Cécile Plaisance
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About the Item

Photography. Cecile Plaisance's evocative photographic career began with a doll. As a young girl inundated with images of beauty, Plaisance started taking photos of the plastic playmate who was a constant fixture in the world of young girls - Barbie. At first, she aimed to make life more lighthearted by creating sweet reminders of childhood innocence. As Plaisance's photography progressed, she linked Barbie to the modern woman juggling daily life while playing with her iconic femininity as a wife, mother, friend, and lover. Women aspire to live fully and intensely multi-faceted lives despite differences in cultures, clothes, and career paths. The artist adds humor to her Barbie character by targeting men who expect sexiness in women amid daily mundanity. Plaisance's childhood idol supports the challenges of women today as they defend their rights, desires, and hard-fought freedom. Cecile Plaisance’s evocative career began with a doll - but not just any doll. The biggest names in fashion, Karl Lagerfeld, Yves St. Laurent, Christian Louboutin, Christian Lacroix and many others had all paid tribute to her. And as a young girl who loved all things beautiful, she included herself on the list by taking photos of the only plastic playmate she admired who was a constant fixture in the world of girls who dressed and undressed her daily - Barbie, of course. She was so successful at it that her early compositions of the icon made stars of her first snapshots. Her goal? To make life more lighthearted (and for some perhaps, more palatable) as a reminder of the innocence of childhood everywhere and a chance to bring those sweet memories back to life.

Creator:
Cécile Plaisance (1969, French)
Dimensions:
Height: 26 in (66.04 cm)Width: 63 in (160.02 cm)
Medium:
Digital
Movement & Style:
Contemporary
Period:
2010-
Condition:
Gallery Location:
Miami, FL
Reference Number:
1stDibs: LU1614210130902
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Cécile Plaisance

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton or Toscani, among others – Cécile Plaisance uses lenticular printing to allow the viewer to dress or undress the models, real women, barbies, idealized beauties that are everywhere around us. This time though, the models, whether human or doll, have an unapologetic way of looking right into the camera, as a way of reclaiming their right to display their charms, to seduce, to pleasure . . . in other words, to live hedonistically, regardless of religion, the male gaze or cultural boundaries. A fun tribute to all women with Cécile’s humor: it’s a statement!

As Cécile’s photography progressed, she linked Barbie to the women of today — all the while playing with her femininity, as the icon took on many lives while juggling her daily life as wife, mother, friend and lover. She was doing what all women do and thoroughly enjoying it: flirty in her convertible; sexy on the beach; powerful as executive of her own company, autonomous, ageless, and in the end — alone as beautiful women can be in life — a Stepford wife no longer. Cécile also added humor to the Barbie mix by targeting men who absolutely expect sexiness in their women even while assuming everyday responsibilities.

Over and above the myth of woman as object, the artist elevates the idol of our collective childhood by supporting the challenges of women today to defend their rights, their desires and their hard-fought freedom. The nun’s cloak and the burka of a veiled woman now suggests that behind one woman’s outer persona, is another one hiding. From complex subtleties to bold statements, Cécile Plaisance’s artistic eye has found them all. Despite the differences in cultures, in clothes and fashion, and the diversity of paths taken, women aspire to live fully and intensely their multifaceted lives and no Taliban will ever change that. In capturing the essence of all women in the perfect body of one, the artist has created a genre uniquely her own yet accessible to all. She uses the technique of lenticular photography by superimposing images: Barbie appears to undress depending on one’s position in front of the photo.

What if God were a woman? “Fuck the rules” is her latest series of photos that ignores established precepts and, instead, delivers an open perspective in which men and women accompany one another religiously, like complementary souls. Far from the mummifying codes of religion, Cécile Plaisance invites us into a subtle and sensual freedom of the senses, where a woman is seen as a female pope, the exclusive mistress of her own decisions.

Find a collection of original Cécile Plaisance photography on 1stDibs.