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Mitchell FunkThe Freemont Sign1974
1974
About the Item
Before one of America's most iconic streets was desecrated into a mall, Fremont street was a wonderland of classic casino signs. Mitchell Funk doubles down and turns a wildly colorful scene into an optically stimulating abstract image. To do it, he had to choose the right camera angle. All of the signs had to be in a row. A Nikon 500mm "mirror lens" was used. This special lens compresses the neon and bulbs so that they would blend together in a unique way. Finally, he thew the image radically out of focus. The result, the Mint sign expands into a panel of sensuous pinks and magentas so hot they make love to your eyeballs. Binion's Horseshoe is transformed into layers of diaphanous blues which overlap pinks. The street scene is morphed into sections of color and ringlets of light intersecting with calligraphic elements. Perspective is diminished with foreground and background elements pushed to the same plane. Sharp becomes fuzzy in a beautiful composition with no central point. Ultimately, several casino signs have become one sign. The Fremont sign.
Edition : 4 of 20 Signed, dated , number lower right Printed later Other sizes available, unframed
- Creator:Mitchell Funk (1950, American)
- Creation Year:1974
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38532687571
Mitchell Funk
Mitchell Funk is a pioneer of color photography. In 1970, he participated in one of the first color photography shows at the Brooklyn Museum titled “Images en Couleur." In 1971, he was included in the visionary books Frontiers of Photography and Color (Life Library of Photography), both published by Time-Life. He has done more than 50 photography magazine covers, including covers for Newsweek and Life.
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- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
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