Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Tao Ruspoli
On the Road to Burning Man

2016

About the Item

'On The Road' (Burning Man) - 2016 Edition of 10, 20x30cm, Color-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photographer, and musician. He is the second son of occasional actor and aristocrat Prince Alessandro Ruspoli, 9th Prince of Cerveteri by Austrian-American actress Debra Berger. Tao was born in Bangkok, Thailand and raised in Rome and Los Angeles. He graduated from the University of California, Berkeley with a Bachelor of Arts in Philosophy. Moviemaker magazine singled out Ruspoli as one of the 10 Young Filmmakers To Watch in its spring 2008 issue. His feature narrative debut, Fix, was one of 10 feature films to screen in competition at the 2008 Slamdance Film Festival and soon afterward at the Santa Barbara International Film Festival where Ruspoli was awarded the Heineken Red Star Award for 'most innovative and progressive filmmaker.' Fix also won the Festival Award for Best Film at the 2008 Brooklyn Film Festival, Vail Film Festival and the 2008 Twin Rivers Media Festival, as well as other prizes at several international festivals. His most well-known documentary is Just Say Know, a personal discussion of his family's drug addiction. His other films include Flamenco: A Personal Journey, a feature length documentary about the flamenco way of life as it is lived by Gypsies in the south of Spain. He has directed a number of other short documentaries, including El Cable (also about Flamenco), and This Film Needs No Title: A Portrait of Raymond Smullyan (a portrait of the renowned logician, mathematician and concert pianist Raymond Smullyan). Tao founded LAFCO in 2000. The Los Angeles Filmmakers Cooperative, is a bohemian collective of filmmakers and musicians who work out of a converted school bus. Through LAFCO, Tao has produced several films and helped dozens of filmmakers to make their first films and discover the wonders of digital media. His producing credits include the feature film Camjackers, which he also acted in and co-edited. Camjackers won the best editing award at the 44th Ann Arbor Film Festival. Tao is an accomplished flamenco guitar player, and his first CD, FLAMENCO, was released on Mapleshade Records in 2005. He married actress Olivia Wilde in 2003. They divorced in 2011. He currently lives and works in the High Desert, California. He is the co-founder of the Bombay Beach Biennale. The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much-the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Keith Spencer wrote in Jacobin that rich libertarians are now the only ones who love Burning Man because it had 'never had a radical critique at its core.' Various exposes of made-to-order camps funded by tech billionaires told tales of exploited “sherpas” who were being badly paid and mistreated while building camps for their bosses to indulge in the most superficial hedonic play, all in an environment totally inaccessible to anyone but the most privileged class, those few who could afford the luxury to spend a week fucking off in the desert. Add to that, my ex-girlfriend kept reminding me how passe’ the entire style of the place was—all that steampunk and electronic music, and those elaborate costumes are 'just so 90s'. And here I was, almost 40, sheepishly heading, if the articles I was reading were to be taken seriously, to some silly rave in the desert who’s heyday had long passed. But it’s fun, that’s why I’m going. That’s what I kept telling myself…that’s the only reason I’m going—for a good party. This year 70,000 people made the pilgrimage to the Black Rock Desert in Nevada to spend a week at the Burning Man festival. I’ve been going to Burning Man almost every year since 2001. Back then, I’d just bought an old school bus on eBay, ripped out the seats, outfitted it with 3 digital video editing stations and set out to create what I thought was a unique and original idea: The LAFCO Bus (LA Filmmakers Cooperative) was meant to travel the country with a group of independent filmmakers on board who would make films and share their resources with strangers in an attempt to mix art, technology, community, nomadism and an attempt to live and work outside the confines of traditional media making, all the while encouraging others we met along the way to do the same. I was surprised and delighted to land on the playa (the name burners give to the black rock desert, the flattest expanse of North America, where the event has taken place since 1990), for the first time a few months later, and to discover nearly 25,000 like-minded individuals gathered in one place. That’s an understatement—I was in a state of heavenly awe. My school bus was nothing compared to the things I was seeing out there! There were other buses that had been turned into 17th century galleons, elaborate sculptures and extraordinary nomadic architecture dotted the vast dry lake bed, and mutant vehicles transported people across this seemingly extraterrestrial landscape. And the vastness itself was so astonishing. None of the photo’s I’d seen captured the sheer expanse of the place. It felt as if 25,000 artists, techies and media makers had landed on the moon and had been told they could do anything and everything they wanted. And what they wanted was magnificent: that is, to exalt the imagination above all other concerns, to turn those figments of their imagination into actual things, to share them with each other, and then to engage in deep conversation, challenge social conventions, and take a breather from the countless distractions and banalities that filled their lives the rest of the year back on Earth.
More From This SellerView All
  • Night Garden - Contemporary, Landscape, 21st Century, Color, Night
    By Cristina Fontsare
    Located in Morongo Valley, CA
    Night Garden (2006)
 50 x 67 cm, Edition of 5 and 2 Artist Proofs. Photography printed in Canson Baryta Prestige 340gr. Signed on back with Certificate. Not mounted. About mysel...
    Category

    21st Century and Contemporary Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Color, Archival Pigment

  • By the Pool - 50x50cm, Contemporary, Polaroid, Photograph, 21st Century
    By Cristina Fontsare
    Located in Morongo Valley, CA
    By the Pool (2015), Edition of 10. 50 x 50 cm. Archival Print on Canson Barita Fiber Rag 310gr, based on an analog Photograph (not mounted). Signed on back with Certificate. Crist...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Paper, Archival Ink, Color, Archival Pigment, Polaroid

  • Hamburg-Rathaus #01 (Been there, done that) - Polaroid, Landscape, US, Color
    By Carmen de Vos
    Located in Morongo Valley, CA
    Hamburg-Rathaus #01 - From the series Been there, done that - 2006, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA S...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Paper, Archival Ink, Color, Archival Pigment, Polaroid

  • I remember something - Contemporary, Photograph, Landscape, 21st Century, Color
    By Cristina Fontsare
    Located in Morongo Valley, CA
    I remember something - 2006, 50 × 108 cm, Edition of 3 plus 2 Artist Proofs. printed on Canson Baryta Prestige mounted on Dibond. Signed on back with Certificate. About myself I w...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Color, Archival Pigment

  • Are you my Angel - Contemporary, Photograph, Landscape, 21st Century
    By Cristina Fontsare
    Located in Morongo Valley, CA
    Are you my Angel (2011)
 from the series Monuments 50 x 65 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mou...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Color, Archival Pigment

  • I am still waiting - Contemporary, Photograph, Portrait, Landscape, 21st Century
    By Cristina Fontsare
    Located in Morongo Valley, CA
    I am still waiting (2011)
 from the series Monuments 50 x 65 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Color, Archival Pigment

You May Also Like
  • Jimmy Nelson - XXXI 67, XXXII Muchimba, Angola, Photography 2017, Printed After
    By Jimmy Nelson
    Located in Greenwich, CT
    All available sizes & editions for each size of this photograph: 24.41 X 33.86 - Edition of 9 39.37 X 55.12 - Edition of 6 55.12 X 78.74 - Edition of 3 66.93 X 96.46 - Edition of 1 ...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

  • Jimmy Nelson - VII 274 // VII Ladakh, India, Photography 2012, Printed After
    By Jimmy Nelson
    Located in Greenwich, CT
    All available sizes & editions for each size of this photograph: 24.41 x 43.31 - Edition of 9 39.37 x 70.87 - Edition of 6 55.12 X 102.36 - Edition of 3 As a photographer, beyond th...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

  • Manhattan Bridge, Cityscape by Mitchell Funk
    By Mitchell Funk
    Located in Miami, FL
    Signed and dated on lower right, numbered on verso, Edition 2 of 15, Printed later. Unframed , Other sizes available Printed on Hahnemühle Fine Art paper
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

  • Cowboy TV - framed large photograph of iconic Western scene American landscape
    By Frank Schott
    Located in San Francisco, CA
    Cowboy TV by Frank Schott ( framed ) 58 x 77.25 inches / 147 x 196cm signed edition of 7 "Modern Gallery Frameless", a contemporary alternative to classic f...
    Category

    21st Century and Contemporary Contemporary Color Photography

    Materials

    Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Archival...

  • Paddelboot, Balaton, Hungary, minimalism, fine art color photography, landscape
    By Gerald Berghammer
    Located in Vienna, Vienna
    © Gerald Berghammer - Limited edition of 7. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm whit...
    Category

    2010s Contemporary Color Photography

    Materials

    Black and White, Digital, Digital Pigment, Archival Ink, Archival Paper,...

  • San Francisco Bay Bridge in Fog, Color Photography by Mitchell Funk
    By Mitchell Funk
    Located in Miami, FL
    It's a moody and original account of an iconic American view. Dots of red for taillights become an abstract pattern in the foreground, while silhouetted pedestrians punctuate the com...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment, Photographic Paper

Recently Viewed

View All