Helmut Newton

Prunella and Sylvie

1977

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern day tool: the Polaroid. Because of its immediacy and simplicity it became an essential part of his process in the 80's and 90's. As a result the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in a various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Alex" is a young man posing nude on top of a tarp. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Nobuyoshi Araki (b. 1940) is a renowned Japanese photographer acclaimed for his provocative style that blurs the line between fine art and pornography. With an oeuvre of over 450 ph...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern-day tool: the Polaroid. Because of its immediacy and simplicity, it became an essential part of his process in the 80's and 90's. As a result, the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Bar Back" is a young man posing nude on top of a first aid kit. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Andy Warhol began using the big-shot Polaroid camera in 1971 and continued using it religiously until he died in 1987. Despite the camera being discontinued in 1973, he continued to use it to capture the actors, artists, dancers, politicians, socialites, and factory members of his world. Frequently, Warhol's polaroids were used as preparatory works for his iconic silkscreen portraits or other artworks. They also revealed his immediate personal vision functioning as a chronicle of his surroundings and social life. In 1977, Warhol began work on two new sexually-charged bodies of work, Torsos and Sex Parts. These two series are regarded as Warhol's most daring, arguably the earliest overtly gay work in his oeuvre. Ultimately, the works in these series served to help Warhol assert his own homosexuality. Sex Parts is a series of photos featuring explicit male and female body parts, blurring the line between art and pornography. The inspiration for these works came from Polaroids that Warhol had shot through a series of photoshoots featuring models from gay clubs...

Nobuyoshi Araki (b. 1940) is a renowned Japanese photographer acclaimed for his provocative style that blurs the line between fine art and pornography. With an oeuvre of over 450 ph...

Silver gelatin print, studio stamp (verso), 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

Rare René Magritte press photograph published on the occasion of a 1990 Magritte exhibition held at the world famous Pace/Macgill gallery New York. Silver-gelatin print. 8x10 inches...

Silver gelatin print, studio stamp (verso), 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

Signed and dated on lower right, numbered on verso, Edition 2 of 15 Unframed. Other size available

“In the Howling Storm” Photography 30" x 20" inch Edition of 5 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Brian Ziff's...

“Does Thy Life Destroy” (FRAMED) Photography 30 x 20 inch Ed. of 5 by Brian Ziff “Does Thy Life Destroy” (2016) Giclee (Archival Ink) Print on Canson Platine Fibre Rag 30” X 20” inc...