Rod Dresser

Sorrel II

1989

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston.

Signed on the back of the mount. Published in: Wynn Bullock: (The Scrimshaw Press, Publication No. 8). An example sold at abroad for $35,000.

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original negative. Edward Weston, (1886 - 1958) Edward Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...

Signed on the front and back of the print by Harry Callahan. Printed in the 1970's. Copyright © Estate of Harry Callahan.

Signed on mount recto; titled with artist stamp on mount verso. Edition of 15. Price subject to change without notice.

Signed on the front of the mount. Printed in the 1960's.

Elizabeth Hurley photographed by British celebrity and fashion photographer John Stoddart. This risqué iconic black and white photograph expresses her incredible figure, capturing the actress completely naked, against the head of a large Grecian bust...

Irving Penn/ Leon Levinstein ICP, 1978: Rare vintage original 1970s International Center of Photography (ICP) press photograph published on the occasio...

In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist, and the gaze is her own. Spirit believes that an image of a woman's body should not be viewed through a purely sexual lens. Through her artwork and curation, Spirit takes on technology and social media censors who operate on the assumption that any unclothed body is pornography. #Contemporary black and white nude photography by Savannah Spirit Archival pigment print on Hahnemühle Photo Rag. "We are unique beauty, we are strong, we are equal, we are body-positive, we are elegant, we are powerful, we are vulnerable. We are our own muses." Style: This photograph combines a feminist eye and modern feminism with classic vintage...

In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist,...

"Between 1982 and 1987 Andy Warhol produced several hundred works each comprising several identical photographs stitched together with thread. At the edges of the work excess thread ...

Nude portrait study of ballet dancer Christian Holder for 'After Dark' magazine, 1970. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. ...