Emma Summerton

Hydrea #013 – Emma Summerton, Fine Art Photography, Black and White, Fashion

2020

EMMA SUMMERTON (*1970, Australia) Hydrea #009 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #006 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #003 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Amanda in Red & Pink, 2016 Archival pigment print on Hahnemühle paper Sheet 160 x 120 cm (63 x 47 1/4 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 print only Emma Summerton (*1970 Australia) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner while starting her career as a photographer. Her breakthrough as a professional photographer came with the collaboration with Terry de Havilland in 2004/2005, from which her first solo exhibition, titled Landed at the Christophe Guye Galerie shows from August 29 to November 23 2019 a large selection of the most important works. Since then Summerton has established herself as one of the most talented photographers to emerge in the mid 2000's. Her in-depth technical knowledge coupled with her eye for detail and love for fashion have made her images not only unique but very distinctive, setting her apart from other photographers working in the industry today. Summerton's work revolves around the themes of fashion, love, desire and intimacy. Her Polaroid works are part of a project Summerton started in 1999 as a series of Self Portraits, firstly as visual love letters to her then partner and also in an attempt to re-find her voice with photography. ‘My mother was a dressmaker, and in school, she would make me dresses to wear to dances based on drawings I made,’ she says. Back then, costumes were an access point to unleash Summerton’s imagination. In her ‘Polaroid experiments’, as she calls them, costumes again became a vehicle for her to express her inner life. Summerton’s Editorial Clients include: Italian, British, American, German, Australian, Spanish, Japanese and Chinese Vogue’s, i-D, Self Service, Dazed & Confused, The Last magazine,10 and Big Magazine. Info: Amanda Seyfried, Givenchy by Ricardo Tisci (clothing), Van Cleef, Arpels & Martin Katz...

EMMA SUMMERTON (*1970, Australia) Dree for Stern #2, 2018 Archival pigment print on Hahnemühle paper Sheet 160 x 120 cm (63 x 47 1/4 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 print o...

EMMA SUMMERTON (*1970, Australia) Guggenheim x Dior 2015 Archival pigment print on Hahnemühle paper Sheet 160 x 120 cm (63 x 47 1/4 in.) Edition of 3,...

Black and white, man, abstract, hand, wall, brick, abstract photography, photography, B&W, archival pigment print Listing is for UNFRAMED print. Inquire within for framing. Edit...

Black and white, urban, architecture, men, man, weather, snow, New York, New York City, street, winter, car, figurative, photo, photography, film photography, b&w, winter, street pho...

Children, Harlem, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 7/10. Provenance: Freed archive. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

Sumo, Tokyo, 2009 by Jean-Michel (JM) Voge is a contemporary color photograph 23.5" x 16.5" printed on handmade Awagami Japanese paper by the artist. The archival pigment print is: E...

Geisha, Tokyo, 2009 by Jean-Michel (JM) Voge is a contemporary black-and-white photograph 23.5" x 16.5" printed by the artist on handmade Awagami Japanese paper. The archival pigment print is signed, titled, dated on verso (back of print). Edition: 1/5. The photograph is from the “Tokyo” series JM made in 2009 while visiting Japan. Capturing a geisha with a guarded smile showing off her flower-patterned kimono while holding an ordinary shopping bag in her other hand, JM reveals a very endearing Japanese figure. For JM’s portrait the photographer chose a backdrop of sake barrels...

Art Shay Fallen Starr, 1966 archival pigment print 17h x 22w in 43.18h x 55.88w cm ASY234 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart...