Paul Fusco

Untitled from The RFK Funeral Train

1968

Listing includes free shipping for unframed prints and a 14-day return policy. Paul Fusco RFK Funeral Train Portfolio, 1968/2008 16 x 24 inch fujiflex print Edition of 10 Signed and editioned on separate certificate Biography - In the middle of 1968, two events shook the nation - the assassination of Martin Luther King on April 4th and the assassination of Robert Kennedy on June 5th. Hastily arranged, Robert Kennedy’s funeral train took place on June 8th – a swelteringly hot early summer day. Paul Fusco, then a staff for LOOK Magazine, was given a place with other journalists on the train. As the train made its progress down the eastern seaboard, hundreds of thousands of mourners came out to line the railway tracks and pay their final respects to Bobby Kennedy and all he stood for. From inside the train, Fusco began to take pictures of the mourners – people from every section of society – black, white, rich, poor, in large groups and on their own. For the eight hours it took for the train to make the usually four-hour journey Fusco never put down his camera except to reload film shooting approximately 2,000 pictures. The resulting images are one of the most powerful and affecting series of photographs ever taken. Shot on Kodachrome film – a film with a particularly vibrant palette favored at the time by photojournalists – Fusco's pictures blend the spontaneous look of snapshots with artistic precision of the decisive moment. If there was ever an example of a photographer being “in the zone” Fusco’s beautifully composed frames are like Zen arrows each hitting their target. Each photograph carries its own weight and tells its own story, but cumulatively the series is an epic vision of America. Because LOOK Magazine's bi-weekly schedule caused it to come out a week after its rival LIFE, the magazine chose to print a retrospective album of pictures of RFK rather than pictures of the funeral, and so Fusco's RFK Funeral Train photographs...

After establishing his photography career in his native Tokyo, Japan; Kenji Toma arrived in New York in 1990. Since then he has been recognized as one of the leading photographers in Still Life with his unique mysterious style and detail oriented vision. Concurrently, he is working on personal projects and The Most Beautiful Flowers is his most representative work. His first monograph of the same title was published from KEHRER Verlag (Germany) in 2017. Currently, his studio is based in the Brooklyn Navy Yard...

Listing includes free shipping for unframed prints to the continental U.S. and a 14-day return policy. Paul Fusco RFK Funeral Train Portfolio, 1968/2008 24 x 16 inch fujiflex print Edition 3 of 10 Signed and editioned on separate certificate Biography - In the middle of 1968, two events shook the nation - the assassination of Martin Luther King on April 4th and the assassination of Robert Kennedy on June 5th. Hastily arranged, Robert Kennedy’s funeral train took place on June 8th – a swelteringly hot early summer day. Paul Fusco, then a staff for LOOK Magazine, was given a place with other journalists on the train. As the train made its progress down the eastern seaboard, hundreds of thousands of mourners came out to line the railway tracks and pay their final respects to Bobby Kennedy and all he stood for. From inside the train, Fusco began to take pictures of the mourners – people from every section of society – black, white, rich, poor, in large groups and on their own. For the eight hours it took for the train to make the usually four-hour journey Fusco never put down his camera except to reload film shooting approximately 2,000 pictures. The resulting images are one of the most powerful and affecting series of photographs ever taken. Shot on Kodachrome film – a film with a particularly vibrant palette favored at the time by photojournalists – Fusco's pictures blend the spontaneous look of snapshots with artistic precision of the decisive moment. If there was ever an example of a photographer being “in the zone” Fusco’s beautifully composed frames are like Zen arrows each hitting their target. Each photograph carries its own weight and tells its own story, but cumulatively the series is an epic vision of America. Because LOOK Magazine's bi-weekly schedule caused it to come out a week after its rival LIFE, the magazine chose to print a retrospective album of pictures of RFK rather than pictures of the funeral, and so Fusco's RFK Funeral Train photographs...

Epic Western No. 37 by Jim Krantz 40 x 60 inch chromogenic print Edition 2 of 7 Signed on signature label Artist Biography Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images from Marlboro ads, and in something of an ironic compliment, when Prince had his mid-career retrospective at the Guggenheim Museum not only were Krantz’s re-photographed images included in the exhibit but the image on all the banners flying along 5th Avenue was also one of Krantz’s. All uncredited. Krantz’s art has been embraced by the worlds of fashion and popular culture with collaborations with Supreme, Adam Kimmel...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and be shipped directly from Will Adler's studio in Santa Barbara. Will Adler Summerland, 2012 20 x 24 inch archival pigment print Artist Proof after sold out edition of 8 - *last print available* Signed on artist certificate Other sizes are available from the same edition. 30" wide, 40" wide, 50" wide and 60" wide. Please inquire for pricing. Artist Biography - Will Adler is a 38 year old west coast photographer known for his distinctive take on the surf world. Adler's laid back, light infused images, (as often of women surfers as men) convey the spirit and atmosphere of place as much as the action of the sport and have earned him a cult following in surfing and photography circles. For his summer show at Danziger Gallery, Adler is showing pictures from Hawaii, California, and Montauk shot for himself and for magazines such as Juxtapoz, Neon, Surfer, WAX, and The New Yorker, His commercial clients have included Quiksilver, Patagonia, Nike, and Hixsept. The 2014 summer show at Danziger Gallery was curated by Tom Adler...

Signed and edition photograph by Paul Fusco titled "Untitled from the RFK Funeral Train". Shot in 1968 and printed in 2008 - 2021 on fujiflex paper. The ...

"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...

Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...

Shirt Off Your Back (Deep, Blue, See), 2016 Discarded t-shirts from refugees on Lesvos, Inkodye light emulsion prints, life jacket swatches, tape 110 x 65 inches (280 x 165 cm) A collection of the eyes of refugee women and children printed...

Keith in Exile – Unlimited Graphix Series (2022) by Norman Seeff Open edition museum quality archival pigment print of Rolling Stones guitarist, Keith Richards, created, printed and signed by Norman Seeff. Measures 38" × 50" This new art print by Norman Seeff was taken from Norman's original 1972 portrait session for the Exile on Main St...

Guido Argentini Argentum series SULIS 60 x 152 inches Edition of 1 - Unique Archival Pigment Print FRAMED Limited edition signed print by Guido Argentini. Guido Argentini was born...

The Rolling Stones, taken in London back in 1965 by Gered Mankowitz. Featuring Mick Jagger, Keith Richards, Charlie Watts, Brian Jones and Bill Wyman. This image of the band is an o...