Russell Young

Ali Diptych, Thunder White

2022

Russell Young Marilyn Crying, Dove White + Black, 2014 Acrylic and enamel and diamond dust screen print on linen, framed 62 x 48 inches This piece is unique Signed by artist Current...

RUSSELL YOUNG Marilyn Hollywood, Swan White, 2021 62 x 48 inches Acrylic paint, enamel, and diamond dust Signed by artist Currently on display at Ar...

Russell Young Bardot Thunder, Bruised Pink Signed by artist Acrylic, enamel and diamond dust on screen print on linen, framed 28 x 37 inches Currently on d...

Russell Young Elizabeth Taylor, Siren Black & White 37 x 29 inches Acrylic and enamel and diamond dust / screen print on linen This piece is unique Signed by artist Framed Currently...

Russell Young Mick Jagger, Hot White Acrylic and enamel and diamond dust screen print on linen, framed 62 x 48 inches This piece is unique Signed by artist Currently on display at A...

Russell Young Bardot Cowgirl, Thunder White Acrylic and enamel and diamond dust screen print on linen, framed 62 x 43 inches This piece is unique Signed by artist Currently on displ...

Fashion shot of Kate Moss. Hand pulled acrylic, enamel screen print and diamond dust on linen. Will ship rolled. About the Artist: Russell Young currently lives and works in C...

Fashion shot of Kate Moss. Hand pulled acrylic, enamel screen print and diamond dust on linen. Will ship rolled. About the Artist: Russell Young currently lives and works in Ca...

Fashion shot of Kate Moss. Acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Stretched on black frame. About the Artist: Russell Young currently lives a...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...