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Stefanie SchneiderThe Games we played (Till Death do us Part) - Contemporary, Polaroid, Women2005
2005
About the Item
The Games we played (Till Death do us Part) - 2005
40x50cm,
Edition of 10, plus 2 artist proofs.
Archival C-Print print, based on the Polaroid.
Certificate and Signature label, artist Inventory No. 9092.
Not mounted.
"Reflections of Connection: Unveiling Unseen Bonds"
In Stefanie Schneider's visual narrative, a new chapter unfolds within the "Till Death Do Us Part" series—an arresting tableau that captures the essence of human connection through the interplay of light, reflection, and unspoken bonds. This artwork delves deep into the enigmatic nature of relationships, inviting us to decipher the intricacies of the emotional landscape.
The Red-Headed Woman and the Brunette: A Silent Dialogue
The heart of the composition is occupied by two figures—the red-headed woman and the brunette—entwined in a moment that transcends mere visuality. While the brunette's face remains hidden, her presence is palpable through the shared gaze, a connection that bridges the gap between known and unknown. The red-headed woman, holding a mirror to her own face, becomes the conduit of our exploration into this unspoken dialogue.
The Mirror's Gaze: Reflecting Intimacy
As the red-headed woman holds the mirror to her face, her smile emerges as a beacon of joy—a genuine emotion that resonates through the composition. The mirror captures her reflection, and through its surface, the unbreakable gaze of the brunette is revealed. In this act of looking and being looked at, a shared intimacy blossoms, transcending the constraints of physical presence.
The Unseen and the Felt: A Silent Understanding
The absence of the brunette's visible face invites us to contemplate the power of shared experience and silent understanding. Through the mirror's frame, the red-headed woman's eyes meet the gaze of her companion, illuminating the depth of their connection—a connection that surpasses words, a communion of hearts that doesn't require a conventional depiction of features.
A Visual Haiku of Bonds
Schneider's composition echoes with the resonance of poetry—a visual haiku that speaks of relationships' subtleties. The red-headed woman's gaze, framed by the mirror's contours, becomes a tribute to the uncharted territories of connection—where emotions, unspoken and unseen, come to life through shared moments of recognition.
"Reflections of Connection" beckons us to contemplate the silent conversations that shape relationships, reminding us that even in the absence of direct visual cues, the bonds that unite us can be felt profoundly. In this artwork, Schneider masterfully captures the essence of intimacy—the unbreakable gaze that bridges souls, transcending the limitations of sight.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018, 2019.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 15.75 in (40 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652312892542
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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