBiblioteca di Mafra I Portogallo, 2015 C-print Signed, numbered and dated on verso 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- Massimo Listri 'Castello di Sammezzano IV'By Massimo ListriLocated in New York, NYBiblioteca di Wiblingen, Ulm C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches - edition of 5 47.5 x 59 inches - edition of 5 71...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
